15 research outputs found

    Edwin Mervyn Pain

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    "VX 137167 Edwin Mervyn Pain 38th Aust Inf Battalion 1943 - 1944".VX 137167 Edwin Mervyn Pain 38th Australian Infantry Battalion 1943 - 194

    Caymanianness, history, culture, tradition, and globalisation : assessing the dynamic interplay between modern and traditional(ist) thought in the Cayman Islands

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    The research undertaken for this largely qualitative dissertation draws on newspaper articles, oral histories, historical documentation, open-ended interviews, and to a lesser extent, questionnaires, in the effort to ultimately confirm the extent to which the benefitting forces of globalization have fractured any existing traditional-historical cultural body of knowledge and expression among the Caymanian people. Indeed, by 2009 some Caymanians had long been verbally denouncing the social and cultural ills of globalization – inclusive of multiculturalism – on their so-called traditional, unassuming way of life, some of them clamoring for an extensive purge of the many foreign nationals in “their” Cayman Islands. Yet, other Caymanians have become somewhat invested in the idea of multicultural “oneness” ostensibly for the sake of peaceful coexistence, harmony and prosperity as these work towards the promotion of a global, borderless cultural awareness. This dissertation relies on theoretical frames centred both on the discrete natures of, and the dualistic struggle between, these two opposing ideological-cultural forces. That this struggle is taking place in the present age, I anticipate the ways in which more modern understandings, which are potentially open to liberating subjectivities, must clash with “historical”, xenophobic and nationalistic viewpoints, viewpoints which have constantly proven contradictory given their adherents’ complacent acceptance of, and participation in, a localised economic prosperity substantively dependent on foreign input. Thus in aggregate terms, this dissertation pinpoints the various effects of an evolving scheme of values and counter-values on an ideologically torn Caymanianness whose contradictory traditional half is especially fighting for its “cultural purity” in an era where its ‘reinvented’ logic is being more and more regarded as anachronistic and somewhat irrational

    Further Evidence On The Relationship Between Firm Investment And Financial Status

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    The interpretation of the significant relation between business investment spending and cash flow has been controversial. A large body of research has found that investment/cash flow sensitivities are higher for financially constrained firms. This fundamental result underlying the finance constraints hypothesis has been challenged recently by Kaplan, Zingales, and Cleary. The latter author introduces an important new element to this debate by using discriminant analysis, which allows creditworthy firms to be identified using an objective ex-ante criterion based on dividend payouts. Consistent with the Kaplan and Zingales critique, investment/cash flow sensitivities are lower for financially constrained firms. This short paper documents that the use of discriminant analysis does not necessarily lead to lower sensitivities. Our contrasting results are traceable to the use of the firm's creditworthiness as the discriminating variable and appropriate adjustments for endogenous regressors and serially correlated residuals. We document that the investment/cash flow sensitivity is higher for financially constrained firms. -- Die Interpretation der signifikanten Beziehung zwischen unternehmerischen Investitionsausgaben und dem Cash-Flow ist umstritten. Eine größere Anzahl von Forschungsarbeiten kommt zu dem Ergebnis, dass die Sensitivität der Investitionen bezüglich des Cash-Flow bei finanziell beschränkten Unternehmen höher liegt. Dieses für die Theorie finanzieller Beschränkungen grundlegende Resultat wurde in jüngerer Zeit von Kaplan, Zingales und Cleary in Zweifel gezogen. Der letztgenannte Autor führte ein wichtiges neues Element in die Debatte ein: Finanziell beschränkte Unternehmen werden von ihm mit Hilfe eines diskriminanzanalytischen Verfahrens identifiziert, also eines objektiven ex-ante Kriteriums. Im Einklang mit der Kritik von Kaplan und Zingales findet er bei finanziell beschränkten Unternehmen eine geringere Cash-Flow-Sensitivität. Dieses kurze Papier dokumentiert, dass eine diskriminanzanalytische Vorgehensweise nicht notwendigerweise zu einem derartigen Resultat führt. Unsere abweichenden Ergebnisse basieren einerseits auf der Identifikation finanziell beschränkter Unternehmen auf der Basis ihrer Kreditwürdigkeit, andererseits aber auf der Berücksichtigung endogener Regressoren und seriell korrelierter Residuen bei der Schätzung. Wir zeigen auf, dass die Cash-Flow-Sensitivität der Investitionsausgaben bei finanziell beschränkten Unternehmen höher ist.

