394 research outputs found
Letter from Beverley Tucker to his sister, Brooke, dated January 14, 1843.
No full textNathaniel Beverley Tucker, an American author, legal scholar, and political essayist, writes to his sister Brooke, discussing his debt and loans from the bank, dated July 14th, 1843.https://digitalcommons.wofford.edu/littlejohnmss/1198/thumbnail.jp
Is T-cell memory maintained by crossreactive stimulation?
No full textWhether or not T- and B-cell memory is antigen driven remains unresolved. Recent studies indicate that, in humans, naive and memory T cells can be distinguished by their expression of different CD45 isoforms. Extensive phenotypic analysis of naive and memory T cells shows that the latter express greater amounts of several adhesion molecules as well as low levels of several antigens indicative of activation. These features suggest to Peter Beverley that memory T cells may be more readily activated and that memory may be maintained by crossreactive restimulation. © 1990
Interferon, β-2-microglobulin and immunoselection in the pathway to malignancy. A blinkered view from Nag's Head Yard
No full textRecent clinical studies suggest that benign tumour cells express MHC class-I antigens while malignant cells with the same tissue origin do not. Interferons induce normal cells to increase the expression of class-I antigens but Arnold Sanderson and Peter Beverley argue here that malignant cells may not respond in this way. As a result, they may lack the antigens that would make them vulnerable to immune mechanisms dependent on T cells which recognize class-I self-MHC antigens. © 1983
Beverley Elliott’s Story of Ramona/Betty Jean
No full textgardenmusicNorth Vancouveroriginalsecond lovewidow1930’sCanadaadoptio
The Role of George Henry Lewes in George Eliot’s Career: A Reconsideration
No full textThis article examines the “protection” and “encouragement” George Henry Lewes provided to Eliot throughout her fiction-writing career. According to biographers, Lewes showed his selfless devotion to Eliot by encouraging her to begin and continue writing fiction; by fostering the mystery of her authorship; by managing her finances; by negotiating her publishing contracts; by managing her schedule; by hosting a salon to promote her books; and by staying close by her side for twenty-four years until death parted them. By reconsidering each element of Lewes’s devotion separately, Rilett challenges the prevailing construction of the Eliot–Lewes relationship as the ideal partnership of literary agent and author and the perfect marriage. Rilett’s revisionist interpretation seeks to open up Eliot’s fiction to productive new biographical readings for a new generation of scholars
Nurse Autonomy Pain Control and Discharge from Recovery
No full text Beverley Colwill, the author of this article, was faced with the question, ‘Is it always necessary for patients to remain in the recovery room for 30 minutes following their last intravenous bolus dose of morphine?’ To try to find an answer, she carried out the literature search which is reported here. </jats:p
"What do I think of glory?": On Middlemarch by George Eliot
No full text"What do I think of Middlemarch? What do I think of glory?" This is the famous reply Emily Dickinson wrote to her bookish cousins in 1873 after her first reading of George Eliot’s novel. Dickinson’s sentiments were also my own when I completed my first reading of Middlemarch (1871–1872), about thirty-five years ago. Middlemarch is the book that made me realize literature could be more than a source of entertainment, that it could be Art with a capital A. Here was a text with fascinating and seemingly limitless possibilities for interpretation that would continue to reward scrutiny. Of course, I didn’t come up with that assessment entirely on my own. Since its publication, Middlemarch has ranked among the world’s most popular and highly acclaimed literary works. It was one of the staples of Victorian literature courses and was essential reading for English majors at Queen’s University in Canada, where I completed two undergraduate degrees. Even before I learned that “George Eliot” was the pseudonym of a female writer, Mary Ann Evans, I’d been conditioned to recognize her name as part of the canon of Great Authors, a list dominated by male writers such as Homer, Chaucer, Shakespeare, Conrad, and Joyce. I still meet people all the time who have heard of Middlemarch as one of the world’s best-loved novels and know George Eliot is the author but don’t know she was a woman, let alone the most successful woman writer of the Victorian era. Knowing a book is on the “should read” list and actually reading it are two entirely different things, and I must confess I never did make it all the way through Tolstoy’s War and Peace. Reading Middlemarch, however, turned out to be life-changing, igniting my passion for Victorian literature and for George Eliot in particular. What I hope to convey here is how and why this Victorian novel and its author continue to inspire me.Publishe
In Conversation with Beverley Naidoo: On Crossing Boundaries through Reading and Writing
No full textBorn into a white, middle-class family in Johannesburg, South Africa, children's author Beverley Naidoo grew up under the oppressive apartheid regime until the age of twenty-one. She has written a variety of children’s and young adult novels, picturebooks, collections of short stories, plays, and adult nonfiction. Her books have won many awards, including the Carnegie Medal for The Other Side of Truth, and she also published her PhD, called Through Whose Eyes? Exploring Racism, Reader Text and Context, which investigated the possibilities of challenging racism through reading in a school context. In this article Julia Hope, Head of the MA Children's Literature at Goldsmiths College, asks Beverley to talk about her own education, school themes that arise in her writing, her PhD, and wider perceptions of the educative power of literature
More than slightly mad : Beverley Nichols and the Merry Hall Trilogy.
No full textThis essay analyses Beverley Nichols’s Merry Hall trilogy—frequently dismissed as ‘garden writing’—as an often overlooked form of queer literature. Using Jack Halberstam’s theories about queer failure, this essay examines the ways in which the now relatively obscure author was able to commodify himself and his lifestyle for a specific audience. In so doing, the author argues, he attempted to further the cause of queer acceptance in the process, even to the detriment of what some consider could have been a more important or worthwhile career
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