5,583 research outputs found
Devil’s Oak: Waking the Feminine Wound
No full textDevil’s Oak: Waking the Feminine Wound is a short story collection that features strong female characters against a backdrop of ghosts, fairy tales, and urban legends. The thirteen stories subvert the historical narrative of women in fairy tales, positioning them as bold and willing to step into the face of danger. “The Braided Veil” features a young orphan in Victorian New Orleans who seeks revenge upon her mother’s abuser. “Devil’s Oak” addresses the horrors of slavery through the eyes of a young girl who learns that her family owned human beings. “Good Little Girls” takes readers back to childhood in which a sick girl explores her neighbor’s attic on a stormy day; she discovers more than she bargained for. “The Game” features relational aggression in the 1990’s in a “mean girls” style that takes a grizzly turn. “Selkie Skin” leans into Celtic lore, following a young pregnant girl who longs for freedom. “The Ripper Society” reaches back through time to Jack the Ripper’s wife, who discovers his misdeeds and takes matters into her own hands. “She Has Seen the Wolf” is longer story that connects to my novel, The Butterfly Circle; when a graduate student learns she is pregnant, she uncovers her family’s connected history to a haunted home for unwed mothers. In “Roots in the Cove,” a woman in an unhealthy relationship shapeshifts into a bear on a trip to Gatlinburg and finally finds her freedom. Both “Marsh Girl” and “Cicadas in the Suburbs” explore the psychological challenges of suburban life, including postpartum depression and the longing for the magic of youth. In “Honey Tree,” a divorced woman seeks comfort from the bees, and in “Crow Woman,” a widow faces metaphorical death and is reborn. Finally, “Ghost Apples” is a retelling of Snow White from the perspective of the queen; she shapeshifts into a wolf to protect a young girl who has been attacked and seeks revenge upon her abuser.
~A literary horror/fiction short story collection by Mary Carroll Leoson. Foreword by Christopher Barzak, author of A Voice Calling and One for Sorrow. Editor and jacket design by A.Miller. Available in PDF, Ebook (epub), paperback, and hardcover in October 2025.
--Publisher\u27s Note: Each story has been editor and press reviewed, and the entire book has been externally reviewed by experts in the field as part of the quality review process. Indexed in the Directory of Open Access Books (DOAB). Official press release.--
Reviews
“What distinguishes Mary Carroll Leoson’s work is her ability to inhabit the liminal spaces between myth and reality, past and present, the seen and the unseen. These stories are rooted deeply in the soil of ancestral memory and the landscapes of the American South, yet they reach far beyond that geography into the universal territory of trauma, resilience, and transformation.” --Christopher Barzak, author of One for Sorrow and A Voice Calling.
“Each story reads like an old heirloom passed from hand to hand, warm with use and heavy with meaning. The prose is lyrical but never ornamental; the horror, earned. And as the final page turns, it leaves you changed. Devil’s Oak: Waking the Feminine Wound isn’t just read. The stories linger like the smell of roses at a closed casket.” --Diane Sismour, author of novels, short stories, and screenplays
“I loved Marguerite in “Devil’s Oak,” her personality shone through, and I found myself rooting for her immediately. I loved seeing her rebel against expectations of femininity. Go, Marguerite!” -- Janet Alcorn, author of award-winning short stories
“Kate, Bea, and Nana from “She Has Seen the Wolf” are my favorite characters in this standout story of this Devil’s Oak collection; and I could easily see it adapted to television in some way.” --Ada Wofford, Sundress Publications
