701 research outputs found
Corrigendum: Human mental workload: A survey and a novel inclusive definition
No full textIn the published article, the name of Gabriella Hancock was incorrectly written as “Gabriela M. Hancock.” The correct name is “Gabriella Hancock.” In the published article, there was also an error in the author list as published. Gabriella Hancock was listed as the last author, but should have been listed as third author. P. A. Hancock was listed as third author but should be listed as the last author. The corrected author list appears below. Luca Longo1, Christopher D.Wickens, Gabriella Hancock and P. A. Hancock. The authors apologize for this error and state that this does not change the scientific conclusions of the article in any way. The original article has been updated
Janus Bifrons, Janus Cerus: strategie traduttive e autotraduttive in Nabokov
No full textJanus Bifrons, Janus Cerus: Nabokov’s translation and Self-translation
Strategies
The first part of the paper delves into the question of the writer’s approaches to literary
translation. A distinction between his translations into Russian (this is the case of Alice in
Wonderland,1923, Anja v Strane Čudes) and those into English (Evgenij Onegin, 1964,Eu-gene Onegin) is in order. It should be underlined, however, that in this reference frame the
translation is conducted on works belonging to otherauthors. Nonetheless, these examples
make it possible to discuss Nabokov’s distinct, if not contradictory, theoretical position con-cerning the practice of translation. In fact, his opinion dramatically changes depending on
the direction of translation, from Russian into English or the other way round.
The second focus is on the problem of translating one’s own text. In Nabokov’s literary
career this activity was undertaken from the 1930s onwards. It is possible here to mention a
novel such as Otčajanie(Despair, 1936), which the author self-translated twice into English
(1937, 1965). Finally, the paper considers Nabokov’s collaboration with his son Dmitri, because of its theoretical importance. Examples of this cooperation can be found, for instance,
in the translation of Priglašenie na kazn’ (1938, Invitation to a Beheading, 1959), and Cose
Trasparenti(1975, Transparent Things, 1972). The legitimacy of the translation and its value
are called into question, while the role of the author in this context is also discussed
L’Ara Pacis di Augusto e la campagna elettorale per le elezioni amministrative, del 2006, del Comune di Roma
No full textIl 21 aprile del 2006, ricorrenza del Natale di Roma, il sindaco Walter Veltroni inaugurò il nuovo Museo dell’Ara Pacis progettato dall’architetto statunitense Richard Meier. L’edificio sostituiva la precedente teca realizzata da Vittorio Ballio Morpurgo, tra il 1937 e il 1938, per la committenza di Benito Mussolini. A far da sfondo alla cerimonia del 2006, accompagnata da molte polemiche, il clima “infuocato” della campagna politica per l’elezione, imminente, del sindaco della capitale. Campagna elettorale che, sia nella costruzione del consenso sia nella creazione di un eventuale dissenso nei confronti della giunta in carica, vide al centro del dibattito elettorale anche l’edificio di Meier. L’autrice, dunque, a partire da questa evidenza, analizza nel saggio l’attenzione da parte della politica nei confronti di un progetto che solo ad una lettura disattenta risulta circoscritto all’archeologia, all’urbanistica e all’architettura. Una riflessione, quella proposta da Gabriella De Marco, sollecitata dagli strumenti metodologici della storia dell’arte. Lo scritto, quindi, non è centrato sull’analisi dell’edificio di Meier, sulle modalità dell’assegnazione dell’incarico e sulle altre questioni tecniche su cui esiste un’ampia e qualificata letteratura scientifica, ma sull’uso della storia, dell’archeologia e dell’urbanistica come forma attuale di comunicazione politica ed elettorale.On 21th April 2006, anniversary of the founding of Rome, the Major Walter Veltroni inaugurated the new Ara Pacis Museum designed by the American architect Richard Meyer. The