8,130 research outputs found
Pascal VOC 2009 train_val
No full textThis is the training and validation data set for the PASCAL VOC 2009 as available from http://pascallin.ecs.soton.ac.uk/challenges/VOC/voc2009/ , if the site weren't dead
Pascal VOC 2009 train_val
No full textThis is the training and validation data set for the PASCAL VOC 2009 as available from http://pascallin.ecs.soton.ac.uk/challenges/VOC/voc2009/ , if the site weren't dead
Pascal Marsault, órgano (Francia)
No full textConcierto interpretado por Pascal Marsault. Ganador del Primer Premio de interpretación de órgano en el Conservatorio Nacional Superior de Música de París en 2000, Pascal Marsault se formó como organista con Marie-Ciaire Alain, Michel Bouvard y Olivier Latry. Su interés por la música antigua lo llevó a perfeccionar su formación en el Conservatorio Sweelinck de Ámsterdam.
En este concierto interpretó obras de Eugene Gigout, François Couperin, Johann Sebastian Bach, Georg Bohm, Dietrich Buxtehude y Olivier Messiaen
New encrusting species of Lanceoporidae (Bryozoa, Cheilostomata) from the southern Great Barrier Reef, Australia
No full textCumming, Robyn L., Sebastian, Pascal (2018): New encrusting species of Lanceoporidae (Bryozoa, Cheilostomata) from the southern Great Barrier Reef, Australia. Zootaxa 4500 (1): 104-114, DOI: https://doi.org/10.11646/zootaxa.4500.1.
Episode 35: Alexis Castellanos, Author of “Isla to Island”, and Her Panel Presentation during the Operación Pedro Pan Two-Day Event
No full textIn Part 1 of “Operación Pedro Pan: The Voices and Stories of Cuba’s Child Exodus—A Knights HistoryCast Mini-Series,” the Department of History’s Sebastian Garcia talked with Alexis Castellanos, an author, illustrator, graphic novelist, and a panelist at the esteemed, conspicuous, and powerful “Operación Pedro Pan: Honoring the Cultural, Historical Legacy of Cuba’s Child Exodus” Two-Day Program that Florida Humanities, UCF’s Department of English and Department of Modern Languages and Literatures sponsored (see https://cah.ucf.edu/pedro-pan/ for more details on sponsors and the program in general).
Sebastian structured this specific episode on Alexis Castellanos’ Isla to Island, a wordless graphic novel grounded by her personal family history and the history of Operación Pedro Pan (Operation Peter Pan). By analyzing such a historic event through the medium of fiction, Sebastian argued that this is one of the most unique Knights HistoryCast episodes of all time. Naturally, their conversation expanded to what she talked about during her panel presentation in Panel One, Day 1 of the event that featured “internationally renowned scholars that discussed the political, historical, and cultural legacy of Operación Pedro Pan (1960-1962).” (https://cah.ucf.edu/pedro-pan/)
To purchase Isla to Island (strongly recommend), check out: https://islatoisland.com/.
To find out more about Alexis and her professional work, check out her website at https://alexiscastellanos.com/https://stars.library.ucf.edu/knightshistorycast/1034/thumbnail.jp
FIGURE 2. Stephanotheca bahloo n in New encrusting species of Lanceoporidae (Bryozoa, Cheilostomata) from the southern Great Barrier Reef, Australia
No full textFIGURE 2. Stephanotheca bahloo n. sp. Holotype (MTQ G101186). A. Autozooids, ovicellate zooid and dimorphic zooid (centre left). B. Primary orifice and avicularium. C. Ovicellate orifice. D. Ovicellate zooids. E. Orifice of dimorphic zooid shown in A. F. Primary orifice condyle.Published as part of Cumming, Robyn L. & Sebastian, Pascal, 2018, New encrusting species of Lanceoporidae (Bryozoa, Cheilostomata) from the southern Great Barrier Reef, Australia, pp. 104-114 in Zootaxa 4500 (1) on page 109, DOI: 10.11646/zootaxa.4500.1.6, http://zenodo.org/record/529737
Calyptotheca Harmer 1957
No full textGenus Calyptotheca Harmer, 1957 Type species. Schizoporella nivea var. wasinensis Waters, 1913, by original designation as Calyptotheca wasinensis (Waters, 1913). Diagnosis. We follow the diagnosis provided by Cumming & Tilbrook (2014).Published as part of Cumming, Robyn L. & Sebastian, Pascal, 2018, New encrusting species of Lanceoporidae (Bryozoa, Cheilostomata) from the southern Great Barrier Reef, Australia, pp. 104-114 in Zootaxa 4500 (1) on page 105, DOI: 10.11646/zootaxa.4500.1.6, http://zenodo.org/record/529737
Deep Drawing and Cutting Simulations Dataset
No full textThe benchmark dataset was generated through a comprehensive simulation study of the deep drawing process for DP600 sheet metal, incorporating variations in geometry, material properties, and process parameters. The simulations were based on the deep drawing of modified quadratic cups with a length of 210 mm and a drawing depth of 30 mm. Three distinct base geometries - Concave, Convex, and Rectangular - were derived from a rectangular reference shape, with key geometric parameters varied in two increments (minimum and maximum).
