2,003 research outputs found
Dr. Randall Bailey, ITC, July 2011
This video is a conversation with Dr. Randall Bailey. Dr. Bailey talks about his book, "They Were Altogether in One Place?: Toward Minority Biblical Criticism". Brad Ost, AUC Woodruff Library, is the interviewer
I Remember column in which author Richard Randall writes of his family\u27s disco
I Remember column in which author Richard Randall writes of his family\u27s discovery of abundant wild blueberries growing near Rocky Pond in Osborne Plantation
Randall Kenan, 33rd Annual ODU Literary Festival
Randall Kenan is the author of novels, stories, and nonfiction, including A Visitation of Spirits, Let the Dead Bury Their Dead, Walking on Water: Black American Lives at the Turn of the Twenty-First Century, and The Fire This Time. He is the recipient of a Guggenheim Fellowship, a Whiting Writers Award, the Sherwood Anderson Award, the John Dos Passos Award, and the Rome Prize from the American Academy of Arts and Letters
Understanding Randall Kenan
April 11, 2019 at 4:00 p.m. in Peabody 206 The event will begin with Kenan reading from his work and will be followed by an interview by James A. Crank, author of Understanding Randall Kenan. Signing to follow. Copies of the book will be available for purchase. Randall Kenan is best known for his novel A Visitation of Spirits (1989) and his collection of stories Let the Dead Bury Their Dead (1992), which was a finalist for the National Book Critics Circle Award, was a nominee for a Los Angeles Times Book Prize for fiction, and named a New York Times Notable Book. Kenan is also the recipient of a , as well as the Whiting Writers Award, Sherwood Anderson Award, John Dos Passos Award, Rome Prize, and North Carolina Award for Literature. James A. Crank is an associate professor of American literature and culture at the University of Alabama, a National Humanities Center Fellow, and cohost of the podcast The Sound and the Furious. Crank’s essays have appeared in Agee Agonistes: Essays on the Life, Legend, and Works of James Agee and Southerners on Film: Essays on Hollywood Portrayals since the 1970s. In addition to his book on Kenan, Crank has written Understanding Sam Shepard (2012), New Approaches to Gone with the Wind (2015), and Race and New Modernisms (2019).https://egrove.olemiss.edu/eng_lec/1001/thumbnail.jp
Alice Randall, 35th Annual ODU Literary Festival
Alice Randall is the author of The Wind Done Gone, Pushkin and the Queen of Spades, Rebel Yell, and Ada\u27s Rules. Born in Detroit she grew up in Washington, D.C. After majoring in English at Harvard, she headed south to Music City and founded Midsummer Music with the idea to create a new way to fund novel writing and a community of powerful storytellers. In the process, she became the first black woman in history to write a No. 1 country song. Four novels later, the award-winning songwriter with over 20 recorded songs to her credit and frequent contributor to Elle magazine, is writer-in-residence at Vanderbilt University where she teaches courses on Country Lyrics in American Culture, Creative Writing, and Soul Food in text and as text
Pragmatic children’s nursing: a theory for children and their childhoods
Pragmatic Children’s Nursing is the first attempt to create a paediatric nursing theory which argues for the importance of giving children living with illness access to a childhood which is, as far as possible, equal to that of their peers. Set in the historical context of the development of children’s nursing, this theory is presented in detail as an educational process, complete with eight outcome measures which allow the practitioner to evaluate its effectiveness. This book explores the triad relationship between children, carers and nurses within the context of healthcare delivery. Ht analyses the moral and ethical implications of pragmatic children’s nursing, which challenges the established ideas of family-centred care. In addition to offering theoretical grounding and debate, Randall presents four practical case studies which model how this theory may work within various hospital and community settings. Establishing a link between the concepts inherent in pragmatism and our understanding of childhood within society, this accessible book will appeal to a global audience of undergraduate and postgraduate nursing students, researchers and policy makers.Discover more about this subject on our author Duncan C. Randall's website, which provides extra resources and information here: http://pragmaticchildrensnursing.com
Before main banks : a selective historical overview of Japan's prewar financialsystem
The postwar experience of the Japanese banking system has received considerable attention recently partly because conditions in defeated Japan in 1945 (including high inflation and the need to switch from a military to a civilian economy) are similar to those in transition economies today. Policymakers in transition economies can learn a good deal from the experiences of Japan's postwar financial system but should remember that Japan also experienced extraordinary industrial growth and financial institution building in the late nineteenth and early twentieth centuries. Lessons to be learned from that experience include the following: Business conglomerates that did not continue to depend on government patronage were more successful than others in making the transition to a modern industrial economy. Banks that made a conscious effort to reduce their dependence on central bank credit were more successful than those that did not. The establishment of procedures for punishing defaulting borrowers helped the development of the payments system. Limits on the amount of lending to related parties appear to have contributed to financial stability (and could have contributed more if the newer"zaibatsu"had been as prudent as the older ones). Bank bailouts without accompanying reform (such as those the Bank of Japan undertook in 1920 and 1922) probably increased the likelihood of a more serious crisis, such as that of 1927. Capital standards - the minimum capital requirements established in the 1927 law - were a viable means of encouraging bank consolidation and more prudent lending. The public financial system served as a buffer when the banking sector was downsized.Banks&Banking Reform,Payment Systems&Infrastructure,Financial Intermediation,Financial Crisis Management&Restructuring,Decentralization,Financial Intermediation,Financial Crisis Management&Restructuring,Municipal Financial Management,Banking Law,Banks&Banking Reform
