6,102 research outputs found
Mallophora gauteovan Yepes & Forero 2021, sp. nov.
No full textMallophora gauteovan sp. nov. (Fig. 1 A–D) Type material. Holotype male: COLOMBIA. Magdalena. Santa Marta, P [arque].N[atural].N[acional]. Tayrona, 11°17’19.5”N, 74°09’05.1”W, 5 m, Kungler C. / IAvH-E 173125 / [red label] Holotype Mallophora gauteovan sp. nov. Det. S.Yepes & D.Forero 2020 [IAVH]. Diagnosis. Foreleg reddish; tibia ventrally with yellow setae, posterodorsally all the with black macrosetae and yellow setae. Hind femur with thin, long, pale setae, and some scattered thick, long, black setae. Hind tibia dorsobasally with dense, white setae, remainder of dorsal surface with dense, brown setae combined with a few yellow ones, and scattered black macrosetae; ventrally on basal third with short, brown setae, on apical two thirds with long white thick setae. Hind tarsus ventrally with long white setae and a few black macrosetae. Abdominal tergite I without setae, II to X with yellow setae. Description. Male (holotype). Total body length 22 mm; wing length 25 mm. Head: light-brown. Scape light-brown basally darkening apically; remaining antennal segments missing. Ocellar triangle yellow. Gena with yellow setae; facial gibbosity developed on ventral half, face with a non pubescent rounded area between the antennae and the proboscis exposing brown cuticle, face with yellow macrosetae mixed with black macrosetae (Fig. 1C). Visible maxillary palpus yellow. Proboscis black. Thorax: reddish-brown. Postpronotum in dorsal view with yellow and black setae, macrosetae at margins with apex darker than base; mesonotum laterally with four brown areas, and one large medial elongate brown area, with black short setae and black macrosetae, both on the lateral margin; scutellum with long orange setae and some black macrosetae (Fig. 1A); katatergite with long orange setae, tegula with black macrosetae (Fig. 1B). Foreleg reddish; coxa with long, light yellow setas; femur with black setae and some black macrosetae on entire surface; tibia with black setae dorsally mixed with black and yellow setae apically, ventrally with a row of yellow setae; tarsi with dense thick black setae. Midleg reddish, both femur and tibia with black macrosetae mixed with black macrosetae. Hind leg reddish; tibia longer than femur, coxa with long, light yellow setae; femur ventrally with yellow and black setae, dorsally with some short yellow setae sparsely distributed; tibia with short yellow setae dorsobasally, remainder of dorsal surface with dense, brown setae combined with a few white ones, and scattered black macrosetae, setae increasing in size towards apex; ventrally with brown setae on basal third, apical two thirds with white setae. First tarsal segment only with black setae anteriorly, second to fifth tarsomeres with white setae and setae. Wing coloration opaque brown; C vein with short black setae, presence of setae beyond humeral crossvein (Fig. 1D). Abdomen: black. T1 without dorsal setae, T2–8 yellow setose dorsally and ventrally (Fig 1A); ventrally with yellow setae, homogeneously distributed (Fig. 1B). Epandria short and black, with yellow setae. Female: Unknown Etymology. This new species takes the name “gauteovan” after the Tayrona goddess as a tribute to the place from which the holotype was collected. In the Tayrona culture this goddess is considered the mother of all things. The name is treated as a noun in apposition. Distribution. This new species is only known so far from the Tayrona National Park in the Caribbean region in Colombia at sea level (Fig 3). Remarks. Mallophora gauteovan sp. nov. differs from other species of Mallophora by the brown body color and the color pattern of the ventral setae of the hind tibia, in which there are brown setae on the basal third, whereas the apical two thirds have white setae; dorsally the setae are brown, except for a small area of white setae, increasing in size towards apex. Following the key of Artigas & Angulo (1980), this species might be confused with M. thompsoni Artigas & Angulo, 1980 because of the setae on the hind tibia increase in length toward the apical third, and by the white setae on the hind femur. Nonetheless, M. thompsoni has a black body, hyaline wings and epandrium with white setae, whereas M. gauteovan sp. nov. has a reddish-brown body, the wings are opaque brown, and the epandria has yellow setae, same as the abdomen. More importantly, it seems from the description of M. thompsoni, that the color pattern of the hind tibia is different, because in this species the basal has white setae, whereas in M. gauteovan sp. nov. only the apical two thirds ventrally are white. Although the description is based on a single specimen, we argue that it represents a new species based on the particular color pattern of the setae on the hind legs, especially on the hind tibia. Previous evidence (Artigas & Angulo, 1980, Kohler et al., 2013) and careful examination of additional species of Mallophora (S. Yepes unpubl. obs.), enable us to confirm that males of every species have a particular color pattern and chaetotaxy on the hind legs. Therefore, having a single male allows us to hypothesize that this specimen belongs to a new species.Published as part of Yepes, Sol & Forero, Dimitri, 2021, Two new species of the bee-mimicking genus Mallophora (Diptera, Asilidae) from Colombia, pp. 431-440 in Zootaxa 4926 (3) on page 433, DOI: 10.11646/zootaxa.4926.3.7, http://zenodo.org/record/452944