building replaced the previous shrine created by Vittorio Ballio Morpurgo, between 1937 and 1938, and commissioned by Benito Mussolini. Background of the 2006 ceremony, not without controversy, was “the fiery climate” of the political campaign for the election of the Mayor of the city. Election campaign that put in the middle of the political clash, and of the political debate, the Museum designed by Meier. Therefore, in the essay, Gabriella De Marco analyzes the attention by the contemporary politic towards a cultural project that only a distracted reading may narrow to the specific context of the archaeology, the history and the urban planning. The author proposes a reflection conducted through the methodological tools of the history of art. The text, therefore, is not built on the analysis of the Museum of Meier and on the other technical matters, on which there is a wide and qualified scientific literature, but on the use of history, archaeology, and urban planning as a current form of political and electoral communication
Gabriella Infinita: a perspective of Colombian history and culture through electronic literature
No full textGabriella infinita is a landmark of Latin American digital literature by Colombian author Jaime Alejandro Rodríguez Ruiz. It is a hypermedia novel in Spanish which was originally written and published as a traditional printed novel in 1994, to later on become a hypertext and a hypermedia novel. As a literary piece, Gabriella Infinita is an excellent example of Latin American literature. It brings to the fore topics that have been common to many Latin American countries, such as a civil war, guerrilla wars, repression, freedom of expression, fear and exile. It also highlights Latin America fascination with the United States and the counterculture movements of the 1970s. This essay explores how Colombian writer Jaime Alejandro Rodríguez Ruiz uses the various modalities of the new media in his hypermedia Gabriella Infinita to provide a better understanding of Colombian culture and history
Sull’insegnamento universitario di storia dell’arte contemporanea e le scritture al femminile. Riflessioni sul metodo, il canone e i manuali di storia dell’arte. Spunti per un avio di riflessione
No full textGabriella De Marco propone una riflessione sul genere a partire da alcuni manuali adottati in Italia, dalla metà degli anni settanta del Novecento, nelle scuole e all’Università. In particolare, ha preso in considerazione alcuni volumi di autori italiani e stranieri pubblicati tra il 1970 ed il 2016.
Il genere, dunque, e in particolare quello che l’autrice definisce come scritture al femminile , è spunto di riflessione per un ragionamento legato al canone, o più precisamente, all’avvio del canone negli studi di storia dell’arte contemporanea. L’attenzione nei confronti dell’avvio di storicizzazione dell’arte delle donne è motivo, inoltre, di un ragionamento sulle potenzialità di un manuale nella formazione della ricezione e del gusto sul fronte culturale. L’autrice, esponendo i suoi criteri di selezione, ha preso in esame alcune artiste attive, nel contesto internazionale dall’età neoclassica ai nostri giorni. La disamina, inoltre, ha evidenziato, al di là delle scelte personali degli autori dei manuali considerati, l’esistenza di un centro e di una periferia
che incide profondamente nell’elenco delle presenze; e ciò indipendentemente dalla questione del genere.
Il testo, per concludere, proprio perché vuol essere una sguardo su alcuni di quei volumi su cui si sono formate generazioni di studenti, si propone come un contributo sull’avvio del canone e la contemporaneità. Ciò a partire dall’arte delle donne.Gabriella De Marco proposes a reflection on gender starting from some textbooks adopted in Italian schools and universities since the mid-seventies, with specific reference to some volumes of Italian and foreign authors published between 1970 and 2016. The gender, which the author defines as female writings , is a reflection on the canon or more precisely on the start of the canon in the studies of contemporary art history.