    Steering Taste: Ernest Marsh, a study of private collecting in England in the early 20th Century

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    The primary aim of this thesis is to focus attention on the bourgeois, 'un-named' collector. The driving force behind most museum and art gallery collections of the Victorian and Edwardian period. British museum and art gallery records of gifted collections, bequests and loans usually note their donors. However, with a few notable exceptions, little is known about the collectors, their activities and motivation in making such presentations. Using the interests and activities of the Quaker miller and collector Ernest Marsh (1843-1945) as a case study, this thesis explores how in the period 1890-1945 a collector came to be a key agent in the construction and manifestation of taste in British Applied Arts and to a lesser degree in the Fine Arts. Through primary visual and documentary evidence of the Marsh home, and reference to contemporary and later commentaries it considers the relative influences of husband and wife on decorating and furnishing the domestic interior, the evolution of taste, and, for Ernest Marsh, its impact upon his artistic interests within the public arena. By examination of private papers, metropolitan and provincial art gallery and museum archives it also considers evidence of the inter-relationships between donors and curators, and the mutual advantages and disadvantages accruing to both, particularly focussing on the processes in bringing about changes in individual and institutional collecting policy. Further, by review of records of, in particular, the Contemporary Art Society and the Greenslade archive, it examines the degree to which private benefactors and those in public or semi-public office, acting as fund-raisers and spenders exercise influence through patronage of particular practitioners, choice of works and initiating new designs

    Food and eating in fiction since 1950 with particular reference to the writing of Angela Carter, Doris Lessing, Michele Roberts and Alice Thomas Ellis.

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    PhDEating is a fundamental activity. What people eat, how and with whom, what they feel about food, what they do or do not want to eat and why - even who they eat - are of crucial significance in any reading of human behaviour. In this thesis, I consider the diverse and complex uses of food and eating in fiction since 1950, especially that written by women. I argue both that food and eating carry much of the meaning of a novel or story and that the acts of cooking, feeding and eating depicted are inseparable from issues of power and control: individually, interpersonally, culturally, politically. My discussion centres on the writing of Angela Carter, Doris Lessing, Michele Roberts and Alice Thomas Ellis. Drawing on psychoanalytic theory, sociology, anthropology, Foucault, Bakhtin and others, the thesis aims to construct an interdisciplinary perspective which both resists reductive interpretations and emphasises the centrality, complexity and diversity of food and eating in literature in our culture. I begin with an examination of the ambiguities of maternal feeding and nurturing, moving on to explore the links between appetite, eating and sexuality. I explore cannibalism and vampirism as manifestations of oppression, but also as indicating insatiable emptiness and transgressive appetite. The body itself is crucial, and my argument considers the paradox of not eating as control/enslavement, also tracing self-starvation as a positive route towards wholeness and connection. The last part of my argument focuses on social eating, examining conventions, rituals and food itself in connection with power relations, and finally considers how we might truly speak of food and eating in the context of society as a whole

    The Department of Anaesthesia, UCT 1920-2000 : a history

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    Bibliography: leaves 307-312

    Man in his native noblesse? : chivalry and the politics of the nobility in the tragedies of George Chapman

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    In this thesis I argue that the three plays under consideration - Bussy D'Anbois, The Conspiracy and Tragedy of Charles Duke of Byron, and The Revenge of Bussy D'Ambois - illustrate Chapman's concern with the role of chivalry in England following the debacle of the Essex Rebel lion in 1601. My contention is that, for Chapman, the Essex Rebellion exposed the fragility and the inconsistencies of Elizabethan chivalry and the political threat represented by its preoccupation with martial values. I suggest that in his plays, Chapman sets out to deconstruct the myth of chivalry by exposing it as a romantic concept which is used by the martial nobility as a means of Emphasizing their political rights. The values of chivalry - prowess, honour, loyalty, generosity, courtesy and independence - are shown, by the plays, to be incompatible with the political ambitions of the nobility. By associating themselves with this mythical concept of chivalry, political figures cane to identify their factions with the values of chivalry. Chapman, I argue, shows haw the myth is established and then exposes it for what it is, by portraying his characters as unable to live up to their expected mythical ideals. Chivalry is stripped of its mythical trappings and exposed as militaristic, aggressive and politically motivated. The thesis is divided into five chapters. In the first, I consider Chapman alongside the Tacitean historians who were connected with the Essex circle in the 1590s and show how, in The Conspiracy and Tragedy of Charles Duke of Byron, the dramatist transformed the providentialist narrative of his source into a play with Tacitean connotations, emphasizing the relationship between chivalry and constitutional political theory. In the second chapter I consider Chapman's interest in chivalry and discuss generally the romantic concept of Elizabethan chivalry and its relationship with the political concerns of the nobility. In Chapters Three to Five I discuss Chapman's portrayal of chivalry and its political impliications