“My favorite character and story is Claire in “Marsh Girl,” plus “Good Little Girls” is especially chilling, and I enjoyed “The Ripper Society” so much, I was bereft at the end, hoping for more!” --Jasmine De La Paz, Gothic horror author
Book information
Devil’s Oak: Waking the Feminine Wound
© 2025 Mary Carroll Leoson
Published by MT Open Press (Blue Crescent Books imprint) at Middle Tennessee State University, Murfreesboro
Identifiers
ISBN (paperback) 979-8-9995864-0-7
ISBN (hardcover) 979-8-9871721-9-3
ISBN (digital PDF) 979-8-9871721-6-2
ISBN (digital epub) 979-8-9871721-7-9
DOI: https://doi.org/10.56638/mtopb00425
Distribution
Print-on-demand version (epub, paperback, hardcover) available at https://www.lulu.com/spotlight/mtop
Follow and review on Goodreads: https://www.goodreads.com/book/show/239910520-devil-s-oak
Suggested Citation
Leoson, Mary Carroll. Devil’s Oak: Waking the Feminine Wound. MT Open Press, Middle Tennessee State University, 2025. https://doi.org/10.56638/mtopb00425
This work is licensed under a Creative Commons Attribution-NonCommercial No Derivatives-4.0 International Licens
Devil’s Oak: Waking the Feminine Wound
No full textDevil’s Oak: Waking the Feminine Wound is a short story collection that features strong female characters against a backdrop of ghosts, fairy tales, and urban legends. The thirteen stories subvert the historical narrative of women in fairy tales, positioning them as bold and willing to step into the face of danger. “The Braided Veil” features a young orphan in Victorian New Orleans who seeks revenge upon her mother’s abuser. “Devil’s Oak” addresses the horrors of slavery through the eyes of a young girl who learns that her family owned human beings. “Good Little Girls” takes readers back to childhood in which a sick girl explores her neighbor’s attic on a stormy day; she discovers more than she bargained for. “The Game” features relational aggression in the 1990’s in a “mean girls” style that takes a grizzly turn. “Selkie Skin” leans into Celtic lore, following a young pregnant girl who longs for freedom. “The Ripper Society” reaches back through time to Jack the Ripper’s wife, who discovers his misdeeds and takes matters into her own hands. “She Has Seen the Wolf” is longer story that connects to my novel, The Butterfly Circle; when a graduate student learns she is pregnant, she uncovers her family’s connected history to a haunted home for unwed mothers. In “Roots in the Cove,” a woman in an unhealthy relationship shapeshifts into a bear on a trip to Gatlinburg and finally finds her freedom. Both “Marsh Girl” and “Cicadas in the Suburbs” explore the psychological challenges of suburban life, including postpartum depression and the longing for the magic of youth. In “Honey Tree,” a divorced woman seeks comfort from the bees, and in “Crow Woman,” a widow faces metaphorical death and is reborn. Finally, “Ghost Apples” is a retelling of Snow White from the perspective of the queen; she shapeshifts into a wolf to protect a young girl who has been attacked and seeks revenge upon her abuser.
~A literary horror/fiction short story collection by Mary Carroll Leoson. Foreword by Christopher Barzak, author of A Voice Calling and One for Sorrow. Editor and jacket design by A.Miller. Available in PDF, Ebook (epub), paperback, and hardcover in October 2025.
--Publisher\u27s Note: Each story has been editor and press reviewed, and the entire book has been externally reviewed by experts in the field as part of the quality review process. Indexed in the Directory of Open Access Books (DOAB). Official press release.--
Reviews
“What distinguishes Mary Carroll Leoson’s work is her ability to inhabit the liminal spaces between myth and reality, past and present, the seen and the unseen. These stories are rooted deeply in the soil of ancestral memory and the landscapes of the American South, yet they reach far beyond that geography into the universal territory of trauma, resilience, and transformation.” --Christopher Barzak, author of One for Sorrow and A Voice Calling.