The start of a process of historicization of women’s art is also an occasion for a reasoning on the potential that a manual has in the forma tion of cultural taste. The author has examined some artists active in the international context from the neoclassical age to the present. The survey has highlighted, beyond the personal choices of the authors, the existence of an interior and an exterior that deeply affects the list of selected artist, regardless of the gender issue. Finally, the text wants to have a glance at some of those textbooks on which generations of students have been formed. It is proposed as a contribution to the beginning of the canon and the contemporary studies, starting from the art of wome
Writing about a Stranger. Therese Schlesinger (1863 Vienna – 1940 Blois): Vom Gemeintsein im Bild der Vergangenheit
No full textThis article addresses theories and methods of writing biography with regard to Walter Benjamin’s metaphor of »recognizing the image of the past as one’s own concern«. The author reflects on »recognizing« herself in the historical image and in the work of Therese Schlesinger. Tracing the biography of the Jewish-Austrian feminist, social democrat and member of parliament, who was forced into exile by the National Socialist takeover in 1938, the author refuses to limit the reading of Schlesinger’s biography to a single historicist narrative. Gabriella Hauch argues that we must look for narrative fissures and gaps to make visible the multi-dimensional tangle of cause and effect in biographical research.This article addresses theories and methods of writing biography with regard to Walter Benjamin’s metaphor of »recognizing the image of the past as one’s own concern«. The author reflects on »recognizing« herself in the historical image and in the work of Therese Schlesinger. Tracing the biography of the Jewish-Austrian feminist, social democrat and member of parliament, who was forced into exile by the National Socialist takeover in 1938, the author refuses to limit the reading of Schlesinger’s biography to a single historicist narrative. Gabriella Hauch argues that we must look for narrative fissures and gaps to make visible the multi-dimensional tangle of cause and effect in biographical research
Numerical simulation of non-standard tensile tests of thin metal foils
No full textThe evolution of the fracture processes occurring in thin metal foils can be evidenced by tensile tests performed on samples of non-standard dimensions. The load versus displacement record of these experiments does not return directly the local stress-strain relationship and the fracture characteristics of the investigated material. In fact, the overall response of thin foils is sensitive to local imperfections, size and geometric effects. Simulation models of the performed tests can support the interpretation of the experimental results, provided that the most significant physical phenomena are captured. The present contribution focuses on the role of modelling details on the numerical output that can be obtained in this context
La tutela dell'ambiente come diritto della persona
No full textIn this essay the author proposes a reconstruction of the environment as a right of
the person and of environmental damage as an existential damage aimed at filling that
void of protection in environmental matters denounced by the internal and European
courts.
In particular, in the Italian legal system, the absence of remedies that allow the
individual affected person to obtain compensation protection reveals, on the basis of
current legislation, within the Italian legal system, a dangerous vacuum of protection.
According to the author, the legitimacy of the injured party could be derived from
a parallel reconstruction of the environmental damage that, regardless of the legislative configuration, identifies it as damage to the quality of life, in accordance with the
enhancement of the environment as a fundamental right of the person, operated by
jurisprudence and confirmed by the principles of domestic and European legislation.
In this perspective, the author identifies in the reform of the commons, currently
under consideration by Parliament, the opportunity to introduce a specific discipline for
the private protection of the environment.
According to the author, in addition to the public legitimacy of the State, in the
person of the Ministry of the Environment, provided for by the special environmental
legislation, the reformed civil code could still establish the individual legitimacy of the
person injured by a phenomenon of environmental damage, as damage to an individual
existential conditio
Onze estreias para Gabriella Argento: uma história da palhaça du’porto
