962 research outputs found
Returning culture to peacebuilding : contesting the liberal peace in Sierra Leone
No full textThis thesis investigates the advantages and limitations of applying culture to the analysis of violent conflict and peacebuilding, with a particular focus on liberal peacebuilding in Sierra Leone. While fully aware of the critique of the concept of culture in terms of its uses for the production of difference and ‘otherness,’ it also seeks to respond to the critique of liberal peacebuilding on the account of its low sensitivity towards local culture, which allegedly undermines the peace effort. After a careful examination of the terms of discussion about culture enabled by theoretical approaches to conflict in Chapter 2, the thesis presents a theoretical framework for the analysis of cultural aspects of conflict and peace based on the processes and effects of meaning-generation (Chapter 3), developing the conceptual apparatus and vocabulary for the subsequent empirical study. Instead of bracketing out the recursive nature of cultural theorising, the developed approach embraces the recursive dynamics which arise as a result of cultural ‘embeddedness’ of the analyst and the processes which s/he seeks to elucidate, mirroring similar dynamics in the cultural production of meaning and knowledge. The framework of ‘embedded cultural enquiry’ is then used to analyse the practices of liberal peacebuilding as a particular culture, which shapes the interaction of the liberal peace with its ‘subjects’ and critics as well as framing its reception of the cultural problematic generally (Chapter 4). The application of the analytical framework to the case study investigates the interaction between the liberal peace and ‘local culture,’ offering an alternative reading of the conflict and peace process in Sierra Leone (Chapter 5). The study concludes that a greater attention to cultural meaning-making offers a largely untapped potential for peacebuilding, although any decisions with regard to its deployment will inevitably be made from within an inherently biased cultural perspective
Ricerche archeologiche e topografiche in ambito volterrano e bassa val di Cecina. Monte Bono (Guardistallo, Pi) : la campagna 2007
No full textAuthor Visit inside Leone Cole Auditorium 1
No full textAn unidentified author was a special guest at Jacksonville State University in Spring 1968. Shown she stands on stage in Leone Cole Auditorium with unidentified students signing a book.https://digitalcommons.jsu.edu/lib-ac-histimg/20307/thumbnail.jp
Leone Allemandes Corpus
No full textThe corpus we present is comprised of twenty-four allemandes (dance music originating from Germany, usually possessing even meter), written in 1768 by Gabriele Leone (sometimes referred to as Pietro Leone), a mandolin virtuoso from Naples. These pieces were originally included in a method for teaching mandolin to violin players (in particular, the method was dedicated to Louis Philippe II, later known as Philippe Égalité, at the time when he was Duke of Chartres). As such, despite the great technical ability of the author, the pieces are extremely simple and can be played by a novice. All of the allemandes are written for a mandolin duo, ideally having the first part played by the student and the second by the teacher, so all these pieces are polyphonic. In addition, a single instrument often plays chords, so either part may polyphonic on its own. Since the Neapolitan mandolin has only four strings, neither part ever has more than four simultaneous notes.
These pieces are released here in MusicXML format, with added chord annotations. We propose this corpus as a tool for the study of musical structure, as these simple pieces have strong formal regularities. More information can be found on the paper below.
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If you use this corpus for an academic publication, please cite the following paper:
Filippo Carnovalini, Antonio Rodà, Nicholas Harley, Steven T. Homer, and Geraint A. Wiggins. 2021. A New Corpus for Computational Music Research and A Novel Method for Musical Structure Analysis. In Audio Mostly 2021 (AM ’21), September 1–3, 2021, virtual/Trento, Italy. ACM, New York, NY, USA, 4 pages. https://doi.org/10.1145/3478384.3478402The original method is in the public domain and can be found at https://imslp.org/wiki/Méthode_raisonnée_pour_passer_du_Violon_à_la_Mandoline_(Leone%2C_Gabriele)
The additional work done to that corpus to release it in MusicXML format with chord annotations is released here under Creative Commons license
Vasi comuni nell’Etruria settentrionale costiera
No full textCette étude est consacrée aux céramiques de cuisine utilisées en Étrurie septentrionale côtière. Elle est fondée sur l’observation des récipients destinés au stockage domestique, à la cuisson et à la préparation des mets, retrouvés sur huit sites localisés sur les territoires de Pise et de Volterra, et datés entre le IVe av. J. ‑C. et le VIe s. ap. J. ‑C. : centres de production (trois ateliers près de Pise et de nombreux ateliers près de Vada Volaterrana, port de Volterra), sites de consommation (habitats urbains ainsi que fermes et villae) et centres de distribution (les ports de Portus Pisanus et de Vada Volaterrana). Ces récipients se répartissent en cinquante‑cinq types présentés ici, dont la description morphologique est enrichie par l’association à une pâte céramique, par une liste d’attestations régionales et par la fourchette chronologique concernée.Menchelli Simonetta, Leone Ninetta, Maccari Aurora, Montagna Pasquinucci Marinella, Picchi Giulia. Vasi comuni nell’Etruria settentrionale costiera. In: Les céramiques communes dans leur contexte régional : faciès de consommation et mode d'approvisionnement. Actes de la table ronde organisée à Lyon les 2 et 3 février 2009 à la Maison de l'Orient et de la Méditerranée. Lyon : Maison de l'Orient et de la Méditerranée Jean Pouilloux, 2012. pp. 87-111. (Travaux de la Maison de l'Orient et de la Méditerranée, 60
ROCOPOT (ROman COmmonware POTtery) Dataset
No full textA total of 2475 B/W images of Roman pottery profiles from 11 catalogues
(refined with 231 Bases, 278 Handles, 2103 Rims and 248 Rims with handles).
