1,373,620 research outputs found
Letter from Nabil H. Dajani
No full textLetter from Nabil H. Dajani, Director of Information, Office of Development and Centennial Affairs, American University of Beirut, welcoming Fayez Sayegh to the university (undated)
SemEval-2020 Task 7: Assessing Humor in Edited News Headlines
No full textThis is the task dataset for SemEval-2020 Task 7: Assessing Humor in Edited News Headlines.
The task’s dataset contains news headlines in which short edits were applied to make them funny, and the funniness of these edited headlines was rated using crowdsourcing. This task includes two subtasks, the first of which is to estimate the funniness of headlines on a humor scale in the interval 0-3. The second subtask is to predict, for a pair of edited versions of the same original headline, which is the funnier version.
CodaLab page hosting the competition:
https://competitions.codalab.org/competitions/20970
Starter Github code (scripts for running baseline and evaluation):
https://github.com/n-hossain/semeval-2020-task-7-humicroedit
Task mailing list:
https://groups.google.com/forum/#!forum/semeval-2020-task-7-all
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ZIP contents:
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Folders:
- subtask-1: Dataset for the funniness regression subtask.
- subtask-2: Dataset for the "Funnier of the Two" classification subtask.
Files:
- {train, dev, test}.csv: the task's dataset including labels
- train_funlines.csv: additional training data gathered from the FunLines competition (https://funlines.co)
- baseline.zip: contains csv file which is the output of the BASELINE system. This is a template of the output format that can be submitted to CodaLab for scoring.
Reference
Please cite the task paper when using this dataset:
Nabil Hossain, John Krumm, Michael Gamon and Henry Kautz. 2020. Semeval-2020 Task 7: Assessing Humor in Edited News Headlines. In Proceedings of International Workshop on Semantic Evaluation (SemEval-2020).
BIBTEX:
@InProceedings{hossainSemEval2020Task7, author = {Hossain, Nabil and Krumm, John and Gamon, Michael and Kautz,Henry}, title = {SemEval-2020 {T}ask 7: {A}ssessing Humor in Edited News Headlines}, booktitle = {Proceedings of the 14th International Workshop on Semantic Evaluation ({S}em{E}val-2020)}, address = {Barcelona, Spain}, year = {2020}
Un dialogo su arte e diaspora palestinese
No full textand the economy. Words become a weapon to normalize oppression and make the suffering of the
colonized invisible. Palestinian diaspora culture and art can be the ground on which the battle for
liberation from the Israeli oppressor can be fought. Poetry, literature, film, music, sculpture, painting,
graphic design, critical thinking, become an (aest)ethical challenge and political resistance. In short, one
fights coloniality by challenging the dominant narratives of the Israeli settler, preserving the Palestinian
collective memory, and building a critical and resilient consciousness. The interview with Nabil Salameh
faces these and other crucial issues for the liberation struggle and, thus, for a postcolonial Palestine
The role of ORCID in laying the foundation of trust in Digital Research Information at FORM MENA '23
No full text<p>ORCID Proposals / F.O.R.M</p><p><strong>Title: The role of ORCID in laying the foundation of trust in Digital Research Information</strong></p><p><strong>Proposal submission for F.O.R.M MENA 2023 (Online participation)</strong></p><p>ORCID is a global non-profit organization that works with research organizations, funders, and governmental organizations to to enable transparent and trustworthy connections between researchers, their contributions, and their aliations by providing a unique, persistent identifier for individuals to use as they engage in research, scholarship, and innovation activities and provide unique identifiers to individuals.</p><p>In this presentation, we will present how ORCID solves the name disambiguation problem and how researchers can easily create and use their ORCID iDs in the research lifecycle (from submitting for a grant, to publishing or using an institutional infrastructure)</p><p>ORCID aims to solve the name ambiguity problem in research and scholarly communications. To achieve this, we maintain a registry of unique persistent identifiers (ORCID iDs) for individual researchers.</p><p>ORCID is guided by a set of principles that focus on researcher control, privacy management and openness. Because ORCID is one part of a larger research information data open infrastructure, we also provide open tools that enable the community to make transparent and trusted connections with other persistent identifiers</p><p>for researchers, research activities, and aliations.</p><p>The relationships enabled by these identifiers can enhance the scientific discovery process, reduce reporting burdens, and lay the foundation for</p><p> </p><p>ORCID Proposals / F.O.R.M</p><p>trust in digital research information.</p><p><strong>Related FORM MENA topics:</strong></p><p>We think that the proposal would be relevant for many of the topics listed; I've added the most relevant ones:</p><p>● Case studies from the Arab world (reflections on the challenges and obstacles, successes and solutions faced by individual institutions)</p><p>● The challenges of localisation and translation – Open Science in Arabic (language and infrastructure challenges)</p><p>● How can governments and funders support the transition to open in the higher education system?