24,583 research outputs found

    Martin Heidegger

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    Nota biogràfica sobre el filòsof Martin Heidegger on es fa, per una banda, un breu repàs dels principals fets de la seva vida com a filòsof i, per una altra banda, un breu repàs de la seva obr

    Martin Heidegger

    No full text
    Nota biogràfica sobre el filòsof Martin Heidegger on es fa, per una banda, un breu repàs dels principals fets de la seva vida com a filòsof i, per una altra banda, un breu repàs de la seva obr

    Now for the long term: the report of the Oxford Martin Commission for Future Generations

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    This report is the product of a year long process of research and debate undertaken by a group of eminent leaders on the successes and failures in addressing global challenges over recent decades. As the world slowly emerges from the devastating Financial Crisis, it is time to reflect on the lessons of this turbulent period and think afresh about how to prevent future crises. The Oxford Martin Commission for Future Generations focuses on the increasing short-termism of modern politics and our collective inability to break the gridlock which undermines attempts to address the biggest challenges that will shape our future. In Now for the Long Term, they urge decision-makers to overcome their pressing daily preoccupations to tackle problems that will determine the lives of today’s and tomorrow’s generations. Dr James Martin, the founder of the Oxford Martin School, highlights that humanity is at a crossroads. This could be our best century ever, or our worst. The outcome will depend on our ability to understand and harness the extraordinary opportunities as well as manage the unprecedented uncertainties and risks.   The report identifies what these challenges are, explains how progress can be made, and provides practical recommendations. The Commission outlines an agenda for the long term. The case for action is built in three parts. The first, Possible Futures , identifies the key drivers of change and considers how we may address the challenges that will dominate this century. Next, in Responsible Futures, the Commission draws inspiration from previous examples of where impediments to action have been overcome, and lessons from where progress has been stalled. We then consider the characteristics of our current national and global society that frustrate progress. The final part, Practical Futures, sets out the principles for action and offers illustrative recommendations which show how we can build a sustainable, inclusive and resilient future for all. &nbsp

    Jack Alive / Martin Dead : The Location of the "Author" in Jack London\u27s Martin Eden

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    This essay is an attempt to read Martin Eden, Jack Londonʼs autobiographical novel, in terms of the inextricable relationship between the author and the protagonist. Critics have often taken the unbalanced plot and the lack of ironic distance between narrator and character in Martin Eden as the technical weakness of London, but this paper argues that the achievement of this novel owes a great deal to the attachment of London to Martin. The unbalanced structure is a necessary product of the severe struggle of the author to kill his romantic alter ego. // Martin, who aspires to win Ruth Morse, tries to cross class boundaries by making a career of a writer. Even after realizing the emptiness of Ruth, who turns out to be nothing but a typical figure of the bourgeoisie, he somehow persists in loving her. The notion underlying here is that, for Martin, love, career and art are fundamentally inseparable. He objects to the aestheteʼs view of Brissenden on account of his separation of art from career. Martinʼs identity and life consist only in the triunity of love/career/art; the alternative is the repudiation of life. Thus, the unnatural delay of his disappointment in love can be regarded as Londonʼs strategy to set the suicide of Martin as the necessary consequence of the story. // By finishing the story and killing Martin, London finally detaches himself from Martin, reconstructs his self, and, unlike Martin, survives as a professional writer. In this sense, Martin Eden is a story about “writerʼs self-reconstruction.