An .xls file containing asoociated metadata is included.
Reference webpage: https://mach.maths.cam.ac.uk/datasets/rocopot/
Associated publication:
S. Parisotto, A. Launaro, N. Leone and C.-B. Schönlieb. Unsupervised clustering of Roman pottery profiles from their SSAE representation. (ArXiv
Sugli automatismi in tema di scioglimento anticipato delle Camere
No full textThe Author focuses on the theory according to which the President of the Republic, after the electoral reform approved in 1993, is obliged to dissolve Parliament before the end of its term if the Government loses the support of the coalition that won the elections. The Author argues that automatic dissolution of Parliament is incompatible with the parliamentary form of government unless political parties adopt it as a rule of conduct. To confirm her argument, the Author analyses the Scalfaro, Ciampi and Napolitano presidencies underlining that all three Heads of State dissolved Parliament only after they had verified that it was impossible to form a new Government. In conclusion, the Author criticises the theory according to which the President of the Republic should dissolve Parliament when he believes there is a discrepancy between the will of the people and the will of Parliament. She argues that the President of the Republic should never exercise the power of dissolution for this reason
Evidence basis for antimalarial policy change in Sierra Leone: five in vivo efficacy studies of chloroquine, sulphadoxine-pyrimethamine and amodiaquine
Get PDFOBJECTIVES: To provide nationally relevant information on the antimalarial efficacy of chloroquine (CQ), sulphadoxine-pyrimethamine (SP) and amodiaquine (AQ) in Sierra Leone, with a view to updating antimalarial policy in the country. METHODS: Between October 2002 and May 2003, standard WHO methodology for in vivo efficacy assessment was used in five sites to study the therapeutic response of 6-59 months old uncomplicated Plasmodium falciparum malaria cases treated with CQ (n = 247), SP (n = 353) or AQ (n = 434). Follow-up was of 28 days, with polymerase chain reaction genotyping to distinguish late recrudescences from re-infections. RESULTS: Overall 85.3% of patients reached an analysable endpoint. CQ failure proportions were very high, ranging from 39.5% (95% CI: 25.0-55.6) in Kabala to 78.8% (65.3-88.9) in Kailahun. Early failures under CQ were frequent. SP efficacy was also disappointing, with failure from 23.2% (13.9-34.9) in Kabala to 46.1% (35.4-57.0) in Kailahun. AQ resistance was more moderate, ranging from 5.4% (1.8-12.1) in Makeni to 29.8% (20.3-40.8) in Kailahun, with almost no early failures. AQ also provided more rapid fever and parasite clearance. CONCLUSION: In a consensus meeting organized by the Ministry of Health and Sanitation, and based on these findings, artesunate (AS) + AQ and artemether-lumefantrine (Coartemtrade mark) were identified as the only options to rapidly replace CQ. The choice fell on AS + AQ because of expected high efficacy, lower cost in a blister presentation, and the absence of safety data on artemether-lumefantrine in pregnancy. Donor support is required to support this policy change. Throughout Africa, as SP resistance increases, these two regimens are probably the only options available while newer combinations are developed. Efficacy studies should focus on testing AQ and AS + AQ
Where did Leone Escape?
Get PDFThis article analyses the subject of escape on the example of Leone Glembay from Krleža’s play The Glembays. After several remarks about the son’s return home and the meaning that that motive had in European dramatic literature, the author tries to reconstruct Leone’s life outside the family life, the Glembays and their circle, and he tries to explain the reasons of the son’s life choice to be the painter, and at the same time as the possibility to escape from himself. Based on a few lines from the text, the author tries to illuminate stylistic characteristics of Leone’s painting and his possible painting role models (Art Nouveau, Grosz’s caricature, post – impressionism, expressionism, especially Munch), but even more, he tries to illuminate the meaning which the painting had in shaping his dramatic character in dramatic agon: for Leone, the art represents the possibility of existence, and it means to take the clear attitude. In that way, the character of Leone is determined and bound by laws of an artistic discipline; he is dramaturgically consistent and firmly based on the action level in the play. However, the return to his home, into the atmosphere in which Glembay laws are applied, the painting as a refuge and fugue for it becomes more and more insecure and fluid. By returning to the Glembays, Leone loses his support in art, he loses painting as resort and refuge, and becomes the very same from which he was escaping for a long time; he becomes a Glembay who, instead of paint – brush and palette takes scissors
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