</p><p>● Open Science, Open Data, Open Education and Open Access – developing policies and determining best practices to support sustainability</p><p>● Improving global visibility of Arabic research, researchers, and research institutions via Open Science best practices</p><p>● Building and Sustaining Communities of Practices (CoP) in Arabic speaking countries</p><p>● Building reproducible, open and interoperable infrastructure in the Global South</p><p>● Open access workflows in scholarly communications</p><p>● Sustainable development and higher education</p><p>If the aim is to choose only one topic, we would go with:</p><p>● Improving global visibility of Arabic research, researchers, and research institutions via Open Science best practices</p><p><strong>Speaker Bio:</strong></p><p><strong>Nabil Ksibi</strong></p><p> </p><p>ORCID Proposals / F.O.R.M</p><p>ORCID ENGAGEMENT LEAD, GLOBAL DIRECT</p><p>Nabil is responsible for fostering ORCID community adoption within the global direct members. As part of his responsibilities, Nabil supports ORCID members as they engage with ORCID to integrate different workflows and benefit from the ORCID API interoperability.</p><p>With an Energy engineering degree, Nabil is passionate about open research, as well as diversity and inclusivity in the innovation and research ecosystem.</p><p> </p>
P22 entrevista: Nabil Bonduki
No full textEntrevista com Nabil Bonduki para a Edição 95 da Revista Página22 (maio/2015). Nabil Georges Bonduki é secretário municipal de Cultura em São Paulo. Em 2012, elegeu-se vereador pelo Partido dos Trabalhadores (PT). Em 2011 e 2012, foi secretário de Recursos Hídricos e Ambiente Urbano do Ministério do Meio Ambiente. Arquiteto e urbanista formado pela USP, tem experiência nas áreas de habitação, planejamento urbano e regional, história urbana e meio ambient
Accueil de Nabil BELMABROUK
No full textLe programme transversal ATHAr a le plaisir d’accueillir Nabil BELMABROUK, Conservateur-conseiller à l’Institut National du Patrimoine de Tunisie (INP) M. Nabil Belmabrouk, Conservateur-conseiller à l’Institut National du Patrimoine de Tunisie (INP), Direction régionale du Sahel Sud, a soutenu en 2017 une thèse de doctorat sur « Macomades minores-Iunci : cité et territoire » et poursuit actuellement des recherches sur l’occupation du sol à l’époque romaine dans la région de Sfax. Il p..
Conflict Minerals: Lise Autogena & Joshua Portway, Nabil Ahmed
No full textAdvances in technology – from atomic energy to the latest smartphones – are underpinned by a material reality that depends on extracting the planet’s natural ores, driving a global mining industry. While the term “conflict minerals” is most frequently used to describe the situation in Congo, where the mining of valuable minerals fuels violence and armed conflict, across the globe many different types of conflict and tension are unfolding in countries and communities inextricably connected to mining and the minerals trade. How are artistic inquiry and the eco- and geo-political aesthetics of art and film contributing to our understanding of conflict – on varied scales – within countries and communities affected by large-scale Anthropocenic and geopolitical forces.
Lise Autogena and Joshua Portway’s film Kuannersuit; Kvanefjeld (2016) is a work in-progress, forming the first part of the artists’ long-term investigation into tensions and conflicts within the small, mostly indigenous, community of Narsaq near the Kvanefjeld plateau in southern Greenland; site of one of the richest rare earth mineral resources and uranium ore deposits in the world. The film portrays a community divided on the issue of uranium mining as a means of gaining autonomy, social progress and financial independence, in a region where traditional ways of living from the land and the sea are struggling to compete with big investments from foreign mining companies. The film explores the difficult decisions and trade-offs faced by a culture seeking to escape a colonial past and define its own identity in a globalised world. Kuannersuit; Kvanefjeld was commissioned by Arts Catalyst.
Running concurrently, artist and researcher Nabil Ahmed presents maps, drawings and archival material from his project Inter-Pacific Ring Tribunal (INTERPRT), a three-year spatial investigation of the West Papua/Indonesia conflict towards a series of alternative tribunals on ecocide in the Pacific region. Papua is one of the most bio-diverse areas of the world, with 32 million hectares of tropical rainforest and mangroves, and rich marine reef environments. It is also the site of a long-term conflict between Indonesia and indigenous Papuans seeking self-determination. Central to the conflict is the Grasberg mine, which contains the planet’s largest combined reserve of copper and gold. Ahmed’s painstaking research contributes to building a case of ecocide against the Indonesian state, which includes Indonesian military campaigns of mass killings of indigenous Papuans, soil contamination and deforestation from the Grasberg mine, industrial land grabs and intentional forest fires that together show the deliberate destruction of Papuan social, cultural, and natural environments.
A series of discussions and study sessions accompanies the programme, with confirmed participants including exhibiting artists Lise Autogena and Joshua Portway and Nabil Ahmed, lawyer turned artist Jack Tan, curator Ele Carpenter, artist Melanie Jackson, writer and academic Angus Cameron and theorist Jussi Parikka
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Nabil Yazdani Interview
No full textThe interview is with Nabil Yazdani, a member of the Austin Baháʼí community’s Spiritual Assembly. Nabil talks about growing up in Suriname and his experience of moving to the United States for college, then settling in Austin. He discusses how tenets of the Baháʼí faith influence his thoughts and actions, and how they guide the work of the Spiritual Assembly. He also speaks about how the Baháʼí community in Austin responded to the pandemic both as its own entity and as part of the broader community.Henry Luce FoundationReligious StudiesTranscript created with Otter.ai and edited by project assistant
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