193,480 research outputs found
Leslie-Lu/Leslie-Lu.github.io: Personal website
No full text<p><strong>Full Changelog</strong>: https://github.com/Leslie-Lu/Leslie-Lu.github.io/commits/v0.1.0</p>
Gaultheria crassifolia P. W. Fritsch & Lu Lu
No full text<p> <b>4.</b> <i>Gaultheria crassifolia</i> (Airy Shaw 1941: 326) P.W.Fritsch & Lu Lu in Fritsch <i>et al.</i> (2015: 9).</p> <p> ≡ <i>Gaultheria sinensi</i> s J.Anthony in Anonymous (1933: 19) var. <i>crassifolia</i> Airy Shaw (1941: 326).</p> <p> Type:— CHINA. Xizang: [Chayu Xian,] Salwin-Kiu Chiang divide, 28°40’N, 98°15’E, October 1919, <i>G. Forrest 19286</i> (holotype K K000227996!, isotype E E00225813!).</p>Published as part of <i>Fritsch, Peter W., Armstrong, Kate E., Aung, Mu Mu, Fujikawa, Kazumi & Lu, Lu, 2023, Gaultheria (Ericaceae) of Myanmar: an updated species list for the country, a new species, and a new species combination, pp. 37-61 in Phytotaxa 595 (1)</i> on page 39, DOI: 10.11646/phytotaxa.595.1.3, <a href="http://zenodo.org/record/7889451">http://zenodo.org/record/7889451</a>
Gaultheria obovata P. W. Fritsch & Lu Lu
No full text<p> <b>17.</b> <i>Gaultheria obovata</i> (Airy Shaw) P.W.Fritsch & Lu Lu in Fritsch <i>et al.</i> (2015: 17).</p> <p> ≡ <i>Gaultheria trichophylla</i> Royle (1835: 260) var. <i>obovata</i> Airy Shaw (1941: 324).</p> <p> Type:— MYANMAR. Kachin: [Putao District, Nawngmun Township, Hkakaborazi National Park,] Upper Burma, Seinghku Wâng, 11,000 ft, 28°08’N, 97°24’E, 17 June 1926, <i>F. Kingdon-Ward 6944</i> (holotype K K000227987!).</p>Published as part of <i>Fritsch, Peter W., Armstrong, Kate E., Aung, Mu Mu, Fujikawa, Kazumi & Lu, Lu, 2023, Gaultheria (Ericaceae) of Myanmar: an updated species list for the country, a new species, and a new species combination, pp. 37-61 in Phytotaxa 595 (1)</i> on page 52, DOI: 10.11646/phytotaxa.595.1.3, <a href="http://zenodo.org/record/7889451">http://zenodo.org/record/7889451</a>
Ksavers Andermanis – LU Akadēmiskās nozīmītes meta autors
No full textRaksts tapis kā turpinājums 2024. gada septembra mēneša priekšmetam par Latvijas Universitātes (LU) Akadēmisko nozīmīti, kur uzmanība pievērsta LU Akadēmiskās nozīmītes meta autoram, LU Arhitektūras fakultātes studentam un novadpētniekam, vācbaltietim Ksaveram Andermanim. K. Andermanis ne tikai ir sniedzis ieguldījumu Latvijas etnogrāfijas pētniecībā, bet arī LU simbolu izgatavošanā, kas mūsdienās saglabā savu unikalitāti un vērtību. Meta autora piederība pie LU saimes sakņojusies jau viņa ģimenē, jo viņa tēvs ir absolvējis Rīgas Politehnisko institūtu, LU priekšteci starpkaru periodā, un strādājis LU Saimniecības padomē par inspektoru.The article is a continuation of the September 2024 Museum Object on the Academic Badge of the University of Latvia (UL), which focuses on the author of the UL Academic Badge design, the student of the Faculty of Architecture and local historian, the Baltic German Ksavers Andermanis. K. Andermanis has not only contributed to the research of Latvian ethnography, but also to the production of symbols of the UL, which today retain their uniqueness and value. The author's belonging to the UL family is rooted in his family, as his father graduated from the Riga Polytechnic Institute, the predecessor of UL during the interwar period, and worked as an inspector at the UL Economical council
ACA inhibited cell viability of A549 and SK-LU-1 cell lines.
