21 research outputs found
Slope instability and sediment redistribution in the Rockall Trough: constraints from GLORIA
No full textWhat's in a word? the discursive construction of 'creativity'.
No full textThis work begins with the idea that creativity is a problematic concept generally and in education particularly. I argue that it is necessary to shed a belief in an ʻessenceʼ of creativity in order to understand how knowledge about creativity is produced. In a review of different approaches to creativity I identify the ways in which ʻtruth effectsʼ are produced in scientific and popular texts. Of particular interest here are approaches and assumptions (expressed through language and operations)
in the domains of psychology, education and the arts.
A post structuralist analytical methodology, drawing particularly on Foucaultʼs work, is justified in relation to the significance of concepts such as discourse, ideology, rhetoric and myth which, I argue, are crucial in understanding how creativity is made meaningful.
The primary analysis is of key documents from the last decade which have sought to inform education policy on creativity: All our futures (NACCCE 1999); Creativity: Find it, promote it (QCA 2004); Nurturing creativity in young people (Roberts 2006); Learning: Creative approaches that raise standards (Ofsted 2010a). Attention is given to the discursive processes of authorising particular models of creativity in these documents, the ways in which tensions and contradictions are dealt with and the implications for ʻcreativityʼ in education. An explicitly reflective mode is adopted where appropriate, in order to highlight my epistemological development during the course of the research. This takes the form of ʻinterruptionsʼ between chapters. I argue, ultimately, that there is a case for only operating with the term ʻcreativityʼ in a reflexive, meta-discursive way and that this is a particular
necessity in education
Lithospheric structure across the western Eurasian plate from a wide-angle seismic and gravity study: evidence for a regional thermal anomaly
No full textPalaeomagnetic secular variation curves extending back to 13,400 years B.P. recorded by sediments deposited in Lac de Joux, Switzerland
No full textPalaeosecular variation records have been obtained from three cores from Lac de Joux, Switzerland ( 46°37' N, 6°16' E) on which a parallel biostratigraphy has been constructed. All three cores show a well developed Late-glacial sequence which extends to beyond 13,400 years B.P. and the recorded palaeomagnetic declination and inclination variations can be correlated between these cores. The longer core (no. 3) also shows a well developed Post-glacial sequence and the declination and inclination records can be correlated in detail with the independently dated United Kingdom records which extend back to about 10,000 years B.P. Ages along Lac de Joux core 3, obtained by palaeomagnetic correlation with U.K. cores, are compared with ages based on the local palynology and thus a timescale has been attached to the Lac de Joux record back to beyond 13,400 years B.P. during which time there is no evidence of any geomagnetic excursion or short event.
ARK: https://n2t.net/ark:/88439/y079999
Permalink: https://geophysicsjournal.com/article/247
 
Reinventing the non-profit theatre: a study of the growth of educational work in British non-profit theatres from the 1990s to the present
No full textThis thesis examines why non-profit theatres in Britain have become increasingly involved in educational work since the 1990s, from an historical and institutional perspective. With an assumption that this sector-wide organisational change has been caused by a shift in institutional environments of the arts sector, the thesis proposes an institutional framework, where three different institutional logics - artworld, market and policy - coexist and tend to dominate the institutional context at different times.
Using this theoretical framework, the thesis demonstrates that arts policy and management during the post-war period were shaped by the artworld logic. However, the two decades since 1979 have seen the environments become complicated because the institutional logics of the market and policy gained currency. Criticising the limitation of marketisation theory that has so far dominated most analyses of recent cultural policy, the thesis sheds light on the fact that active intervention by the state has replaced the arm’s length principle and the arts - especially arts education and participatory arts activities - are increasingly used for explicit social policy objectives. This phenomenon is defined as ‘politicisation’ of the arts. The rapid growth of educational work since the 1990s is conceptualised as an organisational adaptation of theatres to such environments.
The case study of four English theatres demonstrates that although the theatres have expanded education under unprecedented political pressure, they also try to implicitly resist external intervention and to maximise autonomy. This implies that politicisation is a complicated process of institutional change: whilst new rules, norms and expectations have been developed under the policy logic, the sector’s romantic view of the arts has been reformulated and old ways of working have persisted. Thus, the recent institutional change in the non-profit arts sector is better understood as an integration of different institutional logics, not as colonisation of the arts world by the market or politics. In these dynamics environments, the non-profit theatre can reinvent itself as a creative educator and social impact generator without fundamental transformation in its artistic and management sides
The effect of globalisation on industrial districts in Italy: evidence from the footwear sector
No full textOne of the most pervasive and disruptive effects of globalisation is the fragmentation of production processes across countries. This phenomenon is the result of delocalisation strategies pursued by firms in industrialised countries to counter increasing competitive pressures from low labour-cost producers in emerging economies. Many Italian industrial districts are deeply interested by this phenomenon. This paper will be focussed on footwear industrial districts. In the Italian footwear sector the increasing globalisation of production is imposing major changes on the organisation of production: · on the one hand, evidence at a national level shows that increasing international competition is spurring a massive fragmentation of production processes through delocalisation of labour-intensive activities abroad (towards Eastern European countries, mainly Romania); · on the other hand, evidence from a previous study of one of the author on one of the most important footwear clusters ? Riviera del Brenta ? suggests that the overwhelming presence of fashion firms and increasing concentration in distribution is limiting producers? control on some crucial activities, i.e. design, branding, marketing, distribution (Rabellotti R., 2001, ?The effect of globalisation on industrial districts in Italy: the case of Brenta?, IDS Working Paper 144, Institute of Development Studies, Brighton). Overall, these trends are reducing the range of activities carried out within the districts. Consequently, as firms in industrial districts enter international production networks, they are altering their traditional sources of competitiveness, which has traditionally come from intra-cluster relationships. This paper is concerned with the effect of globalisation of production on footwear industrial districts in Italy. The aim is to investigate the changing role of footwear districts within international production networks. The following questions will be tackled: which is the pattern of specialisation of footwear districts in Italy? Is there any common trend towards a reduction of activities carried out within the districts? Or, instead, are different patterns emerging for districts according to their segment of market and according to the value chains they belong to? The paper will explore these issues by analysing the pattern of fragmentation of production in the footwear sector at a regional and ?provincia? level, using data on outward processing trade (OPT) collected by Associazione Nazionale Calzaturifici Italiani (ANCI). This will allow to understand delocalisation strategies by location and to answer the question of whether different trends are emerging at a regional level. By matching this information with the geographical distribution of footwear districts in Italy, it should be possible to throw some light on the pattern of specialisation of different districts. As regards the other trend which might impact on the pattern of specialisation of footwear districts ? such as the emergence of big fashion firms in the luxury segment of the market? and which does not show up in the data, primary source information will be collected through surveys to producers in different footwear clusters, to complement the analysis above.