“Each story reads like an old heirloom passed from hand to hand, warm with use and heavy with meaning. The prose is lyrical but never ornamental; the horror, earned. And as the final page turns, it leaves you changed. Devil’s Oak: Waking the Feminine Wound isn’t just read. The stories linger like the smell of roses at a closed casket.” --Diane Sismour, author of novels, short stories, and screenplays
“I loved Marguerite in “Devil’s Oak,” her personality shone through, and I found myself rooting for her immediately. I loved seeing her rebel against expectations of femininity. Go, Marguerite!” -- Janet Alcorn, author of award-winning short stories
“Kate, Bea, and Nana from “She Has Seen the Wolf” are my favorite characters in this standout story of this Devil’s Oak collection; and I could easily see it adapted to television in some way.” --Ada Wofford, Sundress Publications
“My favorite character and story is Claire in “Marsh Girl,” plus “Good Little Girls” is especially chilling, and I enjoyed “The Ripper Society” so much, I was bereft at the end, hoping for more!” --Jasmine De La Paz, Gothic horror author
Book information
Devil’s Oak: Waking the Feminine Wound
© 2025 Mary Carroll Leoson
Published by MT Open Press (Blue Crescent Books imprint) at Middle Tennessee State University, Murfreesboro
Identifiers
ISBN (paperback) 979-8-9995864-0-7
ISBN (hardcover) 979-8-9871721-9-3
ISBN (digital PDF) 979-8-9871721-6-2
ISBN (digital epub) 979-8-9871721-7-9
DOI: https://doi.org/10.56638/mtopb00425
Distribution
Print-on-demand version (epub, paperback, hardcover) available at https://www.lulu.com/spotlight/mtop
Follow and review on Goodreads: https://www.goodreads.com/book/show/239910520-devil-s-oak
Suggested Citation
Leoson, Mary Carroll. Devil’s Oak: Waking the Feminine Wound. MT Open Press, Middle Tennessee State University, 2025. https://doi.org/10.56638/mtopb00425
This work is licensed under a Creative Commons Attribution-NonCommercial No Derivatives-4.0 International Licens
Devil’s Oak: Waking the Feminine Wound
No full textDevil’s Oak: Waking the Feminine Wound is a short story collection that features strong female characters against a backdrop of ghosts, fairy tales, and urban legends. The thirteen stories subvert the historical narrative of women in fairy tales, positioning them as bold and willing to step into the face of danger. “The Braided Veil” features a young orphan in Victorian New Orleans who seeks revenge upon her mother’s abuser. “Devil’s Oak” addresses the horrors of slavery through the eyes of a young girl who learns that her family owned human beings. “Good Little Girls” takes readers back to childhood in which a sick girl explores her neighbor’s attic on a stormy day; she discovers more than she bargained for. “The Game” features relational aggression in the 1990’s in a “mean girls” style that takes a grizzly turn. “Selkie Skin” leans into Celtic lore, following a young pregnant girl who longs for freedom. “The Ripper Society” reaches back through time to Jack the Ripper’s wife, who discovers his misdeeds and takes matters into her own hands. “She Has Seen the Wolf” is longer story that connects to my novel, The Butterfly Circle; when a graduate student learns she is pregnant, she uncovers her family’s connected history to a haunted home for unwed mothers. In “Roots in the Cove,” a woman in an unhealthy relationship shapeshifts into a bear on a trip to Gatlinburg and finally finds her freedom. Both “Marsh Girl” and “Cicadas in the Suburbs” explore the psychological challenges of suburban life, including postpartum depression and the longing for the magic of youth. In “Honey Tree,” a divorced woman seeks comfort from the bees, and in “Crow Woman,” a widow faces metaphorical death and is reborn. Finally, “Ghost Apples” is a retelling of Snow White from the perspective of the queen; she shapeshifts into a wolf to protect a young girl who has been attacked and seeks revenge upon her abuser.
~A literary horror/fiction short story collection by Mary Carroll Leoson. Foreword by Christopher Barzak, author of A Voice Calling and One for Sorrow. Editor and jacket design by A.Miller. Available in PDF, Ebook (epub), paperback, and hardcover in October 2025.
--Publisher\u27s Note: Each story has been editor and press reviewed, and the entire book has been externally reviewed by experts in the field as part of the quality review process. Indexed in the Directory of Open Access Books (DOAB). Official press release.--
Reviews
“What distinguishes Mary Carroll Leoson’s work is her ability to inhabit the liminal spaces between myth and reality, past and present, the seen and the unseen. These stories are rooted deeply in the soil of ancestral memory and the landscapes of the American South, yet they reach far beyond that geography into the universal territory of trauma, resilience, and transformation.” --Christopher Barzak, author of One for Sorrow and A Voice Calling.
