236 research outputs found
sj-docx-1-bjo-10.1177_03080226241241991 – Supplemental material for Youth mentoring: A new holistic intervention targeting the needs of young persons with acquired brain injury
No full textSupplemental material, sj-docx-1-bjo-10.1177_03080226241241991 for Youth mentoring: A new holistic intervention targeting the needs of young persons with acquired brain injury by Lene Odgaard, Mette Ryssel Bystrup, Jørgen Feldbæk Nielsen and Henriette Holm Stabel in British Journal of Occupational Therapy</p
Lene Schneider-Kainer Collection 1921-1968
No full textThe collection contains biographical notes on Lene Schneider-Kainer; photographs of her and signed photographs of the German author Bernhard Kellermann; and an album with newspaper clippings, magazine articles, and photographs. The album covers the years 1929-1951, and includes clippings pertaining to Schneider-Kainer, her work, and exhibits of her work; magazine articles concerning her trip through Asia with Kellermann, some written by him, illustrated with photographs of her related paintings; and photographs of Kellermann, Schneider-Kainer, and her paintings.Lene Schneider was born May 16, 1885, in Vienna, Austria. She studied painting in Vienna and in Munich. From 1926 to 1928, she participated in an expedition to Asia, which brought her and the author Bernhard Kellermann to Iran, Ladakh (Klein-Tibet), India, Thailand, and China. She then moved to Berlin, where she was sustained by the Prussian Academy of Fine Arts and the Villa Masimo in Rome. After a sojourn in Spain in the 1930s, she settled in New York, and in 1954 she moved on to Cochabamba, Bolivia, where she was known under the name Elena Eleska. She died in 1971.The original German-language inventory is available in the folderProcessed for digitizationdigitize
Horizons of enchantment: essays in the American imaginary
No full textAbout the Book
(from upne.com) Lene M. Johannessen\u27s Horizons of Enchantment is about the peculiar power and exceptional pull of the imaginary in American culture. Johannessen\u27s subject here is the almost mystical American belief in the promise and potential of the individual, or the reliance on a kind of modern magic that can loosely be characterized as a fundamental and unwavering faith in the secular sanctity of the American project of modernity. Among the diverse topics and cultural artifacts she examines are the Norwegian American novel A Saloonkeeper\u27s Daughter by Drude Krog Janson, Walt Whitman\u27s Song of Myself, Rodolfo Gonzales\u27s I Am Joaquín, Richard Ford\u27s The Sportwriter, Ana Menéndez\u27s In Cuba I Was a German Shepherd, essays by Samuel Huntington and Richard Rodriquez, and the 2009 film Sugar, about a Dominican baseball player trying to make it in the big leagues. In both her subject matter and perspective, Johannessen reconfigures and enriches questions of the transnational and exceptional in American studies. (from upne.com).
About the Author
Lene M. Johannessen is a professor of American literature and culture in the Department of Foreign Languages at the University of Bergen, Norway. She is the author of Threshold Time: Passage of Crisis in Chicano Literature and has edited several books on American Studies. (from upne.com).
About the Electronic Publication
This electronic publication of Horizons of Enchantment was made possible with the permission of the author. The University Press of New England created EPUB, MOBI, and PDF files from a scanned copy of the book. The Dartmouth College Library Digital Production Unit created the HTML file and performed quality assurance.
