3,402 research outputs found
Letter from P. Clayton to G. W. Manypenny with letters from E. F. Beale, 1855
No full textEnclosed voucher No. 26, 4th quarter 1852 of the accounts of E. F. Beale. Enclosed three other letters and affidavit from Beale
The potential of open models for public archaeology
No full textThis paper presents a public archaeology project that aims to train community groups to use computational photography techniques for the recording and dissemination of church gravestones and memorials. The project implements open approaches into its use of technology and also methodological design. The manner by which open principles were engaged by the project is described. The paper ends with an outline of plans for future work, to include crowdsourcing and open access publication in pursuit of these objectives
Letter from Charles Maltby to D. N. Cooley with letters from Henley and Beale, 1866
No full textEnclosed letters from Henley and Beale to T. P. Madden in regards to value of land on Tule River now leased as reservation
The statements of time on July 1, at Gettysburg, Pa. 1863. An examination of the official reports, by James Beale.
No full text29 p
Additive archaeology: The spirit of virtual archaeology reprinted
No full textArchaeologists in the 1980s were embracing wholeheartedly the rapidly expanding field of computer modelling, hypertext and visualisation as vehicles for dataexploration. Against this backdrop ‘virtual archaeology’ was conceived. The term was originally intended to describe a multi-dimensional approach to the modelling of the physical structures and processes of field archaeology. It described some ways in which technology could be harnessed in order to achieve new ways of experiencing, documenting, interpreting and annotating primary archaeological materials and processes. Despite its initial promise, virtual archaeology failed to have the impact upon archaeological fieldwork which might have been expected. While the archaeological record is now primarily digital, its sections, plans, drawings and photographs are facsimiles of the analogue technologies which preceded them. This retention of analogue conventions is increasingly out of step with the general prevalence of digital technologies and especially 21st century advances in 'additive manufacturing', popularised through 3D printers, which could bring the world of virtual archaeology into closer alignment with the material one.This paper will set out to demonstrate that in spite of technological developments much of the theoretical infrastructure which underpinned virtual archaeology remains as relevant today as it was when the term was first conceived. Through an analysis of rapidly developing additive manufacturing technology, this paper will demonstrate the need to move beyond passive technological appropriation and towards the development of authentically archaeological approaches to technolog
Baldwin, James. Se a rua Beale falasse. Tradução de Jorio Dauster. São Paulo: Companhia das Letras, 2019. 224 p.
No full textBaldwin, James. Se a rua Beale falasse. Tradução de Jorio Dauster. São Paulo: Companhia das Letras, 2019. 224 p.Baldwin, James. Se a rua Beale falasse. Tradução de Jorio Dauster. São Paulo: Companhia das Letras, 2019. 224 p
Letter from R. P. Hammand to James Guthrie with 2 other letters, 1853
No full textHammond submits Beale's California charges to the treasury for re-imbursement. Enclosed letters from Beale and R. McClelland
Romancing Beale Street (review)
No full textThe author reviews Barry Jenkins’s 2018 film adaptation of Baldwin’s novel, If Beale Street Could Talk, finding that Jenkins’s lush, painterly, and dreamlike visual style successfully translates Baldwin’s cadenced prose into cinematic language. But in interpreting the novel as the “perfect fusion” of the anger of Baldwin’s essays and the sensuality of his fiction, Jenkins overlooks the novel’s most significant aspect, its gender politics. Baldwin began working on If Beale Street Could Talk shortly after being interviewed by Black Arts poet Nikki Giovanni for the PBS television show, Soul!. Giovanni’s rejection of Baldwin’s claims that for black men to overcome the injuries of white supremacy they needed to fulfill the breadwinner role prompted him to rethink his understanding of African American manhood and deeply influenced his representation of the novel’s black male characters. The novel aims to disarticulate black masculinity from patriarchy. Jenkins’s misunderstanding of this aspect of the novel surfaces in his treatment of the character of Frank, who in the novel serves as an example of the destructiveness of patriarchal masculinity, and in his rewriting of the novel’s ending
The chancellor of Egypt; a dramatization of the Bible story of Joseph and his brethren, in four acts, by William Thomas Beale.
No full text1 p. l., 55, [1] p
Genomic_Epidemiology_of_Syphilis_&_Evolution_of_Macrolide_Resistance__v7.Rcode
No full textR Code and source data for Beale et al (2019) "Genomic epidemiology of syphilis reveals independent emergence of macrolide resistance across multiple circulating lineages </p
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