“Each story reads like an old heirloom passed from hand to hand, warm with use and heavy with meaning. The prose is lyrical but never ornamental; the horror, earned. And as the final page turns, it leaves you changed. Devil’s Oak: Waking the Feminine Wound isn’t just read. The stories linger like the smell of roses at a closed casket.” --Diane Sismour, author of novels, short stories, and screenplays
“I loved Marguerite in “Devil’s Oak,” her personality shone through, and I found myself rooting for her immediately. I loved seeing her rebel against expectations of femininity. Go, Marguerite!” -- Janet Alcorn, author of award-winning short stories
“Kate, Bea, and Nana from “She Has Seen the Wolf” are my favorite characters in this standout story of this Devil’s Oak collection; and I could easily see it adapted to television in some way.” --Ada Wofford, Sundress Publications
“My favorite character and story is Claire in “Marsh Girl,” plus “Good Little Girls” is especially chilling, and I enjoyed “The Ripper Society” so much, I was bereft at the end, hoping for more!” --Jasmine De La Paz, Gothic horror author
Book information
Devil’s Oak: Waking the Feminine Wound
© 2025 Mary Carroll Leoson
Published by MT Open Press (Blue Crescent Books imprint) at Middle Tennessee State University, Murfreesboro
Identifiers
ISBN (paperback) 979-8-9995864-0-7
ISBN (hardcover) 979-8-9871721-9-3
ISBN (digital PDF) 979-8-9871721-6-2
ISBN (digital epub) 979-8-9871721-7-9
DOI: https://doi.org/10.56638/mtopb00425
Distribution
Print-on-demand version (epub, paperback, hardcover) available at https://www.lulu.com/spotlight/mtop
Follow and review on Goodreads: https://www.goodreads.com/book/show/239910520-devil-s-oak
Suggested Citation
Leoson, Mary Carroll. Devil’s Oak: Waking the Feminine Wound. MT Open Press, Middle Tennessee State University, 2025. https://doi.org/10.56638/mtopb00425
This work is licensed under a Creative Commons Attribution-NonCommercial No Derivatives-4.0 International Licens
Devil’s Oak: Waking the Feminine Wound
No full textDevil’s Oak: Waking the Feminine Wound is a short story collection that features strong female characters against a backdrop of ghosts, fairy tales, and urban legends. The thirteen stories subvert the historical narrative of women in fairy tales, positioning them as bold and willing to step into the face of danger. “The Braided Veil” features a young orphan in Victorian New Orleans who seeks revenge upon her mother’s abuser. “Devil’s Oak” addresses the horrors of slavery through the eyes of a young girl who learns that her family owned human beings. “Good Little Girls” takes readers back to childhood in which a sick girl explores her neighbor’s attic on a stormy day; she discovers more than she bargained for. “The Game” features relational aggression in the 1990’s in a “mean girls” style that takes a grizzly turn. “Selkie Skin” leans into Celtic lore, following a young pregnant girl who longs for freedom. “The Ripper Society” reaches back through time to Jack the Ripper’s wife, who discovers his misdeeds and takes matters into her own hands. “She Has Seen the Wolf” is longer story that connects to my novel, The Butterfly Circle; when a graduate student learns she is pregnant, she uncovers her family’s connected history to a haunted home for unwed mothers. In “Roots in the Cove,” a woman in an unhealthy relationship shapeshifts into a bear on a trip to Gatlinburg and finally finds her freedom. Both “Marsh Girl” and “Cicadas in the Suburbs” explore the psychological challenges of suburban life, including postpartum depression and the longing for the magic of youth. In “Honey Tree,” a divorced woman seeks comfort from the bees, and in “Crow Woman,” a widow faces metaphorical death and is reborn. Finally, “Ghost Apples” is a retelling of Snow White from the perspective of the queen; she shapeshifts into a wolf to protect a young girl who has been attacked and seeks revenge upon her abuser.