For each geometry, material and process parameters such as the hardening factor (MAT), friction coefficient (FC), sheet thickness (SHTK), and binder force (BF) were systematically varied, resulting in 32,076 unique simulations. Each simulation included stress, strain, thickness distribution, and nodal displacement data for the deep drawing and subsequent springback analysis.
The simulation data were stored in HDF5 format, with metadata linking each dataset to its corresponding geometry, material, and process parameters. This structured format ensures efficient retrieval and processing of simulation results, facilitating further analysis and benchmarking
"Cronica der Turckey" Sebastian Franck's Translation of the "Tractatus de Moribus, Condicionibus et Nequitia Turcorum" by Georgius de Hungaria
No full textThe Tractatus de moribus, condicionibus et nequitia Turcorum is one of the most important first-hand accounts of life in fifteenth-century Turkey known to modern scholarship. It is the work of a Christian former slave of the Turks, writing after his return to the West. Although the author does not name himself, he can be identified as a
Dominican priest, Georgius de Hungaria, who died in Rome in 1502. His Tractatus is conceived as a work of anti-Islamic polemic, yet it contains a surprisingly unbiased appraisal of Turkish customs.
First printed c.1480 when European apprehension in the face of Ottoman expansion was at its height, the Tractatus was reprinted in numerous editions, and was widely used as a
source by other authors. Luther edited the text in 1530, using the positive account of Turkish customs and religious observance as a weapon in his polemic against the Roman
Catholic Church: if heathens could perform such exemplary works, who could fail to doubt the efficacy of works as a means of salvation?
Sebastian Franck in his German translation of the Tractatus went further: replacing Georgius' commentary with his own, he used the text to attack institutional religion as a
whole and to promote his concept of a non-dogmatic, spiritual Church of individuals united with each other only through their union with God -a Church which was not closed to Moslems or members of any other creed. This translation or adaptation, the Cronica der Türckey, marks Franck's decisive break with the Lutheran cause and the beginning of his lonely path as a 'spiritual individualist'. Franck reworked his translation of the Tractatus for his major geographical work, the Weltbuch of 1534.
This thesis concerns itself primarily with Franck's Cronica, providing the first modern critical edition of this text, in a near-diplomatic transcription with an extensive glossary. The thesis also includes transcriptions of the Tractatus; of Türckei, an anonymous translation of the Tractatus, and of relevant additional material from Franck's Weltbuch. None of these texts has been published in full in a modern edition.
In the Introduction Franck's Cronica is compared in detail with the Tractatus, highlighting the changes that occur in translation; the character and the significance of these changes are then discussed. It is established that Franck, whilst being unwilling to reverse any of Georgius' value judgements on Islam and Turkish culture, is highly selective in his choice of material for translation, and frequently gives the text new nuances and adds his own
comment. The question of the Tractatus' influence on Franck's further development as a writer and thinker is also raised.
The investigation then turns to Franck's use of the Tractatus material in his Weltbuch. His eclecticism becomes apparent in this text, in which Georgius' account is juxtaposed - but not synthesised - with material from other sources, often of lesser veracity and greater anti-Islamic bias. Franck's distortion of the Tractatus material to suit his own line of argument is clearly discernible: from the unique phenomenon presented in the Tractatus the Turks
become one more example of the general human tendency to externalise and dogmatise faith.
In addition, the transmission of Cronica and Türckei is examined, and the relationship between these two translations is clarified: Franck certainly used Türckei in writing his Cronica, but is unlikely to be the author of the anonymous work
Pascal Marsault, órgano (Francia) y Christian Schmitt, órgano (Alemania)
No full textConcierto interpretado por Pascal Marsault y Christian Schmitt. Presentación dada en el marco del Festival de Órgano. Marsault fue ganador del Primer Premio de interpretación de órgano en el Conservatorio Nacional Superior de Música de París en 2000, Pascal Marsault se formó como organista con Marie-ClaireAlain, Micbel Bouvard y Olivier Latry. Su interés por la música antigua lo llevó a perfeccionar su formación en el Conservatorio Sweelinck de Ámsterdam.
Christian Schmitt se formó con Leo Kramer en la Escuela Superior de Música de Saarland donde obtuvo en 2001 el diploma de música para iglesia, en 2002 el título con distinción de concertista de órgano, y en 2003 el Examen-A de música para iglesia. Estudió en el extranjero con James David Christie en el Conservatorio de Boston (Estados Unidos) y allí obtuvo el Artist Diploma en 2003.
En este concierto interpretaron obras de Théodore Dubois, Fraçois Couperin, Dietrich Buxtehude, Jeanne Demessieux, Gabriel Pierné y Johann Sebastian Bach, entre otros
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