208 research outputs found
Introduction to the Plant Nuclear Pore Complex
No full textAs part of the INDEPTH Academy Dr Geraint Parry introduces the Plant Nuclear Pore Comple
Mabileau (Albert), Moyser (George), Parry (Geraint), Quantin (Patrick), dir., Les citoyens et la politique locale. Comment participent les Britanniques et les Français, Paris, Pedone, 1988
No full textBourmeau Sylvain. Mabileau (Albert), Moyser (George), Parry (Geraint), Quantin (Patrick), dir., Les citoyens et la politique locale. Comment participent les Britanniques et les Français, Paris, Pedone, 1988. In: Politix, vol. 2, n°5, Hiver 1989. Domaines d'élection, sous la direction de Bastien François, Florence Haegel et Jean-Baptiste Legavre. pp. 93-95
Preventing Consumer Credit Over-Commitment and Irresponsible Lending in Australia
No full textArts, Education & Law Group, School of LawNo Full Tex
The Limits of Competition: Reasserting a Role for Consumer Protection and Fair Trading Regulation in Competitive Markets
No full textFull Tex
The making of political ambition : a study of top activists in Italian party youth organizations
No full textDefence date: 13 June 1996Examining Board: Prof. Stefano Bartolini (EUI) ; Prof. Jean Blondel (EUI, supervisor) ; Prof. Geraint Parry (University of Manchester) ; Prof. Antonio Schizzerotto (Università di Trento) ; Prof. Yossi Shavit (EUI, co-supervisor)First made available online: 26 September 201
The Abject Object
No full textA group exhibition curated by Geraint Evans that explores contemporary painterly representations of objects with reference to the still life tradition and with a particular interest in the notion of thingness and abjection.
The starting point is Norman Bryson’s description of still life as “…an object world that has dispensed with human attention and in a sense makes human attention and the human subject obsolete.” The exhibition is concerned with the ways in which paint’s materiality resonates with meaning and articulates the relationship between subject and object, the observer and the observed.
Artists include: Sophie Birch,
G L Brierley, Simon Callery, Mark Fairnington, Ana Genovés, John Greenwood, Paul Housley, Damien Meade and Donal Moloney.
Panel discussion: was held on Thursday 12 May 4.30-6.30pm in the lecture theatre at Wimbledon College of Arts to discuss and debate the issues raised by the exhibition.
Participants included curator Geraint Evans, Course Leader for MA Painting at Wimbledon; Mark Fairnington, participating artist and Reader in Painting CCW; Frances Woodley, artist, academic and curator of exhibitions ‘All Coherence Gone? Historical currents in contemporary still life’ 2014 and ‘Still Life: Ambiguous Practices’ 2015; Dr Fiona Candlin, Senior Lecturer in Museum Studies at Birkbeck University of London and co-author of ‘The Object Reader’ and painter Damien Meade, recent exhibitor in the London Open, Whitechapel Gallery, London 2015
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