Música y educación : revista internacional de pedagogía musical
No full textResumen basado en el de la publicaciónResumen en inglésEn 2014 se cumplió el medio siglo de existencia de la guitarra de diez cuerdas, instrumento diseñado y utilizado por Narciso Yepes. Se analizan las razones que llevaron al músico a presentarla en el panorama musical internacional, junto a las opiniones que rodearon a este instrumento y el alcance de sus posibilidades, tanto en la técnica como en la amplitud de su repertorio, y el pensamiento pedagógico que Yepes fue destilando con la guitarraBiblioteca de Educación del Ministerio de Educación, Cultura y Deporte; Calle San Agustín, 5 – 3 Planta; 28014 Madrid; Tel. +34917748000; [email protected]
Understanding Something Means
No full textDaniela Alexandra Yepes Gonzalez draws us into a personal experience she had in an English practicum class, where her teacher asked her what understanding something meant. To answer the question, she turned to multiliteracies and comprehension through lived experiences. The author concludes by telling us how she has adapted these concepts in her own teaching practice
Understanding Something Means
No full textDaniela Alexandra Yepes Gonzalez draws us into a personal experience she had in an English practicum class, where her teacher asked her what understanding something meant. To answer the question, she turned to multiliteracies and comprehension through lived experiences. The author concludes by telling us how she has adapted these concepts in her own teaching practice
Data mining and mall users profile
No full textMarketing scholars have suggested a need for more empirical research on consumer response to malls, in order to have a better understanding of the variables that explain the behavior of the consumers. The segmentation methodology CHAID (Chi-square automatic interaction detection) was used in order to identify the profiles of consumers with regard to their activities at malls, on the basis of socio-demographic variables and behavioral variables (how and with whom they go to the malls). A sample of 790 subjects answered an online questionnaire. The CHAID analysis of the results was used to identify the profiles of consumers with regard to their activities at malls. In the set of variables analyzed the transport used in order to go shopping and the frequency of visits to centers are the main predictors of behavior in malls. The results provide guidelines for the development of effective strategies to attract consumers to malls and retain them there
Posibilidad de un organismo de control autorizado en una consultora de ingeniería civil
No full textSuay Gonzalez, P.; Yepes, V. (2008). Posibilidad de un organismo de control autorizado en una consultora de ingeniería civil. Tecnica Industrial. 274(2):50-55. https://riunet.upv.es/handle/10251/147920S5055274
La información en el origen y desarrollo de la Documentación
No full textThe contribution of José López Yepes has as main purpose to propose a reflection on the fundamentals of the Documentation, the Library and Information Science in a time of great changes and the loss of many landmarks. According to the scholar we must start from the study of the concepts of information and documents and their close relationship. The message, says Yepes, is transmitted through the document in space and time and so in turn become an important source of information. Information is therefore the core and foundation of documentation and related disciplines, although it can not be considered an exclusive object of their study. We must then go back to think about the document, and in particular on its nature, since it is a necessary starting point for scholars of the subject. The author, in this article, in addition to signaling the need for a theoretical study aims to rediscover the work of Paul Otlet and in particular the Traité de Documentation (1934). The aim is not simply to pay tribute to the founder of modern documentation, but to invite to recognize the relevance of a thought that still can make an important contribution to the redefinition of key concepts of the discipline