Rights Information
Creative Commons Attribution-NonCommercial License © Trustees of Dartmouth Collegehttps://digitalcommons.dartmouth.edu/dartmouth_press/1007/thumbnail.jp
Surviving severe traumatic brain injury in Denmark: incidence and predictors of highly specialized rehabilitation
No full textLene Odgaard,1 Ingrid Poulsen,2 Lars Peter Kammersgaard,2 Søren Paaske Johnsen,3 Jørgen Feldbæk Nielsen,1 1Hammel Neurorehabilitation Center and University Research Clinic, Aarhus University, Aarhus, Denmark; 2Department of Neurorehabilitation, TBI and Research Unit on Brain injury rehabilitation (RUBRIC), Glostrup Hospital, Copenhagen University, Copenhagen, Denmark; 3Department of Clinical Epidemiology, Aarhus University Hospital, Aarhus, Denmark Purpose: To identify all hospitalized patients surviving severe traumatic brain injury (TBI) in Denmark and to compare these patients to TBI patients admitted to highly specialized rehabilitation (HS-rehabilitation). Patients and methods: Patients surviving severe TBI were identified from The Danish National Patient Registry and The Danish Head Trauma Database. Overall incidence rates of surviving severe TBI and incidence rates of admission to HS-rehabilitation after severe TBI were estimated and compared. Patient-related predictors of no admission to HS-rehabilitation among patients surviving severe TBI were identified using multivariable logistic regression. Results: The average incidence rate of surviving severe TBI was 2.3 per 100,000 person years. Incidence rates of HS-rehabilitation were generally stable around 2.0 per 100,000 person years. Overall, 84% of all patients surviving severe TBI were admitted to HS-rehabilitation. Female sex, older age, and non-working status pre-injury were independent predictors of no HS-rehabilitation among patients surviving severe TBI. Conclusion: The incidence rate of hospitalized patients surviving severe TBI was stable in Denmark and the majority of the patients were admitted to HS-rehabilitation. However, potential inequity in access to HS-rehabilitation may still be present despite a health care system based on equal access for all citizens. Keywords: database, health care disparities, registries, validity 
Prevalence and association of oral candidiasis with dysphagia in individuals with acquired brain injury
No full textSurvey of oral nursing care attitudes, knowledge and practices in a neurorehabilitation setting
No full text"To portray is to meet" : the performativity of Lene Marie Fossen's photographic self-portraits
No full textArtykuł dotyczy twórczości norweskiej fotografki Lene Marie Fossen (1986-2019) i poświęconego jej filmu dokumentalnego Autoportret (2020, reż. Margareth Olin, Katja Høgset i Espen Wallin). W próbie współmyślenia z fotograficznymi autoportretamiartystki, która chorowała na anoreksję o ciężkim przebiegu, autor sięga po metodologie performatyczne, przede wszystkim teorie performatywności indeksu (Margaret Olin) i reprezentacji (Peggy Phelan). Inspirację zaproponowanego
w artykule opisu praktyki artystycznej Fossen stanowią kategorie imaginariów autologicznych, obejmujących dyskursy wolności indywidualnej, i genealogicznych, obejmujących dyskursy społecznych ograniczeń (Elizabeth A. Povinelli). Autor interpretuje zdjęcia norweskiej fotografki jako efekty jej eksperymentów z własną cielesnością w punkcie przecięcia i wzajemnego podważania się tych imaginariów. Fotograficzne (re)prezentacje nie odpowiadają na pytanie, kim jest bądź nie jest rzeczywista Fossen, lecz są wypróbowywaniem siły wyobraźni artystki i odbiorców jej sztuki. Autor stawia tezę, że medium fotografii dało Fossen możliwość balansowania na granicy oznaczoności i nieoznaczoności, i dostrzega w tym emancypacyjny potencjał jej fotograficznych autoportretów.This article discusses the work of the Norwegian photographer Lene Marie Fossen (1986-2019) and a documentary film about her: Self-Portrait (2020, dir. Margareth Olin, Katja Høgset, and Espen Wallin). In an attempt to co-think with photographic self-portraits of the artist, who suffered from severe anorexia, the author draws on methodologies of performance studies, especially the theories of performative index (Margaret Olin) and representation (Peggy Phelan). The proposed description of Fossen’s artistic practice has been inspired by categories of autological imaginaries, encompassing discourses of individual freedom, and genealogical imaginaries, encompassing discourses of social constraints (Elizabeth A. Povinelli). The author interprets Fossen’s photographs as results of her experiments with her own corporeality at a point where these imaginaries intersect and undermine each other. The photographic (re)presentations do not answer the question of who the real Fossen is or is not, but rather test the power of the artist’s and her audiences’ imagination. Arguing that the medium of photography gave Fossen the ability to balance the border between the marked and the umarked, the author sees this as the source of the emancipatory potential of her photographic self-portraits
Incidence of joint replacement surgery among biologics and non-biologics treated patients with rheumatoid arthritis:a propensity score matched cohort study from denmark