~A literary horror/fiction short story collection by Mary Carroll Leoson. Foreword by Christopher Barzak, author of A Voice Calling and One for Sorrow. Editor and jacket design by A.Miller. Available in PDF, Ebook (epub), paperback, and hardcover in October 2025.
--Publisher\u27s Note: Each story has been editor and press reviewed, and the entire book has been externally reviewed by experts in the field as part of the quality review process. Indexed in the Directory of Open Access Books (DOAB). Official press release.--
Reviews
“What distinguishes Mary Carroll Leoson’s work is her ability to inhabit the liminal spaces between myth and reality, past and present, the seen and the unseen. These stories are rooted deeply in the soil of ancestral memory and the landscapes of the American South, yet they reach far beyond that geography into the universal territory of trauma, resilience, and transformation.” --Christopher Barzak, author of One for Sorrow and A Voice Calling.
“Each story reads like an old heirloom passed from hand to hand, warm with use and heavy with meaning. The prose is lyrical but never ornamental; the horror, earned. And as the final page turns, it leaves you changed. Devil’s Oak: Waking the Feminine Wound isn’t just read. The stories linger like the smell of roses at a closed casket.” --Diane Sismour, author of novels, short stories, and screenplays
“I loved Marguerite in “Devil’s Oak,” her personality shone through, and I found myself rooting for her immediately. I loved seeing her rebel against expectations of femininity. Go, Marguerite!” -- Janet Alcorn, author of award-winning short stories
“Kate, Bea, and Nana from “She Has Seen the Wolf” are my favorite characters in this standout story of this Devil’s Oak collection; and I could easily see it adapted to television in some way.” --Ada Wofford, Sundress Publications
“My favorite character and story is Claire in “Marsh Girl,” plus “Good Little Girls” is especially chilling, and I enjoyed “The Ripper Society” so much, I was bereft at the end, hoping for more!” --Jasmine De La Paz, Gothic horror author
Book information
Devil’s Oak: Waking the Feminine Wound
© 2025 Mary Carroll Leoson
Published by MT Open Press (Blue Crescent Books imprint) at Middle Tennessee State University, Murfreesboro
Identifiers
ISBN (paperback) 979-8-9995864-0-7
ISBN (hardcover) 979-8-9871721-9-3
ISBN (digital PDF) 979-8-9871721-6-2
ISBN (digital epub) 979-8-9871721-7-9
DOI: https://doi.org/10.56638/mtopb00425
Distribution
Print-on-demand version (epub, paperback, hardcover) available at https://www.lulu.com/spotlight/mtop
Follow and review on Goodreads: https://www.goodreads.com/book/show/239910520-devil-s-oak
Suggested Citation
Leoson, Mary Carroll. Devil’s Oak: Waking the Feminine Wound. MT Open Press, Middle Tennessee State University, 2025. https://doi.org/10.56638/mtopb00425
This work is licensed under a Creative Commons Attribution-NonCommercial No Derivatives-4.0 International Licens
Effect of Coriaria arborea on seed banks during primary succession on Mt Tarawera, New Zealand
No full textAn experiment was conducted over two years to investigate the effect of Coriaria arborea, a native nitrogen-fixing shrub, on soil seed banks at sites representing a post-volcanic successional sequence on Mt Tarawera, New Zealand. The sites ranged from bare volcanic ash and lapilli substrate, through low-growing pre-Coriaria vegetation, to dense stands of Coriaria scrub. Soils (to a depth of 50 mm) under recently established Coriaria and older stands had more seedlings (1096 and 1585 seedlings 0.4 m-2, respectively) and species (37 and 45 species 0.4 m-2, respectively) emerge than where there was no Coriaria (243-320 seedlings 0.4 m-2, 14-25 species 0.4 m-2) and were the only soils with Coriaria seedlings. In total, 3488 seedlings representing 63 taxa were recorded. Seeds were still germinating after 24 months but rates declined markedly in the second year. For example, Coriaria reached a germination peak at 8 weeks but continued to germinate sporadically over the 2-year period. Tree species present in young forest within 0.5 km of the sites were absent. Establishment of Coriaria greatly accelerated an underlying trend of gradually increasing abundance and diversity of seeds in the soil with vegetation age. Adventive, wind-dispersed, and annual species were over-represented in the seed banks compared with the regional evergreen forest-dominated flora. These proportions are expected to decline as succession to forest gradually occurs
