16,882 research outputs found
[Stammbuch Helene Oppermann]
No full text[STAMMBUCH HELENE OPPERMANN]
[Stammbuch Helene Oppermann] ( - )
Cover ( - )
Besitzvermerk / Eintrag Bl. 1 (0v 1r)
Einträge Bl. 2 - 10 (1v 2r)
Einträge Bl. 11 - 20 (10v 11r)
Einträge Bl. 21 - 30 (20v 21r)
Einträge Bl. 31 - 40 (30v 31r)
Einlage: Kalenderblattabriss ( -
An Article About Albertus C. Van Raalte, Author Unknown, Except for Parts Taken from an Article by Anna C. Post
No full textAn article about Albertus C. Van Raalte, author unknown, except for parts taken from an article by Anna C. Post. The author knew first generation persons in the Holland settlement and therefore, the article has some value.https://digitalcommons.hope.edu/vrp_1890s/1012/thumbnail.jp
Anna Schäffler: The Art of Preservation. An invited lecture and a panel discussion jointly organized by SNSF Activating Fluxus and SNSF Performance: Conservation, Materiality, Knowledge within the Research Wednesday seminar series, Bern University of the Arts
No full textToday’s challenges in dealing with the legacy of contemporary artists require new structural models for preservation and are leading to a radical shift of our western memory culture. Based on her own experience of working with the estate of German conceptual artist Anna Oppermann (1943-1992) Anna Schäffler argues that rather than conserve once and forever a given material state, we need new, cooperative forms of preservation that allow for the further evolution and change of a work of art in line with the artistic concept. In the wake of the dissolution of the arts in the 1960s the kind of preservation she proposes amounts to a new dissolution: Given that so-called “networks of care” take on preservation tasks leads to a profound restructuring of museums in their function as repositories of memory and reveals the instituent potential of contemporary art preservation. In elevating preservation to a condition of contemporary art, Anna suggests a radical perspective on preservation practices enabling the contemporaneity of contemporary art in the atomic age
Ausstellung Anna Oppermann - Ensembles 1968 bis 1984 anläßlich der Ausstellung "Anna Oppermann - Ensembles 1968 bis 1984" im Kunstverein Hamburg, 10. März bis 8. April 1984, und im Bonner Kunstverein, 31. Oktober bis 2. Dezember 1984
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Richardson, Barbauld, and the construction of an early modern fan club
No full textMPhilMuch has been written about the life and long works of the eighteenth century epistolary novelist, Samuel Richardson, but the prospect of his position as the first celebrity novelist – responsible for courting his own fame as well as initiating his own fan club – has largely been ignored. The body of manuscripts housed at the National Art Library in the Victoria and Albert Museum in London provides the modern scholar with evidence of the skeletal beginnings of an early fan club. This thesis aims to show how these manuscripts were turned into a saleable commodity by the publisher and entrepreneur Richard Phillips, while under the guiding hand of another, slightly later, literary celebrity, Anna Laetitia Barbauld. In order to restore Richardson’s reputation amongst a new nineteenth century audience, Barbauld was required to construct her own idea of him as an eighteenth century celebrity author, and in doing so the insecurities of a self-professed, apparently diffident man, are revealed. Barbauld’s capacious, but heavily edited selection of letters is analyzed in this thesis, providing ample evidence that Richardson’s correspondents were more than just eager letter writers. By using Barbauld’s biography of Richardson this thesis aims to show how she manipulates the genre of life writing in her construction of him.
This thesis offers an alternative reading of how the Richardson manuscripts are viewed, redefining them as not simply a collection of letters, but as a collective entity, deliberately selected and archived as evidence of an early modern fan club, and its celebrity managing director
Selection of work by Anna Gerber
No full textVarious journals and magazines Anna Gerber has contributed to. Anna Gerber is a graphic designer and writer based in London.
She is the author and designer of All Messed Up: Unpredictable Graphics (Laurence King, 2004) and co-editor and co-designer
of Influences: A Lexicon of Contemporary Graphic Design (Die Gestalten Verlag, 2006) with Anja Lutz. She writes regularily for magazines such as Print, Eye, Creative Review, Varoom and Idea Magazine and her work has also been published in shift!, dot dot dot and +rosebud.
She teaches at the London College of Communication on the BA Graphic Design and MA Design Writing Criticism programmes. She has also held workshops and lectures across the U.K. (including Tate Modern and the V&A Museum), as well as in India, the U.S., Australia and Malaysia.
Anna Gerber is currently engaged in research and developing projects relating to sustainability and how it applies to graphic
design as well as exploring contemporary graphic design in India
Author and Lecturer Anna Bird Stewart will Speak at the University of Dayton
No full textNews release announcing the visitation and speech of author and lecturer Anna Bird Stewart to the University of Dayton
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