58,663 research outputs found

    Author Tom Keneally back stage at the Nimrod Theatre, Sydney, 1980 /

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    Title from acquisitions documentation.; Part of the collection: Robert McFarlane collection of photographs.; Inscriptions: "Author Tom Keneally back stage Nimrod Theatre 1980 Robert McFarlane"--In pencil on reverse.; Also available online at: http://nla.gov.au/nla.pic-vn6615438

    Author Tom Keneally and actor Justine Saunders backstage during the rehearsals of Bullie's House, Nimrod Theatre, Sydney, 1980 /

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    Title from acquisitions documentation.; Part of the collection: Robert McFarlane collection of photographs.; Inscriptions: "Author Tom Keneally + Actor Justine Saunders backstage Nimrod Theatre 1980 during rehearsal's 'Bulli'es House' Robert McFarlane"--In pencil on reverse.; Also available online at: http://nla.gov.au/nla.pic-vn6615450

    Pascal Tutorial, 1987

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    There exists a limited number of tutorials for the Pascal programming language using the Apple Computer. The demand for these tutorials exceeds the supply. In this thesis an attempt was made to rectify this shortage by designing a Pascal tutorial for the Apple computer. This Pascal tutorial is designed to assist with instructing an introductory computer programming course in Pascal, incorporating Apple Superpilot as the authoring language. Emphasis is placed on making the program "user friendly." A person with no previous programming experience should be able to easily execute this tutorial. The information presented as the subject matter of the tutorial will follow the guidelines recommended by the Association for Computing Machinery

    Robert Sparks Walker diary, 1941

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    Diary authored by Chattanooga author and naturalist, Robert Sparks Walker

    Robert Sparks Walker diary, 1945

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    Diary authored by Chattanooga author and naturalist, Robert Sparks Walker

    Robert Sparks Walker diary, 1945

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    Diary authored by Chattanooga author and naturalist, Robert Sparks Walker

    Robert Sparks Walker diary, 1941

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    Diary authored by Chattanooga author and naturalist, Robert Sparks Walker

    Samuel Beckett and the Writers of Port-Royal

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    It has been observed that ‘the literary influences on Beckett have been far more important than has been acknowledged, and more important indeed, than the philosophical influences’ (Smith 2002: 3). The truth of this statement is evidenced by the description that scholars have given of Samuel Beckett’s relationship to seventeenth century French classicism. To date, critical interest has been limited for the most part to the figure of the philosopher René Descartes on the (fragile) grounds that Beckett was exclusively concerned with the Cartesian imperative of clarity and order, the fundamental dualism between body and mind, and Nominalism. Together with the assumption that Beckett’s vision was essentially Cartesian, his literary filiation with Pascal was suggested by critics, but only in terms of Beckett’s formal approach to the theatre. In his short article on En attendant Godot in 1953, the playwright Jean Anouilh was among the first reviewers to suggest that Beckett’s drama synthesizes the encounter between ‘classicism’ and a ‘modern’ form of art. It is well known that Beckett retained a lifelong admiration for Pascal – indeed, Pascal was one of his ‘old chestnuts’ (Knowlson 1997: 653). Little attention has been paid, however, to the originality of Pascal’s thought, the specific nature of his prose, and the impact these might have had upon Beckett’s mature work, especially the trilogy and the subsequent short prose. Yet, in the literary and philosophical context of post-war France, Beckett’s filiation with Pascal, their corresponding preoccupations, were evident to his contemporaries, who identified Pascal as an underlying presence in his works

    Robert Amiet (1911-2000)

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    Collomb Pascal. Robert Amiet (1911-2000). In: Gazette du livre médiéval, n°38. Printemps 2001. pp. 111-112

    Robert Sparks Walker diary, 1953

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    Diary authored by Chattanooga author and naturalist, Robert Sparks Walker
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