No full textOnze estreias para Gabriella Argento é uma narrativa biográfica sobre Gabriella de Souza Argento, a Palhaça Du‘Porto. Brasileira, nascida em Santos em 1975, Gabriella rumou para São Paulo em busca do sonho de ser atriz. Logo nos primeiros anos de formação, descobriu na linguagem do palhaço a sua escolha profissional definitiva. Passou por importantes grupos que envolvem a arte do palhaço, como o projeto Núcleo Experimental de Ópera, na Universidade Santa Marcelina; a Cia Jogando no Quintal e os Doutores da Alegria, antes de se tornar a primeira palhaça e atriz brasileira do Cirque du Soleil. Esta biografia traz os principais eventos de sua vida profissional e pessoal, intercalando com breves passagens em que o autor foi seu aluno. Deste modo, a narrativa se intercala entre primeira e terceira pessoa, tecendo elementos que retratam a filosofia e o caminho de aprendizado desta linguagem teatral que reúne fortes aspectos filosóficos e autobiográficos. Pautado no encontro da linguagem teatral do palhaço e a biografia (e suas variáveis) – o trabalho apresenta um ensaio teórico e reflexivo sobre este gênero híbrido, não canônico, e algumas questões em torno da representação do real levantadas por Pierre Bourdieu em A ilusão biográfica. Mesmo independente, a teoria envolve a obra, entre uma breve apresentação precedente, e o ensaio teórico mais longo, ao final, como um posfácio. Com o objetivo de refletir sobre o hibridismo e os limites das narrativas biográficas, e na tentativa de identificar o gênero deste trabalho, são utilizadas as pesquisas do historiador François Dosse, em O desafio biográfico; os ensaios do sociólogo francês Philippe Lejeune, contidos em O pacto autobiográfico, para então traçar as ideias gerais dos conceitos recentes da escrita criativa de não ficção (creative nonficcion), do escritor e professor Lee Gutkind, e do gênero denominado perfil.Ten premieres for Gabriella Argento is a biographical narrative about Gabriella de Souza Argento, the Du'Porto Clown. Brazilian, born in the city of Santos in 1975, Gabriella went to São Paulo following the dream of being an actress. In the early years of his training, she discovered in the language of the clown her definitive professional choice. She went through important groups that involve the art of the clown, such as Núcleo Experimental de Ópera project, at Santa Marcelina University; Cia. Jogando no Quintal and Doutores da Alegria, before becoming the first Brazilian clown and actress of Cirque du Soleil. This biography brings the main events of her professional and personal life, interspersed with brief passages in which the author was her student. In this way, the narrative intercalates first and third person, weaving elements that portray the philosophy and the way of learning of this theatrical language that gathers strong philosophical and autobiographical aspects. Guided by the encounter of the theatrical language of the clown and the biography (and its variables) - the paper presents a theoretical and reflective essay on this non-canonical and hybrid genre, and some questions about the reality representation discussed by Pierre Bourdieu in The biographical illusion. Even independent, the theory involves the work, between a brief preceding presentation, and the longer theoretical essay, at the end, as an afterword. In order to reflect on the hybridity and limits of biographical narratives, and in an attempt to identify the genre of this work, the researches of the historian François Dosse, in The biographical challenge; the essays of the French sociologist Philippe Lejeune, contained in The autobiograLos once estrenos de Gabriella Argento es una narrativa biográfica sobre Gabriella de Souza Argento, La Payasa Du´Porto. Brasileña, nacida en la ciudad de Santos en 1975, Gabriella tomó el rumbo de São Paulo con el propósito de realizar su sueño: tornarse actriz. Al descubrir el lenguaje del payaso, durante sus primeros años de formación, eligió tornarse una. Gabriella tomó parte en importantes grupos que envuelven o trabajan de alguna manera el arte del payaso, como el proyecto Núcleo Experimental de Ópera, en la Universidad Santa Marcelina; La Compañía Jogando no Quintal y los Doutores da Alegria, antes de tornarse la primera payasa y actriz brasileña en el Cirque de Soleil. Esta biografia apresenta los principales eventos de su vida profesional y personal, intercaladas a breves relatos del período que el autor de la biografía fue su alumno. De ahí que la narrativa hace uso de primera o tercera persona conforme el foco narrativo, bien como se utiliza de elementos que representan la filosofía y el camino del aprendizaje del lenguaje teatral del payaso que reúne importantes aspectos filosóficos y autobiográficos. Siempre teniendo como norte el lenguaje teatral del payaso y la biografia (y sus variantes) – el presente trabajo presenta un ensayo teórico y reflexivo sobre este género híbrido y todavía a la margen del canon, bien como algunas cuestiones a cerca de la representación de lo real en la obra de Pierre Bourdieu en La ilusión biográfica. Aun que independiente, la teoría hace parte de la obra y está entre una breve presentación anterior y el ensayo teórico más largo al final, como un epílogo. A fin de reflexionar sobre el hibridismo y los límites de las narrativas biográficas y también intentando identificar el género de este trabajo, son utilizadas las investigaciones del historiador François Dosse en La Apuesta Biográfica; los ensayos de sociólogo francés Philippe Lejeune, presentes en El Pacto Autobiográfico, para entonces dibujar las ideas generales de los recientes conceptos de la Escrita Creativa de non-ficción (creative nonfiction), de lo escritor y profesor Lee Gutkind, y de lo género perfil
UN TEXTE INÉDIT DE JOSÉ PIERRE SUR RIMBAUD, CROS ET LE LETTRISME
No full textThe author has publishes an important autographed text written by the sur- realist José Pierre which reveals her completely unexpected judgments on Arthur Rimbaud (negative judgment), on Charles Cros (extremely positive judgment) and on Lettrism (completely negative judgment)
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