Warachtich verhael van de doot ende sterven des Konincx van Spaignien : Mitsgaders d'over-leveringhe syns Rijcx/ ende eenighe vermaninghen aen synen Sone Don Philippe/ ende l'Infante syne Dochter voor syn overlijden: als ooc de pompe ende den staet syner Maiesteyts begraefnisse/ ende andere gheschiedenissen
No full text[Door Fr. Diego de Yepes]. Over-ghezet vyt de Spaensche in onse Nederduytsche TaleKnuttel, W.P.C. Catalogus van de pamfletten-verzameling berustende in de Koninklijke Bibliotheek, 1014Vorlageform des Erscheinungsvermerks: Tot Rotterdam. M.D.XCviij.Text in FrakturKnuttel 1014Typographia Batava 5412Tiele, P. A. Bibliotheek van Nederlandsche pamfletten 1,1,414STCN 83272773
The concept and development of the Yepes ten-string guitar : a preliminary investigation
No full textThe purpose of this study is to provide a broader understanding of the Yepes ten-string guitar. Since its inception, twenty-eight years ago, no authoritative work has been published providing inferential detail which explains the concept and development of the Yepes guitar. As a result, this instrument has been, and still is, criticized by some, largely from ignorance or lack of knowledge about the instrument. In an attempt to rectify this situation and make the instrument's extended possibilities known, the author has undertaken extensive research and has interviewed, amongst others, leading international authorities associated with the Yepes ten-string guitar. As a result of these efforts, a clearer and more positive understanding of the instrument has emerged. This in turn has become the foundation on which this dissertation has been written. The opening chapter of this dissertation provides an overview, showing how the guitar emerged and developed before the concept of multi-string guitars became established in Europe, during the second half of the eighteenth century. Aspects pertaining to the early guitar's physical features, performance practices, music, tuning and stringing methods are discussed. Several multi-string vihuelas and guitars are also mentioned. The following chapter presents a survey of numerous experiments carried out during the 1770-1900 period; to 'improve' the capabilities of the guitar. Here a number of early multi-string instruments related to the Yepes ten-string guitar are discussed. These include guitars with added basses, guitars with added trebles, guitars with added basses and trebles, and guitars with multiple necks. The third chapter shows how out of an enormous variety of eccentric forms of the guitar, some professional guitarists opted for multi-string guitars (with added basses) as their instruments, whilst others preferred the six-string variety. The music of guitarist-composers who composed for multi-string guitars is discussed alongside those who wrote specifically for the six-string guitar. The rationale for the tuning and disposition of strings on most of these multi-string guitars, past and present, as well as several illustrations showing their physical features are included. The penultimate chapter comprises an interview with Narciso Yepes and other leading figures associated with the ten-string guitar. The reasons behind Yepes' unique concept for the ten-string guitar, arguments for and against the instrument, as well as its tuning and problems related to playing this instrument are discussed. The chapter includes an inquiry(with examples) showing how the ten-string guitar can be used, amongst other things, to facilitate the playing of difficult passages in music originally composed for the six-string guitar. The extension of the repertoire with music composed specifically for this instrument is also briefly discussed. A comprehensive discography of recordings made by Narciso Yepes on the ten-string guitar is presented in the appendix. A more detailed discussion of the ten-string guitar repertoire in the twentieth century is presented in the final chapter. It includes several compositions originally intended for the traditional guitar, which have become associated with the Yepes guitar. At least five compositions composed and dedicated to Narciso Yepes by various composers are also examined. It is concluded that this instrument clearly offers more than what has been assumed over the past twenty-eight years
The book of dreams, Los Angeles, 1992
No full textThe book of dreams, Los Angeles, 1992, County of L.A. Children's Services 24-Hour Child Abuse Center, exterior facing parking lot, 564 San Mateo Street (between 4th and 6th streets). Fanciful characters from children's literature. Acrylic, 25' x 150', by George Yepes. Sponsored by Social and Public Arts Resource Center. -- Dunitz, Street gallery, p. 57, #107
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