8,699 research outputs found
Caroline Gordon Collection
No full textArrangement Description
EXTENT
Linear Feet: 2 linear feet
Number of Containers: 2 boxes
Series 1: Writings, 31 files
Series 2: Lectures, 19 files
Series 3: Courses, 10 files
Series 4: Book Reviews, 5 files
Series 5: About Caroline Gordon,8 files
Series 6: Correspondence, 18 files
Series 7: Books, 5 books
Series 8: Media: 9 digital files, 9 cassettes, 2 reelsCOLLECTION DETAILS
<---Please open FindingAid .pdf under "FILES" to see full collection details To request any materials from this collection please email: [email protected]
BIOGRAPHICAL / Historical Note: Twentieth-century novelist Caroline Gordon was born into the Kentucky line of the extensive Meriwether family in 1895. Exploration of the family's past and its evolution is a major theme of her fiction. She grew up at Merry Mont in Todd County, near Clarksville where she received her early education. She earned a Bachelor of Arts degree from Bethany College in 1916. Her father is the idealized subject of Gordon's second novel, Alec Maury, Sportsman (1934), and the central character in her much-anthologized story, "Old Red." Gordon taught briefly; then, as a journalist, she became one of the first reviewers to comment favorably on a new Nashville-based magazine of poetry, The Fugitive. During the summer of 1924, Robert Penn Warren, a Todd County neighbor, introduced her to Allen Tate. Within a year they were married and living in New York City, where their daughter, Nancy Meriwether was born. With Tate, she began a period of life abroad, devoted to writing and sustained by various fellowships granted to one or the other. In London, Gordon was secretary to the influential British writer Ford Madox. In 1930 the Tates returned to the United States and settled in Clarksville in a house provided by Tate's brother Ben and called "Benfolly." Both Tates were exceptionally hospitable to friends and encouraging to younger writers. Both were prolific correspondents, generous with constructive criticism. (Gordon eventually became mentor to several writers, most notably Flannery O'Connor). Although she had to wrest time for her writing from domestic and social obligations, the eight Benfolly years were especially productive for Gordon, who published four novels and several stories before 1937. The first novel was Penhally (1931), followed by Alec Maury, Sportsman (1934), None Shall Look Back (1937), and The Garden of Adonis (1937), studies of the southern family during the Civil War and Great Depression. Academic appointments of the 1940s took the Tates throughout the Southeast and to Princeton, where they established a home near their daughter, who married psychiatrist Percy Wood in 1944. During this time Gordon published her fifth novel, Green Centuries (1941). Her second related group of novels, The Woman on the Porch (1944), which deals with a troubled marriage, The Strange Children (1951), based on life at Benfolly, and The Malefactors (1956), is informed by her conversion to Roman Catholicism. She and her husband wrote The House of Fiction (1950), which was followed by Gordon's How to Read a Novel in 1957. Gordon lived in Princeton until 1973, teaching, and writing: The Glory of Hera (1972). An appointment in the creative writing program drew her to the University of Dallas (Gordon was 77 years old when she proposed the new creative writing program at UD). When her health began to fail in 1978, she moved to San Cristobal de las Casas in Chapas, Mexico, with her daughter and family. She died there on April 11, 1981.
COLLECTION DESCRIPTION Caroline Gordon (1895-1981) was an American author. This collection consists of manuscripts of Gordon's work, including novels, lectures, and poetry during her time at the University of Dallas. It also includes correspondence with authors and family members, writings of others, and photographs.
Lectures and Commentary available here: https://hdl.handle.net/20.500.14026/2548University of Dalla
The Marmara Sea Earthquake of 10 July 1894 and Its Effects on Historic Buildings
No full textFinkel Caroline F., Ambraseys Nicholas Nicholas. The Marmara Sea Earthquake of 10 July 1894 and Its Effects on Historic Buildings. In: Anatolia moderna - Yeni anadolu, Tome 7, 1997. pp. 49-58
Barron (Caroline) and Saul (Nigel), eds. England and the Low Countries in the Late Middle Ages.