    Martin Durbek, brač : diplomski ispit

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    Diplomski ispit Martina Durbeka (brač), studenta Muzičke akademije Sveučilišta u Zagrebu. Prvi dio diplomskog ispita održan je na Muzičkoj akademiji u dvorani Lhotka 8. 4. 2024. Program prvog dijela diplomskog ispita: 1. Johan Kvandal: Koncert za flautu, op. 22 (I. Capriccio – II. Aria – III. Finale) ; 2. Tivadar Nachéz: Ciganski ples, op.14 ; 3. Martin Durbek: Moslavačka fantazija. Drugi dio diplomskog ispita održan je na Muzičkoj akademiji u dvorani Lhotka 2. 7. 2024. Program drugog dijela diplomskog ispita: 1. Camille Saint-Saëns / obr. Veljko Valentin Škorvaga: Sonata za violinu u d-molu, br.1 (I. Allegro agitato/Adagio – II. Allegretto moderato/Allegro molto) ; 2. Veljko Valentin Škorvaga: Proljeće ; 3. Tomislav Uhlik: A Ja Taka Carna ; 4. Tomislav Uhlik: Kerasia Tou Maiou ; 5. Rudolf Matz: Elegija ; 6. Henryk Wieniawski: Poloneza Brillante. Klavirska pratnja: Brigita Vilč, nasl. umj. sur. Mentor: nasl. doc. Siniša Leopold. Komentor: Veljko Valentin Škorvaga, v. pred

    Martin Durbek, brač : diplomski ispit

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    Diplomski ispit Martina Durbeka (brač), studenta Muzičke akademije Sveučilišta u Zagrebu. Prvi dio diplomskog ispita održan je na Muzičkoj akademiji u dvorani Lhotka 8. 4. 2024. Program prvog dijela diplomskog ispita: 1. Johan Kvandal: Koncert za flautu, op. 22 (I. Capriccio – II. Aria – III. Finale) ; 2. Tivadar Nachéz: Ciganski ples, op.14 ; 3. Martin Durbek: Moslavačka fantazija. Drugi dio diplomskog ispita održan je na Muzičkoj akademiji u dvorani Lhotka 2. 7. 2024. Program drugog dijela diplomskog ispita: 1. Camille Saint-Saëns / obr. Veljko Valentin Škorvaga: Sonata za violinu u d-molu, br.1 (I. Allegro agitato/Adagio – II. Allegretto moderato/Allegro molto) ; 2. Veljko Valentin Škorvaga: Proljeće ; 3. Tomislav Uhlik: A Ja Taka Carna ; 4. Tomislav Uhlik: Kerasia Tou Maiou ; 5. Rudolf Matz: Elegija ; 6. Henryk Wieniawski: Poloneza Brillante. Klavirska pratnja: Brigita Vilč, nasl. umj. sur. Mentor: nasl. doc. Siniša Leopold. Komentor: Veljko Valentin Škorvaga, v. pred

    Robert Martin Tiffin's Mystery Man Newspaper Articles

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    Advertiser-Tribune newspaper clippings featuring a story about Robert Martin (written by Nancy Kleinhenz), a local author from Tiffin (Ohio) who wrote under the pseudonym of Lee Roberts, and two of his short stories. Martin wrote mystery novels in his spare time, creating more than 22 mystery novels. For more information about Robert Martin and a list of books go to http://www.mysteryfile.com/RMartin/JBennett.html

    Experiences Using Large Scale Video Walls for Distance Education

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    We describe our experiences building and using the Rutgers Videowall, a low-cost telepresence system that has been used teaching 15 courses and colloquia. By relaxing typical spatial telepresence features, such as background continuity, we greatly reduced costs and gained flexibility in the rooms it could be deployed in. The lower costs and room flexibility enabled academic departments to use the wall, in contrast to traditional telepresence systems which remained inaccessible. We found that the Videowall’s spatial distortions did not have a significant impact on useability, as our initial survey results show that students had an overall positive experience.Technical report DCS-tr-72

    Hans Martin Schwarz Collection 1934 - 1938

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    This collection contains clippings of articles by Hans Martin Schwarz (1917, Hamburg – 2006, New York, better known as Martin Ebon), published between 1934 and 1938 in German-Jewish newspapers on a wide variety of subjects such as sports, emigration, the political situation in Germany, and religious attitudes of the young. It also contains reviews of his books "Einer wie Du und Ich" and "Heiteres, Besinnliches, Nachdenkliches."digitizedHans Martin Schwarz (1917, Hamburg – 2006, New York, better known as Martin Ebon), was a journalist and author. In Germany during the 1930s, he published in a variety of German-Jewish periodicals, primarily the Israelitisches Familienblatt. After immigrating to the United States in 1938, he changed his name to Martin Ebon, and published dozens of books in the areas of world affairs and parapsychology.Processe
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