479 research outputs found
Du schéma Vanoni aux amorces d'une planification active
No full textPapi Ugo. Du schéma Vanoni aux amorces d'une planification active. In: Revue économique, volume 16, n°3, 1965. pp. 391-423
Giuseppe Ugo Papi
No full textIl ritratto di Giuseppe Ugo Papi appartiene alla serie dei ritratti dei rettori dell'Università Sapienza di Roma. L'opera è di Amedeo Bocchi che la realizza nel 1966, ma lo stesso artista è già presente nella "galleria dei rettori" con il ritratto di Giuseppe Sanarelli del 1935. Entrambi i dipinti sono inediti e si inseriscono appieno nella produzione degli anni Trenta e degli anni Sessanta dell'artista parmense
Niccolò Tommaseo, Canti Corsi, a cura di Annalisa Nesi, Parma, Fondazione Pietro Bembo / Ugo Guanda Editore («Biblioteca di Scrittori Italiani»), 2020
No full textRecensione al volume: Niccolò Tommaseo, Canti Corsi, a cura di Annalisa Nesi, Parma, Fondazione Pietro Bembo / Ugo Guanda Editore, 2020 (pp. CXXX, 940).Book Review: Niccolò Tommaseo, Canti Corsi, a cura di Annalisa Nesi, Parma, Fondazione Pietro Bembo / Ugo Guanda Editore, 2020 (pp. CXXX, 940)
Papi (Giuseppe Ugo) - The First Twenty Years of the Bank for International Settlements.
No full textJames Emile. Papi (Giuseppe Ugo) - The First Twenty Years of the Bank for International Settlements.. In: Revue économique, volume 4, n°1, 1953. p. 132
Papi (Ugo), Nunn (Charles) ed. - Economie Problems of Agriculture in Industrial Societies. Proceedings of a Conference held by the International Economic Association.
No full textRullière Gilbert. Papi (Ugo), Nunn (Charles) ed. - Economie Problems of Agriculture in Industrial Societies. Proceedings of a Conference held by the International Economic Association.. In: Revue économique, volume 23, n°1, 1972. pp. 150-151
Papi (Ugo), Nunn (Charles) ed. - Economie Problems of Agriculture in Industrial Societies. Proceedings of a Conference held by the International Economic Association.
No full textRullière Gilbert. Papi (Ugo), Nunn (Charles) ed. - Economie Problems of Agriculture in Industrial Societies. Proceedings of a Conference held by the International Economic Association.. In: Revue économique, volume 23, n°1, 1972. pp. 150-151
La rappresentazione come strumento analitico della filologia architettonica
No full textQuesto lavoro deriva dall’esperienza di studio sulla Villa Simonetta a Milano ed applica il principio della rappresentazione come conoscenza, secondo la teoria di Vittorio Ugo.
La conoscenza della quale parlo è relativa alle differenti stratificazioni, ormai perdute, così come analizzabili dalle rappresentazioni coeve, tanto riferibili a volontà progettuale quanto derivanti dal rilievo. La conoscenza delle fabbrica architettonica presente è così aumentata e approfondita dall’analisi filologica ottenuta attraverso la ri-rappresentazione
What Language does Ugo Tudešak speak?
No full textThis work is an analysis of the two phenomena regarding the character of Ugo Tudeško in Držić’s comedy Dundo Maroje. The first part speaks about some characteristics of Italian-German »macaronics« regarding the different sources and models which the author could know while creating this character. The other part is dedicated to »the case of Ugo Tudeško« from the adaptation and direction of Dundo Maroje (Zagreb, 1938) during the time of The Independent Republic of Croatia, when the repertoire success of the time, without any explanation, disappeared at the end of 1943 from the repertoire of The Croatian national Theatre, supposedly due to the caricatural characteristics of German Ugo
UGO FOSCOLO: INTELECTUAL, POETA, ENSAÍSTA
No full textThe Italian author Ugo Foscolo (1778-1827) developed his literary activity in avery peculiar moment of Italian history: the instauration of Napoleon’s government in thepeninsula. Foscolo has not remained apathetic to the political matters which affected his time,and this article aims to analyze how the author’s ideas on the function of poetry are related to hisactivities as an intellectual, essayist and critic of society.O autor italiano Ugo Foscolo (1778-1827) desenvolveu a sua atividade literária nummomento muito peculiar da história italiana: a instauração do governo napoleônico na península.Foscolo não se manteve apático às questões políticas que afligiam o seu tempo, e o presenteartigo objetiva analisar como as idéias do autor sobre a função da poesia se relacionaram com asua atividade de intelectual, ensaísta e crítico da sociedade
Pratiche dell'architettura in Vittorio Ugo (1957-1987)
No full textLa ricerca verte sulla figura di Vittorio Ugo (1938-2005), architetto e urbanista palermitano , docente presso la Facoltà di architettura di Palermo dal 1964 al 1987. Della complessa attività di Ugo, che nella seconda fase si svolge principalmente a Milano, la tesi mette a fuoco il periodo 1957-1987, anni che comprendono la formazione universitaria e la sua poco nota attività di architetto e urbanista a Palermo.Vittorio Ugo (Palermo, 1938-2005) is an Italian architect, mostly known in Italy and France as theorist and a critic as well, Professor at University of Palermo from 1964 to 1987. Much less known is his architectural work as author of projects on different scales: architecture, urban-planning, design. The years from 1957 to 1987 represent a sort of long training period, which prepare the second phase of Ugo’s biography, devoted exclusively to the Theory of Architecture. Born from a family of artists - his grandfather was a sculptor, his father an architect - he was looking for an original way to be an architect, feeling an ethical need to see architecture from a scientific point of view. The main argument of this research, starts from the belief that the fame of Vittorio Ugo as a theorist, together with his open International impulse - France and Japan were his second homeland – conceals a complex "apprenticeship ", yet to be revealed. Many of his former pupils wondered who he was, where he came from, what had determined his passion of teaching and the care he devoted to his students. In 1978, he was living in Paris attending the heated debates that took place at the prestigious Ecole des hautes études en sciences sociales, inside the courses of Louis Marin and Hubert Damisch. «[...] Que venait chercher Victor Hugo auprès de cette école de pensée sémiologique?» What was Vittorio Ugo looking for in that school of semiological thought? Philippe Potié was asking a few years ago. How to explain the choice of Ugo to devote himself to the Theory, after twenty years of designing
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