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Att framställa det oframställbara. Stig Larssons poesi och det postmoderna
Full text linkThe paper constitutes an analysis of the poetry of Stig
Larsson in the context of the postmodern break-up of traditional
definitions of literary genres. The characteristic features of the
Swedish poet's work are ambiguity, fragmentation, rich intertextual
references, and, most importantly, a radically undefined, diffuse
persona of the speaker, no longer able to organize the presented
world. Larsson's poetry is rich in lexical, semantic and syntactic
experimentation. The poet suggests a change in the relation
between the author and the reader
Människan och platsen. Några anmärkningar om Katarina Frostensons författarskap
Full text linkAttitude towards space in a literary work is one of the two central and very problematic themes in Katarina Frostenson’s creative activity. The author introduces and describes the place in different manners and usually treats it as a living organism that one can engage in dialogue with; one that evokes memories and releases emotions. For Frostenson the place has an identity because it is the mirror of the soul. Only in contact with the place words are born and the real, inner voice of the lyric subject is released
Att framställa det oframställbara. Stig Larssons poesi och det postmoderna
Full text linkThe paper constitutes an analysis of the poetry of Stig Larsson in the context of the postmodern break-up of traditional definitions of literary genres. The characteristic features of the Swedish poet\u27s work are ambiguity, fragmentation, rich intertextual references, and, most importantly, a radically undefined, diffuse persona of the speaker, no longer able to organize the presented world. Larsson\u27s poetry is rich in lexical, semantic and syntactic experimentation. The poet suggests a change in the relation between the author and the reader
Man and place. Some remarks on Katarina Frostensons poetry
Full text linkI Katarina Frostensons författarskap är förhållandet till platsen ett av de centrala och mycket problematiska teman. Författaren beskriver och analyserar platsen på olika sätt och hon betraktar ofta platsen inte som objekt, utan en levande organism,
som man kan samtala med, som framkallar minnen och känslor. För Frostenson har platsen sin identitet för den är själsavtryck. Det är först i mötet med platsen då det talade jagets röst får sitt utrymme och sin verbalisering.Attitude towards space in a literary work is one of the two central and very problematic themes in Katarina Frostenson’s creative activity. The author introduces and describes the place in different manners and usually treats it as a living organism that one can engage in dialogue with; one that evokes memories and releases emotions. For Frostenson the place has an identity because it is the mirror of the soul. Only in contact with the place words are born and the real, inner voice of the lyric subject is released
Swedish in Poznań. Students’ texts from the Department of Scandinavian Studies
No full textThe present volume is a collection of short articles based on BA and MA theses written by stu-dents of the Swedish philology and Scandinavian studies. The papers span from Swedish literature studies to Swedish linguistics, including such subjects as Polish-Swedish contrastive grammar, historical linguistics including runology and translation studies. Three papers were written by teachers from the department, including an overview of the subjects chosen for the BA and MA theses within Scandinavian studies in Poland
Swedish in Poznań. Students’ texts from the Department of Scandinavian Studies
No full textThe present volume is a collection of short articles based on BA and MA theses written by stu-dents of the Swedish philology and Scandinavian studies. The papers span from Swedish literature studies to Swedish linguistics, including such subjects as Polish-Swedish contrastive grammar, historical linguistics including runology and translation studies. Three papers were written by teachers from the department, including an overview of the subjects chosen for the BA and MA theses within Scandinavian studies in Poland
”Att befrias fran varje horisontlinje”. Birgitta Lillpers poetiska landskap
Full text linkThe paper constitutes an analysis of the poetry of Birgitta
Lillpers in the context of the postmodern break-up of traditional definitions
of literary genres. The characteristic features of the Swedish poet's
work are ambiguity, fragmentation, and a diffuse persona of the speaker.
Lillpers' poetry is rich in lexical, semantic and syntactic experimentation
På spaning efter den gräns som flytt. Gränsbegrepp i modern svensk poesi baserande på dikter av Katarina Frostenson och Stig Laarsson
No full textThe word „limit" has become one of the keywords of modern
Swedish poetry, in which it is connected with different poetic
determinants. An analysis of the poetry of Katarina Frostenson and
Stig Larsson leads to the conclusion that in this age of deconstruction,
inter-textuality and postmodemism, among other new literary
phenomena, poetry as art has lost its traditional limits. The modern
Swedish poets aim at achieving absolute freedom of poetic language,
now separated from the outside, non-literary world. They try to prove
that meaning is no longer explicitely defined. The poetry of Katarina
Frostenson and Stig Larsson attempts to abolish the separation
between the persona of the speaker and the world, between the
subject and the object
På spaning efter den gräns som flytt. Gränsbegrepp i modern svensk poesi baserande på dikter av Katarina Frostenson och Stig
No full textThe word „limit" has become one of the keywords of modern Swedish poetry, in which it is connected with different poetic determinants. An analysis of the poetry of Katarina Frostenson and Stig Larsson leads to the conclusion that in this age of deconstruction, inter-textuality and postmodemism, among other new literary phenomena, poetry as art has lost its traditional limits. The modern Swedish poets aim at achieving absolute freedom of poetic language, now separated from the outside, non-literary world. They try to prove that meaning is no longer explicitely defined. The poetry of Katarina Frostenson and Stig Larsson attempts to abolish the separation between the persona of the speaker and the world, between the subject and the object.The word „limit" has become one of the keywords of modern Swedish poetry, in which it is connected with different poetic determinants. An analysis of the poetry of Katarina Frostenson and Stig Larsson leads to the conclusion that in this age of deconstruction, inter-textuality and postmodemism, among other new literary phenomena, poetry as art has lost its traditional limits. The modern Swedish poets aim at achieving absolute freedom of poetic language, now separated from the outside, non-literary world. They try to prove that meaning is no longer explicitely defined. The poetry of Katarina Frostenson and Stig Larsson attempts to abolish the separation between the persona of the speaker and the world, between the subject and the object
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