200 research outputs found
ANALISIS CAMPUR KODE DALAM LIRIK LAGU GENTLEMAN OLEH BOYBAND SHINEE KARYA JUNJI ISHIWATARI
Get PDF(Title: The Code Mix Analysis In Lyrics Of Shinee’s Gentleman By Junji Ishiwatari)
This study aims to analyze the code mix in the lyrics of SHINee’s Gentleman by Junji Ishiwatari which specifically to describe what kind of code mix is contained in the lyrics and to describe how the factors caused the interference of code in the lyrics. The method used in this research is observation and library research. There are 16 forms of code mix contained in the lyrics, namely: 5 insertion of elements of tangible word, 9 insertion of elements of the phrase and 2 insertion elements of tangible clause. The dominant form of code mix is the insertion of phrasal elements. While there are 3 factors that caused the interference of the code in the lyrics, namely: (1) The casuality (informal situation), (2) The author wants to show the learning and/or position and (3) There is no correctly expression in language that had been used. The dominant factor of them is no correctly expression in language that had been used. The customary factor is not found in the lyrics of SHINee’Gentleman by Junji Ishiwatari although songwriters often use English in writing song lyrics
La Atmósfera del Horror: Un Análisis de los Elementos Visuales en Tomie de Junji Ito
No full textINTRODUCTION
New Perspectives on Horror Manga
The primary objective of this study is to analyze Japanese horror comics, known as manga, through the works of Junji Ito, particularly Tomie. This author has become a central figure in the genre, and his work is essential for understanding how horror in manga achieves an impact that goes beyond its graphic elements, utilizing a distinctive visual and narrative style that creates a unique atmosphere and evokes profound emotions in its readers.
The analysis begins with a comparison between sequential horror media, such as happenings, and editorial media like comics, where the resources available are different: while the former include sound, characters in motion, and dynamic storytelling, comics must rely on visual strategies to achieve equally powerful horror effects. This research aims to explore the artistic evolution of Junji Ito and how, through the use and modification of lines and styles, he constructs atmospheres that immerse the reader in his narratives.
Throughout this study, the artistic styles that characterize horror manga will be examined, detailing the visual techniques that intensify the atmosphere, generate tension, and build unsettling narratives. The research seeks to answer a fundamental question: how is it possible to achieve, within editorial media—specifically horror comics—the same atmospheric effect that is present in sequential media?
This analysis of Junji Ito delves into the visual and narrative elements that define his style and have earned him a prominent place in horror manga. The study also considers the direct and indirect consequences of modifications in illustration on atmosphere and story development, highlighting the use of line work, onomatopoeia, and other essential resources for creating visual impact.
This work not only describes the influence of Junji Ito but also aims to serve as a guide for design and art students interested in illustration, providing tools to understand and construct effective atmospheres that instill in audiences a constant desire to explore further. In this sense, understanding Junji Ito’s style and techniques is fundamental for learning how to depict horror and tension within the realm of printed and editorial media.
Thesis for the Degree of Bachelor in Graphic Communication Design
INTRODUCCIÓN Nuevas perspectivas del manga de horror
Este trabajo tiene como propósito principal analizar el cómic de horror japonés, conocido como “manga”, a través de la obra de Junji Ito, particularmente Tomie. Este autor se ha convertido en una figura central en el género, y su trabajo es esencial para comprender cómo el horror en el manga logra un impacto que va más allá de sus elementos gráficos, usando un estilo visual y narrativo distintivo que crea una atmósfera única y despierta profundas emociones en sus lectores.
El análisis parte de la comparación entre los medios secuenciales de horror, como los happenings, y los medios editoriales como el cómic, donde los recursos son distintos: mientras los primeros cuentan con sonido, personajes en acción e historias en movimiento, los cómics requieren de estrategias visuales para alcanzar efectos de horror igualmente potentes. Esta investigación tiene como objetivo explorar los cambios en el arte de Junji Ito, y cómo, mediante el uso y la modificación de trazos y estilos, construye atmósferas que sumergen al lector en sus relatos.
A lo largo del trabajo, se examinan los estilos artísticos que caracterizan el manga de horror, detallando las técnicas visuales que intensifican la atmósfera, generan tensión y construyen narrativas perturbadoras. El estudio busca responder a una pregunta fundamental: ¿cómo es posible lograr en medios editoriales, específicamente en el cómic de horror, el mismo efecto atmosférico que se alcanza en los medios secuenciales?
En este análisis de Junji Ito se profundiza en los elementos visuales y narrativos que definen su estilo y le han dado un lugar destacado en el manga de horror. El estudio también considera las consecuencias directas e indirectas de las modificaciones en la ilustración sobre la atmósfera y el desarrollo de la historia, destacando el uso de líneas, onomatopeyas y otros recursos esenciales para crear impacto visual.
Este trabajo no solo describe la influencia de Junji Ito, sino que también busca servir como guía para aquellos estudiantes de diseño y arte interesados en la ilustración, proporcionando herramientas para entender y construir atmósferas efectivas que generen en el público un deseo constante de explorar más. En este sentido, comprender el estilo y las técnicas de Junji Ito es fundamental para aprender a plasmar el horror y la tensión en el ámbito de los medios impresos y editoriales.
