5,276 research outputs found

    Simmonds, P.

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    Curriculum-making in South Africa: promoting gender equality and empowering women (?)

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    Author cannot archive publisher's version/PDF.The United Nations Millennium Development Goals (2000−2015) are clearly embedded in South Africa’s education policy documents. However, they are not adequately infused into the curriculum. This article focuses specifically on the third Millennium Development Goal (MDG) − promoting gender equality and empowering women − and the need to place this curriculum content at the centre and not on the periphery, to achieve its goal. Qualitative document research was used to explore the extent to which South Africa’s curriculummaking has promoted gender equality and the empowerment of women during the promotion of the 2000–2015 MDGs. The findings of this research show potential intersections of poverty, age and worldviews with gender; a stronger focus on human rights values; and concrete strategies to combat unhealthy sexual behaviour. However, the curriculum continues to be saturated with negative perspectives and binary perceptions of gender. There is also a lack of attention to the world of work. The assumption underlying this seems to be that gender equality and the empowerment of women are unattainable or that they are unimportant. This article concludes by underlining the need for the curriculum to be a genuine agent of change, which necessitates a new gender discourse in curriculum-making.http://dx.doi.org/10.1080/09540253.2014.946474http://www.tandfonline.com/toc/cgee20/curren

    Jane Barbour et D. Simmonds éd., Adire cloth in Nigeria.

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    Calame-Griaule Geneviève. Jane Barbour et D. Simmonds éd., Adire cloth in Nigeria.. In: Journal de la Société des Africanistes, 1971, tome 41, fascicule 2. p. 267

    Physical function in patients with cancer: psychometric characteristics and clinical usefulness of a physical performance test battery

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    This study investigated the psychometric properties of a battery of physical performance tests, characterized physical function in patients with cancer referred for rehabilitation, and provided normative standards against which to compare disease progression and/or future treatment effectiveness. A total of 109 patients with cancer (55 women and 54 men) and 105 control subjects (66 women and 39 men) participated. Subjects completed self-report questionnaires regarding pain, physical function, and fatigue, and also performed nine physical performance tests: the time taken to complete various tasks (picking up coins, tying a belt, reaching up, putting on a sock, standing from sitting, a 50-foot fast walk, a 50-foot walk at preferred speed), the distance walked in 6 minutes, and the distance reached forward while standing were measured. Inter-tester and test-retest reliability was good to excellent for all tests (ICC(11) 0.69 to 0.99). Known group analyses controlling for age were significant (P < 0.001) for all physical performance tests. Control subjects significantly and systematically outperformed those with cancer by a factor of two or three. Examination of the correlation matrices showed relatively low correlations between performance and external measures (r = 0.01 to 0.45). In contrast, correlations among performance measures were generally in the range of r = 0.25 to 0.85. Correlations between self-report of function and performance of functional tests were moderate, suggesting that the two methods of measuring function are complementary and both should be used for assessment and as outcome measure

    Shapes and Colours

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    Shapes and Colours is an ongoing project that brings together the work of painter Gary Simmonds and object-maker Matthew Harrison. While Simmonds' interest lies in abstraction and decoration, Harrison deals with the functionality of art objects in relation to craft and design. Yet, a mutual interest in Dazzle camouflage has aligned the two practices in an unrestricted collaborative process. With differing but related points of view, the convergence of Harrison and Simmonds' approaches has generated unexpected possibilities, which share the spirit and functionality of the historical development of Dazzle camouflage. The exhibition at West Lane South will reveal the process of the continuing project, underpinned by a focus on the structure and aesthetics of the bicycle frame, which forms a departure point for the unpicking of divisions between fine art and design.</p
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