Last/zakkingsgedrag van MT-palen
No full textIn delen van Nederland bestaan de bovenste grondlagen uit samendrukbare grond, zoals klei en veen. Door het gebruik van paalfunderingen kunnen belastingen, afkomstig van constructies en gebouwen, naar diepere meer draagkrachtige lagen worden afgedragen. Door hedendaagse innovatieve ontwikkelingen in de bouw worden funderingspalen met een diameter van één meter en groter toegepast om paalbelastingen boven 10.000 kN op te nemen. Voor de uitbreiding van het Ibis hotel, gelegen aan de westkant van het Amsterdam Centraal station wordt een nieuw paalsysteem, genaamd de MT-paal, gebruikt om de hoge belastingen af te dragen. De keuze voor het gebruik van de MT-paal is mede bepaald door de beperkte beschikbare ruimte en het vereiste trillingsvrije installatieproces. Tijdens de belastingsfase zal de MT-paal vervormingen vertonen, het last/zakkingsgedrag. Hoe de MT-paal zich zal gedragen tijdens het belasten is vooralsnog niet bekend. In gangbare normen zijn geen standaard paalfactoren beschikbaar voor nieuwe paalsystemen, waaronder de MT-paal. Ook is voor de MT-paal geen proefbelasting uitgevoerd, die het gedrag van deze funderingspaal tijdens het belasten kan vaststellen. Het ontwikkelen van een standaard rekenmethodiek om het last/zakkingsgedrag van de MT-paal te bepalen, is de hoofddoelstelling van dit afstudeeronderzoek. Voor een goede benadering van het last/zakkingsgedrag van de MT-paal zijn twee belangrijke aspecten, namelijk de paalpunt en de paalschacht, geanalyseerd. Eerst is het uitvoeringsproces van de MT-paal vergeleken met de boorpaal. Vervolgens zijn zowel de MT-paal als de boorpaal in PLAXIS gemodelleerd en is het last/zakkingsgedrag van beide palen met elkaar vergeleken.Geo-engineeringGeotechnologyCivil Engineering and Geoscience
Jupiter Terrace and Mt. Evarts. Yellowstone Park.
No full textJupiter Terrace and Mt. Evarts. Yellowstone Park
Edward Taylor Parsons.
No full textV SIERRA CLUB B U LLETI N, VOL. IX : ΓûáJo7m jhiitt -ew &Son Boston EDWfiED TA7LOE PSRSOHS Sierra Club Bulletin Vol. IX San Francisco, January, 1915 No. 4 EDWARD TAYLOR PARSONS By John Muir Edward Taylor Parsons, mountaineer and faithful defender of national forests and parks, was born March 15, 1861, near Rochester, New York, the eldest of a family of five. His boyhood was spent on his father\u27s farm; in his earliest years helping to look after the bees, chickens, and lambs, and at the age of fourteen ploughing, mowing and harvesting. This simple, healthful employment from daylight to dark through all sorts of weather, though rather hard and exacting in the busiest seasons, was not, however, without a few fine compensating holidays spent in fishing and rowing on Black Creek, nutting in the glorious Indian Summer, and in winter skating and sleighing with merry companions, thus forming a bright background for the great club camp-fires in the mountain and forest wildernesses of the west side of the continent that he was soon to know and love so well. His parents were poor and the farm was poor, and of course he had to work hard. He was fond of reading, but both time and books were scarce and the wide world of libraries opened later to him than to most boys. Excepting what he learned at a little district school during a few odd months in winter, he had no instruction until at the age of eighteen years he entered the Rochester Academy, going home to help in the farm work during the summer vacations. Three years later he entered Rochester University and worked his way through four lean and hungry years with money earned in harvesting, reporting on an evening newspaper, copying in a lawyer\u27s office, and was graduated with the class of 1886. *T 220 Sierra Club Bulletin Continuing his studies, he was called back to Rochester University two years later to receive the degree of master of arts. He intended to study law, but family circumstances called for immediate financial assistance, and a few months after graduation he gained a place in a business house which he held with increasing usefulness and