No full textNicholas David. Barron (Caroline) and Saul (Nigel), eds. England and the Low Countries in the Late Middle Ages.. In: Revue belge de philologie et d'histoire, tome 76, fasc. 2, 1998. Histoire medievale, moderne et contemporaine - Middeleeuwse, moderne en hedendaagse geschiedenis. pp. 573-575
Barron (Caroline) and Saul (Nigel), eds. England and the Low Countries in the Late Middle Ages.
No full textNicholas David. Barron (Caroline) and Saul (Nigel), eds. England and the Low Countries in the Late Middle Ages.. In: Revue belge de philologie et d'histoire, tome 76, fasc. 2, 1998. Histoire medievale, moderne et contemporaine - Middeleeuwse, moderne en hedendaagse geschiedenis. pp. 573-575
The role english plays in the construction of professional identities in nest-nnes bilingual marriages in İstanbul
No full textCaroline Fell Kurban (MEF Author)…WOS:000389065100011Book Citation Index- Social Sciences and HumanitiesArticle; Book ChapterOcakYÖK - 2014-1
Replication Data for: Evaluating the Retreat, Stabilization, and Regrowth of Crane Glacier against Marine Ice Cliff Process Models
No full textThe data provided in the attached file are the basis for figures 1 and 2 in "Evaluating the Retreat, Stabilization, and Regrowth of Crane Glacier against Marine Ice Cliff Process Models", submitted to Geophysical Research Letters in 202
Chapter 3 - Excavations at Tac-Cawla, Rabat, Gozo, 2014 (Temple places: Excavating cultural sustainability in prehistoric Malta)
No full textp.s. Vella Nicholas C. co-author appears on the print version but not the online version.In this chapter, we present the results of archaeological excavations at the prehistoric settlement known as Taċ-Ċawla, Rabat, Gozo (site code TCC14), undertaken by the FRAGSUS Project from 27 March to 17 July 2014. This exercise involved sampling intact archaeological deposits for dateable environmental and economic remains, and identifying and interpreting new features found at a significant settlement site. The site had potential to tackle the fundamental research questions posed by the FRAGSUS Project (§1.5) and expand knowledge of early domestic settlement on Malta. [Excerpt from Introduction]peer-reviewe
The cult of St Nicholas in medieval Italy
No full textSt Nicholas was one of the most popular saints in medieval Italy. His cult attracted the attention
of popes, kings and emperors, and his shrine at Bari became an important international pilgrimage
destination. This thesis asks how the cult of St Nicholas came to be so widespread and popular in
Italy, and why the saint attracted the attention of diverse groups and individuals.
This thesis is structured around four chapters. The first demonstrates that through a
process of Latinisation the cult of St Nicholas became integrated within Italian literary traditions
and within a new spiritual era. Chapter Two reveals that this Latinisation also occurred within the
saint’s iconography. Chapters Three and Four are case studies of the cult in Puglia and Venice,
locations which claimed possession of the saint’s relics. These case studies show that the general
developments that the cult of St Nicholas underwent in Italy, identified in Chapters One and Two,
did not apply universally. Instead, the presence of the saint’s relics resulted in a different profile
of the saint in Bari and Venice. Through the process of Latinisation, the cult of St Nicholas
became updated and remained relevant for its new Italian audience; Chapters Three and Four
show alternative ways that the cult of St Nicholas gained widespread popularity.
This thesis presents for the first time an iconographical study of St Nicholas in Italian art,
which develops existing research of the saint’s Byzantine iconography. Chapter Four presents a
profile of the cult of St Nicholas in Venice in the Middle Ages, which is a significant oversight in
the literature. The thesis uses a variety of visual and textual sources, in particular fresco and
altarpiece representations, archival documents from Venice and Rome (including the Apostolic
Visitations), and under-exploited contemporary and antiquarian Venetian sources
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