Tesis para obtener el grado de Licenciada en Diseño de la Comunicación Gráficahttps://digitalcommons.njit.edu/stemshowcase/1097/thumbnail.jp
Análisis visual de las representaciones monstruosas en las obras de Junji ito, una mirada para la creación artística.
No full textEste proyecto tiene como objetivo la creación de una serie de obras a partir de dos conceptos, del término alemán unheimliche interpretado como, raro, siniestro o espeluznante, y de una reflexión acerca del trabajo del autor Junji Ito, quien ha plasmado dentro de sus obras representaciones fantásticas de la angustia. De igual forma, se busca señalar como el concepto de unheimliche es capaz de encontrarse dentro del arte, obras de horror y la sociedad actual. Finalmente, se explora la ejecución de la técnica al óleo, para hallar formas de interpretar problemáticas sociales y transformarlas en escenarios surrealistas.This project aimed to create a series of works based on two concepts, the German term unheimliche interpreted as weird, sinister or creepy, and a reflection on the work of the author Junji Ito, who has captured in his works fantastic representations of anguish. It also attempts to show how the concept of unheimliche is capable of being found within art, horror works and today's society. Finally, it explores the execution of the oil technique, to find ways to interpret social issues and transform them into surreal scenarios.PregradoLicenciado(a) en Artes Plástica
The Interpretation of the Black-Color Baum Test
Get PDFThe purpose of the study is to discuss the significance of the Black-Color Baum Test, especially the one of the Color Baum Test in which the subject is asked to draw a colored tree on an A4 sized sheet of white paper with the instruction "Please draw a tree which bears fruit, using these color pencils." In the paper the author tries to present various ways of interpretation of black and color Trees. Much more research on the achromatic (pencil) and chromatic (color pencil) drawing phases of the Tree, it goes without saying, needs to be done.departmental bulletin pape
ニホン ニ オケル ユメ ケンキュウ ノ テンボウ ホイ 5 : バク ト ハッキ ノ モンダイ
No full textIn Japan it has been said that the animal which eats foul dreams or nightmares is mo 貘(Baku). However, as clearly noted in Hou Han shu 後漢書, the chinese dream-eating animal was Po-ch'i 伯奇(Hakki). Chinese mo had eaten iron, copper and snakes instead of dreams. Needless to say, in the transmission of any image of magical creature, deletions, accretions, and other alterations are inevitable. In the paper the author tries to conduct research on the apparent confusion of Po-ch'i and mo
クロ シキサイ バウム テスト ノ カイシャク
No full textThe purpose of the study is to discuss the significance of the Black-Color Baum Test, especially the one of the Color Baum Test in which the subject is asked to draw a colored tree on an A4 sized sheet of white paper with the instruction "Please draw a tree which bears fruit, using these color pencils." In the paper the author tries to present various ways of interpretation of black and color Trees. Much more research on the achromatic (pencil) and chromatic (color pencil) drawing phases of the Tree, it goes without saying, needs to be done
Seven connection patterns between the author research areas.
No full textSeven connection patterns between the author research areas.</p
シキサイ バウム テスト ト ヨクウツ ジョウタイ トノ カンレンセイ
No full textIn the paper the author examined the relationship between Color Tree Test and a depressive state of a twenty-three-old male senior whose chief complaints were stage fright, During the therapy, successive Color Tree Test was administered as well as other psychological tests approximately once a month. Results of examination were as follows: (a) The client's depressive state, in which SDS scores were above 28, was expressed by the use of black color. (b) However, in the case of the second color tree which was drawn at the time of highest score(46) of SDS, no black color was used. In that color tree his depressive state was expressed by a reduced-size tree and a slightly downward branch. Summing up, when we estimate the presence of depressive state, we must pay our attention to whether black color is used or not. But, in the case of nonuse of black, we must pay our attention to any feature of the form of the color tree
Book Reviews Najima Junji. Yume to Jōdokyō: Zendō, Chikō, Kūya, Genshin, Hōnen, Shinran, Ippen no yume bunseki
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Chemistry of High Polymers with Net Work Structure
Get PDFFolry's theory on the molecular weight distribution of three dimensional polymers is reviewed and its relationship with vulcanization of rubber is discussed. The elasticity of rubber is recently described by many workers. After Flory's theory, the elasticity is proportional to α-1/α2 where α is elongation ratio, and number of cress-linkages ν, while Kubo states that the elasticity is proportional to ν4/3, but Flory's opinion is more reasonable. The tensile strength of vulcanized rubber decreases linearly with reciprocal molecular weight of original rubbr, because of the network defect due to terminal chain. The vulcanzation lowers the concentration of terminal chain, but on the other hand has negative effect on account of its hindrance of crystallization on stretching. The theoretical equation for the tensile strength is propcsed, by which the maximum tensile strength is explained. The author discussed the reinforcing effect of filler, i.e. filler fixes rubber on its surface and acts as cross-linkage on stretching. The theoretical equation is introduced by author. Finally, the elastic property of plasticized polyvinyl-chloride is discussed. It is explained as visco-elasticity. Logarithm of elasticity decreases with prasticizer
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