honor until his last illness. With Chicago as his headquarters, he now began to make long business journeys into the western country, through Dakota, Utah, Arizona, New Mexico, California, Hawaii, Washington and Oregon, spending the summer vacations in mountaineering. He first became interested in mountaineering clubs in Oregon, where, in 1896, he joined the Mazama Club of Portland in one of their early outings to Crater Lake and Mt. Pitt. Thenceforward every summer vacation, when he was free from business cares, he spent on the outings of mountaineering clubs. With the Mazamas in 1897 he climbed Mt. Rainier; in 1899 visited the Lake Chelan region, and with a small private party of Mazamas made his first ascent of Mt. Shasta, and in 1900 was a member of their outing to Mt. Jefferson. Later, with the Sierra Club, he climbed Mt. Hood, and made second ascents of both Rainier and Shasta. With the Sierra Club, too, he climbed Mts. Dana, Lyell, Ritter, Brewer, Williamson, Whitney, and many others, besides three times making the difficult descent of Tuolumne Canon. On his last outing, in 1913, he climbed Mts. Seattle and Olympus with the Mountaineer Club of Washington. During a visit to Yosemite Valley in May, 1900, he first heard of the Sierra Club, and on his return to San Francisco he was elected a member. The directors of the club were at , this time trying to plan regular annual outings against considerable opposition. The practical knowledge which Mr. Parsons had gained on the Mazama outings opened a clear way. through all opposition, and from that year the club has held successful summer outings with ever-increasing numbers and influence. Mr. Parsons\u27 active interest in the work of the club began from his earliest connection with it. For thirteen years he was a member of the outing committee, for nine years a Edward Taylor Parsons 221 director, recently chairman of the Le Conte Memorial Lodge Committee, and long an untiring worker on the club Bulletin. In the work of other mountaineering clubs he also took an active interest; was a charter member of the Mountaineers\u27 . Club, organized in 1907, and only a few months before his death was elected Western vice-president of the American Alpine Club of Philadelphia. In 1907 he married Marion Randall, as able and enthusiastic a mountaineer as himself, whom he first met on the Sierra Club Outing of 1903, and three years later, in 1910, established his first home high up on the Berkeley hills overlooking the Golden Gate, some thirty-one eventful years after he left the home farm. Like most mountaineers, Mr. Parsons was fond of wild scenery. He carried a heavy camera on all his trips, however difficult, up to the tops of the highest mountains and down the roughest canons, making numberless photographs, many of which, reproduced in various publications, have done good service in the promotion of mountaineering and particularly in the cause of the preservation of our national forests and parks. On first acquaintance he seemed at times to be rather dictatorial in carrying out the rules and regulations of the outing committees of which he was a member; but these impressions quickly vanished when one saw him patiently at work in camp or on the trail, stretching and cobbling shoes, reinforcing thin soles, sharing his blanket with some unfortunate whose dunnage bag had gone astray. In helpful work he was never sparing of time or strength, spending almost every spare moment of his last years in whole- souled self-sacrificing devotion to the best interests of the club in every way. For his unflagging devotion to the lost cause of Hetch Hetchy he paid a heavy price in strength and health as well as in time and money. After a very short illness he passed away on May 22, 1914. He will be sadly missed and his memory will long be cherished by all the mountaineers of the West as one of the most faithful of the faithful.https://scholarlycommons.pacific.edu/jmb/1376/thumbnail.jp
Mt. Borah
No full textA mountain rises above some wooded foothills. Description reads: ""Telephoto view of Mt. Borah (12,655 ft. elevation) highest mountain in Idaho, taken from Grazing Service CCC Camp Chilly #111. Forest: Challis, State: Idaho, Date: 7/1940, Author: P.S. Bieler""
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