No full textBackground Biologics have improved several clinical, patient-reported and radiological outcomes in patients with rheumatoid arthritis (RA), but little is known about the potential impact on the need for joint replacement surgery.Objectives To investigate the incidence of joint replacement surgery among biologics treated compared with biologics naïve patients with RA.Methods A nationwide, register-based propensity score matched cohort study. RA patients registered between 2006 and 2016 in the DANBIO register with a disease duration ≤ 2 years were identified. Patients initiating their first treatment series with biologics were followed up to 10 years for a first joint replacement of the hip, knee, shoulder, elbow and finger/wrist. Biologics naïve patients were followed up for the same outcome from their first clinical visit registered in DANBIO. Following a 1:n propensity score matching, Cox-models were undertaken to calculate the hazard ratio (HR) for a first joint replacement surgery among biologics compared with non-biologics treated RA patients. Further, subgroup analyses based on within-strata propensity score matched patients were carried out. All information on surgical outcomes was obtained in the Danish National Patient Registry.Results In total, 1187 biologics treated were matched with 3666 non-biologics treated patients (See Table). View this table:Abstract THU0059 – Table1 Baseline characteristics of biologics treated and biologics naïve patients with rheumatoid arthritis and a disease duration &lt; 2 years registered in DANBIO between 2006 and 2016.During follow-up, 43 biologics-treated and 124 naive patients had a first joint replacement surgery corresponding to an overall HR of 0.95 (0.65 to 1.40) for biologics treated compared with naïve patients (Figure 1). Patients with a DAS28-CRP &lt; 4.6 at start of follow-up (low and moderate disease activity)1, biologics treated had a lower risk of joint replacements compared with biologics naïve patients.Conclusion In this nationwide Danish cohort study, there was no difference in the incidence of joint replacement surgery among newly diagnosed RA patients selected for treatment with biologics compared with patients naïve to biologics.Abstract THU0059 – Figure 1 References [1] Fleischmann, et al. DAS28-CRP and DAS28-ESR cut-offs for high disease activity in rheumatoid arthritis are not interchangeable. RMD Open 2017;3:2–6.Disclosure of Interests René Cordtz: None declared, Samuel Hawley: None declared, Daniel Prieto-Alhambra Grant/research support from: Grants from Amgen, UCB Biopharma and Servier outside the submitted work, Consultant for: UCB Biopharma, Speakers bureau: Amgen, Lars Erik Kristensen Grant/research support from: UCB, Biogen, Janssen Pharmaceuticals, and Novartis, Consultant for: Consultant for AbbVie, Amgen, Biogen, BMS, Celgene, Eli Lilly, Janssen Pharmaceuticals, MSD, Novartis, Pfizer, Roche, Sanofi, and UCB Pharma., Speakers bureau: Pfizer, AbbVie, Amgen, UCB, BMS, Biogen, MSD, Novartis, Eli Lilly and Company, and Janssen Pharmaceuticals, Søren Overgaard: None declared, Anders Odgaard: None declared, Lene Dreyer Consultant for: MSD, UCB and Janssen Pharmaceuticals, Speakers bureau: MSD, UCB and Janssen Pharmaceuticals, Speakers bureau: UCB, MSD, Eli Lilly and Janssen Pharmaceuticals
FOCALIZATION IN LENE ASK’S GRAPHIC NOVEL HITLER, JESUS AND GRANDFATHER
No full textThe article reviews the graphic novel “Hitler, Jesus and Grandfather” (2006) by the
Norwegian artist and writer Lene Ask. The book has got several awards including the
Sproing Prize 2006 for best Norwegian comic book of the year. In 2011 the novel was
reprinted with an edition of five thousand copies. That’s a record edition for a Norwegian
graphic novel. This is an autobiographical story about Ask’s protagonist establishing
herself as an artist and finding her self-identity. This article compares focalization in
the novel’s visual and textual component and shows how word-image combinations
collaborate to create new levels in the narrative. One distinguishes four types of such
collaboration in the narrative and concludes: the images in the novel show the narrator’s
sensory experience: things that are happening in her life and her interaction with the
other persons. Where the narrator lacks such an experience, the gaps are filled with the
narrator’s visualization of the facts based on the media sources. The text presents the
narrator’s internal monologue and helps the person to comprehend and come to grips
with her sensory experience. The narrator verbalizes what is happening in her life and
what has happened in the history of her family, asks some questions and looks for the
answers trying to find the right place in her life. The panels where the text component
is absent, describe usually the situations where the person experiences frustration or
loss. Her emotions are too overwhelming, so that she can’t rationalize her experience
through speech. In these situations the reader should fill the gaps with the help of one’s
own life experience and take the role as a co-author of the story
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