No full text(A) Chemical structure of 1’S-1’-acetoxychavicol acetate (ACA). (B) The cell viability of MCF 10A, A549 and SK-LU-1 cells lines after exposure to ACA (0–30 μM) for 24 h was assessed using MTT assay. Data represented as mean percentage of cell viability ± SD for three independent experiments. (C) The cell viability of A549 and SK-LU-1 cells lines after exposure to IC50 of ACA (25 μM for SK-LU-1 and 30 μM for A549 cells) on respective cell lines for 0–24 h was assessed using MTT assay. Data represented as mean percentage of cell viability ± SD for three independent experiments. * p p < 0.01 statistically different in comparison to 0 h (D) Representative photomicrograph (200 × magnification) of A549 and SK-LU-1 cell lines upon ACA treatment. Arrow indicates the cytoplasmic vacuole.</p
Lu-Lu Bond in Lu2@C60 Metallofullerenes
No full textThis study on Lu2@C60 isomers provides insights into the metal–metal bond through the confinement effect of fullerene cages. Density functional theory calculations were used to study the nature of the Lu-Lu bond in two stable endohedral metallofullerenes (EMFs), Lu2@C2v_C60 and Lu2@Ih_C60, both with negative endohedral energy. These two isomers are geometrically connected through a simple Stone–Wales (SW) transformation. The electronic configuration of (Lu2)4+@C604− was also confirmed, leading to the formation of a two-center two-electron (2c–2e) Lu-Lu σ single bond. By comparing the Lu-Lu bonds in Lu2@C60 with those in acknowledged Lu2@C2n, the smaller C60 fullerene compressed the geometry of Lu2 resulting in a much shorter Lu-Lu bond length. However, the Lu-Lu bond strength is slightly weaker in Lu2@C60 than that in large fullerenes, as the Lu-Lu bond in C60 is likely a p-p σ bond with an above the 40% contribution of p orbital and a strong metal–cage interaction. Additionally, the vis-NIR spectra of Lu2@C2v_C60 and Lu2@Ih_C60 were simulated, which could provide valuable information for future experimental studies on Lu-based EMFs
lu-vedder/RestrictionEnzymeFragments: v1.0
No full text<p><strong>Full Changelog</strong>: https://github.com/lu-vedder/RestrictionEnzymeFragments/commits/v1.0</p>
Lu Xun's Revolution : Writing in a Time of Violence /
No full textRecognized as modern China’s preeminent man of letters, Lu Xun (1881–1936) is revered as the nation’s conscience, a writer comparable to Shakespeare or Tolstoy. Gloria Davies’s vivid portrait gives readers a better sense of this influential author by situating the man Mao Zedong hailed as "the sage of modern China" in his turbulent time and place.Widely recognized as modern China’s preeminent man of letters, Lu Xun (1881–1936) is revered as the voice of a nation’s conscience, a writer comparable to Shakespeare and Tolstoy in stature and influence. Gloria Davies’s portrait now gives readers a better sense of this influential author by situating the man Mao Zedong hailed as "the sage of modern China" in his turbulent time and place. In Davies’s vivid rendering, we encounter a writer passionately engaged with the heady arguments and intrigues of a country on the eve of revolution. She traces political tensions in Lu Xun’s works which reflect the larger conflict in modern Chinese thought between egalitarian and authoritarian impulses. During the last phase of Lu Xun’s career, the so-called "years on the left," we see how fiercely he defended a literature in which the people would speak for themselves, and we come to understand why Lu Xun continues to inspire the debates shaping China today. Although Lu Xun was never a Communist, his legacy was fully enlisted to support the Party in the decades following his death. Far from the apologist of political violence portrayed by Maoist interpreters, however, Lu Xun emerges here as an energetic opponent of despotism, a humanist for whom empathy, not ideological zeal, was the key to achieving revolutionary ends. Limned with precision and insight, Lu Xun’s Revolution is a major contribution to the ongoing reappraisal of this foundational figure.Recognized as modern China’s preeminent man of letters, Lu Xun (1881–1936) is revered as the nation’s conscience, a writer comparable to Shakespeare or Tolstoy. Gloria Davies’s vivid portrait gives readers a better sense of this influential author by situating the man Mao Zedong hailed as "the sage of modern China" in his turbulent time and place.Widely recognized as modern China’s preeminent man of letters, Lu Xun (1881–1936) is revered as the voice of a nation’s conscience, a writer comparable to Shakespeare and Tolstoy in stature and influence. Gloria Davies’s portrait now gives readers a better sense of this influential author by situating the man Mao Zedong hailed as "the sage of modern China" in his turbulent time and place. In Davies’s vivid rendering, we encounter a writer passionately engaged with the heady arguments and intrigues of a country on the eve of revolution. She traces political tensions in Lu Xun’s works which reflect the larger conflict in modern Chinese thought between egalitarian and authoritarian impulses. During the last phase of Lu Xun’s career, the so-called "years on the left," we see how fiercely he defended a literature in which the people would speak for themselves, and we come to understand why Lu Xun continues to inspire the debates shaping China today. Although Lu Xun was never a Communist, his legacy was fully enlisted to support the Party in the decades following his death. Far from the apologist of political violence portrayed by Maoist interpreters, however, Lu Xun emerges here as an energetic opponent of despotism, a humanist for whom empathy, not ideological zeal, was the key to achieving revolutionary ends. Limned with precision and insight, Lu Xun’s Revolution is a major contribution to the ongoing reappraisal of this foundational figure.Electronic reproduction. :Mode of access: Internet via World Wide Web.DaviesGloria: Gloria Davies is a literary scholar and historian of China at Monash University in Australia. She is also Adjunct Director of the Australian Centre on China in the World at the Australian National University.Description based on online resource; title from PDF title page (publisher’s Web site, viewed May 26, 2011
Autophagy effect of ACA on A549 and SK-LU-1 cell lines.
No full text(A) Representative fluorescence photomicrograph (400 × magnification) illustrating the acidic vesicular organelles in A549 and SK-LU-1 cell lines after treated with ACA for 0, 3, 6, 12, and 24 h. Data were presented as relative fluorescence intensity in comparison to untreated cells ± SD. * p p p p p p p p p < 0.001 statistically different in comparison to untreated.</p
Lu Xun zaoqi wenyan lunwen li suo tansuo de xin wenhua (The 'New Culture' formulated in Lu Xun's early classical-style essays)
No full textThis article links a number of the main themes expressed in Lu Xun's early wenyan essays, written in Japan in 1906-1908, with the concerns of the New Culture Movement, which emerged later (circa 1919) in China. The author argues that these book-length theses written in dense classical language were in fact intellectual precursors to the New Culture Movement and its aftermath. It delineates a partial outcome of the author's Australian Research Council (ARC) project on the early Lu Xun and his formative period in Japan
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