2 research outputs found
THE MEANINFUL DOMINANT IN THE FEATURE FILM “THE LATE CHILD” (BASED ON THE STORY WRITEN BY A. ALEXIN)
No full textThe article touches upon the peculiarities of the screen version of the story “The Late Child” after A. Alexin. The author comes to the conclusion that the film demonstration to the public some ways of meditation upon the text, based on visual symbols, cinema messages, presupposing a deep and multisemantic reading of the original text. Multidimential synthesis allows to transfers the deep psychological and artistic value of the story, enriching the plot, adding and meanings. The involvements of music, art and architectural images demonstrate the interaction of creative principals of the writer and the director of the film
The Style and Synthesis in Valery Medvedev's Creative Heritage
No full textIn the article analyzes the phenomen of belles-lettres and intra-literary synthesis in the style of the children's writer V.V. Medvedev. The author comes to the conclusion that in his novel The Wedding March, as well as in the trilogy The Imaginations of Barankin, V.V. Medvedev successfully and efficiently enough uses the possibility of intra-literary synthesis, as well as belles-lettres synthesis (between different kinds of art). And as the evidence of it is associative order (system), composition, system of characters, and complex of motifs and topics (themes)