    Materialising cultural value in the English lakes, 1735-1845 : a study of the responses of new landowners to representations of place and people

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    This thesis explores responses to the cultural construction in the developing identity of the English Lakes from 1735 to 1845, through studies of three landowners. The principal focus is Derwentwater. The Greenwich Hospital held estates from 1735 to 1832, Lord William Gordon from 1781 to 1823, and John Marshall of Leeds, the flax spinner, from 1810 and 1845. The study classifies the identity of the English Lakes and its inhabitants with Regions of Romance, as a territory increasingly occupied by the romantic antithesis of the dominant thesis within the modern age. The cultural identity of the English Lakes is considered as a construction of Throsby’s cultural values, established through discourse and overlaid upon economic values. This anthropological approach to culture recognises both aesthetic and social cultural assets. The acquisition, management and disposal of landowners estates are examined to evidence the materialisation of cultural values, whether through the agency of discourse, the influence of others, or personal experience. During the eighteenth century the Hospital responded to criticism minimally, by planting the Derwentwater shore. Lord William Gordon responded strongly to discourse by creating a picturesque park which demonstrated his taste and values, and by completing the picturesque occupation of Derwentwater by 1787. Wordsworth influenced the choice and management of John Marshall’s extensive estates from 1811, providing an early materialisation of the principles in Wordsworth’s Guide. In the early nineteenth century the Hospital protected their Keswick woods, before selling the estate in 1832 at auction to John Marshall at a low price. The study demonstrates a significant and growing intervention by these landowners to materialise aesthetic cultural value, but with little response to social cultural values, though cultural landscape was preserved. An early private path of intervention in the English Lakes is demonstrated, which feeds into the later and better known public path

    An examination of the psychodynamic effects on individuals using psalms of lament intentionally, in the form of ritual prayer, as a way of engaging with experiences of personal distress

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    The Psalter has formed the basis of Judeo-Christian worship since ancient times. It has served, and continues to serve, individuals and communities of faith as a foundation for communal and personal devotion. As a devotional tool it is unique in that it provides prayers which address God directly concerning the whole gamut of life experience. While the Psalms can be examined and analysed as a literary text, they must be used and experienced by people to more fully discover and recognize their power in providing a pathway for expressing life experience. The lament psalms are of particular interest in this regard. There appears to be a reluctance, in some quarters, to employ them as an expression of prayer. As a result, the lament psalms as a way of engaging with experiences of personal distress, and voicing the reflections and responses such experiences produce, have often been ignored. This study suggests that psalms of lament provide a framework for expressing personal distress in the context of prayer. The framework, identified as a matrix of lament, consists of various modes of articulation characterized as expressing, asserting, investing and imagining constellations. The study examines what happens when individuals, who have first been made aware of the matrix of lament and its constellations, use lament psalms for prayer. Praying of lament psalms in this study is embedded in a prescribed process through which participants engage with their experiences of personal distress. As a result of such a process any significant psychodynamic changes which may take place can be observed, examined and explored, thereby, highlighting the efficacy of using lament psalms as a form of prayer. The study achieves this by examining the reflections and responses of selected individuals to see whether the process does in fact facilitate changes in the individual's levels of distress, sense of personal control over distress and the nature of relationship between the individual and God. The reflections and responses also provide some indication of how the process might 'birth' a fresh perspective on personal distress for those who choose to incorporate these psalms into their journey of faith
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