1,866,633 research outputs found
Nick Hunter
No full textLoading operation at bottom of cut. Nobles Nob gold mine.Hunter, R. J.Date:196
Podcast: Is there a Crisis in World Journalism? Nick Davies
No full textNick Davies has been named Journalist of the Year, Reporter of the Year and Feature Writer of the Year for his investigations into crime, drugs, poverty and other social issues. Hundreds of journalists have attended his masterclass on the techniques of investigative reporting. He has been a journalist since 1976 and is currently working freelance.
interview with Nick Crowe
No full text"The Futurology" book will explore the subject of culture-led regeneration, through critical writing, and the documentation of the project, Futurology: The Black Country 2024. This project was concerned with exploring the relationship between socially engaged art practice and culture-led regeneration. In Futurology: The Black Country 2024, artists and young people were teamed up to examine the current social, economic and political conditions of the Black Country in order to imagine their future. This book includes interviews with the artists: Barby Asante, Dave Beech, Nick Crowe and Ian Rawlinson, Becky Shaw, Simon Poulter and partners; The New Art Gallery Walsall, Creative Partnerships, Black Country Consortium, Black Country Tourism, Regen West Midlands, Walsall MBC; and transcriptions of public talks by Rasheed Araeen, Dr Malcolm Miles, Dr Tim Butler, Charles Landry, Claire Fox. It is published to accompany the exhibition Futurology: The Black Country 2024 at The New Art Gallery Walsall, July - September 2004
Nick Hunt: “Light works through effect, through feeling.”
No full textIn the first episode of the CANON podcast series, we spoke to Nick Hunt, lighting designer, technician and currently the Programme Director for Lighting Design at Rose Bruford College in London. As we discussed the creative processes in lighting design, Nick touches on how the role of the audience affects his work. He also evaluates the technical history from the standpoint of its efficiency for and contributions to contemporary artistic projects.
“One thing I learned as a lighting designer, and I think is true for everybody who is making some kind of creative work intended for an audience, is trying to work out what kind of effect you’re having. Particularly because light is such an intangible medium. Light works through affect, through feeling, rather than through something that the conscious part of the brain really deals with.
Solidarity as One Antidote to the Housing Crisis — with Nick Montgomery
No full textNick Montgomery is passionate about creating alternatives to the dominant order of things, with a focus on housing and food. For the last fifteen years, he has been exploring non-profit and collective ways of living and working, including community land trusts, cooperatives, intentional communities, affinity groups, permaculture, and collective housing. He holds a PhD in Cultural Studies and has designed and taught courses for a number of universities and colleges across Canada. Nick is a writer, theory nerd, and gardener living with his partner on Sla-dai-aich (Denman Island, BC).Resources:— Solidarity Housing: www.solidarityhousing.com/— Solidarity Housing survey: www.solidarityhousing.com/survey— Joyful Militancy: Building Thriving Resistance In Toxic Times: joyfulmilitancy.com/— Nick Montgomery on the Grounded Futures show: groundedfutures.com/shows/grounded-…ick-montgomery
Nick Howson : recent paintings
No full textCatalogue published by Australian Galleries and Nick Howson, 12-30 September 2006.Sydney Painting and Sculpture.Essay: David Thomas
Nick Family
No full textPhotograph shows Frank Nick's parents and family in Greece. Frank Nick photo inset on back row. His brother Dimitrios Tsevoukos and sister, Mrs. Sophie Saderis, are both on the front row as children--both settled in Dallas, Texas
Nick Cohn
No full textNick Cohnhttps://digitalcommons.montclair.edu/sust-seminar-headshots/1090/thumbnail.jp
Slow culture: an introduction
No full text[Extract] There is a powerful message permeating our social lives today, found in our self-help networks, talkback television and radio shows, and online forums. It is a warning that, through technology and modernisation, our lifestyles have become increasingly hectic, fast, complex and immediate. 'Life', writes online author Leo Babauta (2009, para. 2), 'moves at such a fast pace that it seems to pass us by before we can really enjoy it'. We are encouraged to take a step back, to breathe deeply and 'slow down', in order to recapture the essence of 'real' living. By doing so, we can escape the seemingly endless stresses associated with our multi-tasked, time-compressed and instantaneous speed culture (Tomlinson 2007). This book presents illustrations of how people are beginning to disentangle themselves from a speed culture by embracing slowness. It is not simply a matter of slowing down, as the term implies, but of undertaking changes in the way we do things at an everyday level. Underpinning these transformations is a concern, as Babauta (2009) suggests, with the uniquely stressful lifestyles we are living in contemporary culture
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