1997-1998 Randall Kenan
Randall Kenan’s first novel, A Visitation of Spirits, was published by Grove Press in 1989; and a collection of stories, Let the Dead Bury Their Dead, was published in 1992 by Harcourt, Brace. That collection was nominated for the Los Angeles Times Book Award for Fiction, was a finalist for the National Book Critics Circle Award, and was among The New York TimesNotable Books of 1992. He is also the author of a young adult biography of James Baldwin (1993), and wrote the text for Norman Mauskoff’s book of photographs, A Time Not Here: The Mississippi Delta (1997). Walking on Water: Black American Lives at the Turn of the Twenty-First Century was published by Alfred A. Knopf in 1999, and was nominated for the Southern Book Award. The Fire this Time, a work of nonfiction, was published in July 2007. From 1985 to 1989 he worked on the editorial staff of Alfred A. Knopf, Inc., publishers. In 1989 he began teaching writing at Sarah Lawrence College and Columbia University. He was the first William Blackburn Visiting Professor of Creative Writing at Duke University in the fall of 1994, and the Edourd Morot-Sir Visiting Professor of Creating Writing at UNC-Chapel Hill in 1995. He was the John and Renee Grisham Writer-in-Residence at the University of Mississippi, Oxford (1997-98), Visiting Professor of Creative Writing at the University of Memphis, and held the Lehman Brady Professorship at the Center for Documentary Studies at Duke University. He has also taught urban literature at Vassar College. He is the recipient of a Guggenheim Fellowship, a Whiting Writers Award, the Sherwood Anderson Award, the John Dos Passos Award, and was the 1997 Rome Prize winner from the American Academy of Arts and Letters. He was awarded the North Carolina Award for Literature in 2005. (Photo credit: Miriam Berkley)https://egrove.olemiss.edu/grisham_res/1022/thumbnail.jp
Telematic LASER: @ THE CROSSROADS
In the wake of Covid-19, we have witnessed a mass migration to the third space, that telematic region of shared networked space that lies between the local and the remote. We ask: what are the personal, social, and artistic implications of this migration in which our dependency on global communications to conduct the most essential human interactions has accelerated at an unprecedented rate? Panel Discussion with Randall Packer (US) (moderator), Ghislaine Boddington (UK),Steve Dixon (SG) & Paul Sermon (UK). This acceleration into the third space has impacted, most notably, the performing arts, where alternative virtual platforms have challenged the ability to emotionally and intellectually engage with a live audience. As performance ensembles and theater companies attempt to shift, en masse and yet apprehensively, to the virtual stage – a place of impermanence and flux – they often find themselves confined to miniature boxes and a fixed frontal gaze where movement, speaking, play, and all the other critical elements of performance are compromised. For the inaugural Telematic LASER, in the face of this dilemma, our panel will discuss concepts, techniques and approaches garnered from the new media arts, those intrepid experimentalists who have been at the vanguard of telecommunication arts for decades. We will address and explore critical questions that now lie before us as we find ourselves at the crossroads between the physical and the virtual, contemplating our next steps
Pandemic Encounters:BEING[TOGETHER] IN THE DEEP THIRD SPACE
A Networked Performance Installation by Paul Sermon in collaboration with Randall Packer, Gregory Kuhn & the Third Space Network Pandemic Encounters reflects a collective global response to a pandemic that has turned our reality and social behaviour on its head, where we have retreated to the isolated confines of our homes to communicate via video-chat. But even as we start to live out our new found existence on screens, we are still restrained by web-cam boxes, stacked up like contestants on a TV show. This performance provides a radical alternative to this online video-chat phenomenon, one where we are free to coexist and experience a new sense of togetherness, in what we refer to as the deep third space. In this new work, Paul Sermon performs as a live chroma-key figure from a green-screen installation in his own home in a deep third space audio-visual environment, interacting with 'action-performer' participants from around the world – artists, musicians, dancers, media practitioners and scientists – a collective response to a global pandemic that has triggered an unfolding metamorphosis of the human condition. Action-performers: Annie Abrahams (France), Clarissa Ribeiro (Brazil), Roberta Buiani (Canada), Andrew Denton (New Zealand), Bhavani Esapathi (UK), Tania Fraga (Brazil), Satinder Gill (US), Birgitta Hosea (UK), Charles Lane (US), Ng Wen Lei (Singapore), Marilene Oliver (Canada), Serena Pang (Singapore), Daniel Pinheiro (Portugal), Olga Remneva (Russia), Toni Sant (UK), Rejane Spitz (Brazil), Atau Tanaka (UK)
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