24,292 research outputs found

    The construction of Karen Karnak: The multi-author-function

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    This thesis is situated within the comparatively recent developments of Web 2.0 and the emergence of interactive WikiMedia, and explores the mode of authorship within a Read/Write culture compared to that of a Read/Only tradition. The hypothesis of this study is that the role of the audience has become merged with the author, and as such, represents new functions and attributes, distinct from a more conventional concept of authorship, in which the roles of audience and author are more separate. Read/Write and participatory culture, as defined by this study, is focused on collaboration, and includes the influences of D.I.Y. culture, Open-Source practices and the production of text by multiple authors. Multi-authorship presents a re-thinking of several concepts which support the notion of the individual author, since the focus of multi-authorship is not on attribution and ownership of a finished text, but on the continued malleability of a text. Modes of multi-authorship, demonstrated in the use of the pseudonyms Alan Smithee and Karen Eliot, represent declarative authors whose names signify multiple origins, whilst concurrently indicating a distinct body of work. The function of these names form an important context to this study, since primary research involves the construction of an experimental mode of multi-authorship utilising WikiMedia technology and the interaction of thirty nine participants, who are invited to create a body of work under the collective pseudonym Karen Karnak. The data generated by this experiment is analysed using aspects of Michel Foucault's author-function to identify and determine power structures inherent in the WikiMedia context. The interplay of power structures, including concepts such as identity, ownership and the body of work, affect the resulting mode of authorship and contribute to the construction of Karen Karnak, suggesting further areas of research into the emerging multi-author

    Translating Brecht : versions of "Mutter Courage und ihre Kinder" for the British stage

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    This study analyses five British translations of Bertolt Brecht's 'Mutter Courage und ihre Kinder'. Two of these translations were written by speakers of German, and three by well-known British playwrights with no knowledge of the source text language. Four have been produced in mainstream British theatres in the past twenty-five years. The study applies translation studies methodology to a textual analysis which focuses on the translation of techniques of linguistic "Verfremdung", as well as linguistic expression of the comedy and of the political dimension in the work. It thus closes the gap in current Brecht research in examining the importance of his idiosyncratic use of language to the translation and reception of his work in the UK. The study assesses the ways in which the translator and director are influenced by Brecht's legacy in the UK and in turn, what image of Brecht they mediate through the production on stage. To this end, the study throws light on the formation of Brecht's problematic reputation in the UK, and it also highlights the social and political circumstances in early twentieth century Germany which prompted Brecht to develop his theory of an epic theatre. The focus on a linguistic examination allows the translator's contribution to the production process to be isolated. Together with an investigation of the reception of each performance text, this in turn facilitates a more accurate assessment of the translator and director's respective influence in the process of transforming a foreign-language text onto a local stage. The analysis also sheds light on the different approaches taken by speakers of German, and playwrights creating an English version from a literal translation. It pinpoints losses in translation and adaptation, and suggests how future versions may avoid these

    Language Change and SA-OT: The case of sentential negation

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    Simulated Annealing for Optimality Theory (SA-OT) updates Optimality Theory by adding a model of performance to a theory of linguistic competence. Our aim is to show that SA-OT can contribute to language change simulations. Performance "errors" are considered to be one of the causes of variation and change. We have chosen to model the evolution of sentential negation (SN). The descriptive background adopts Jespersen's Cycle, according to which the evolution of sentential negation follows three main stages (1. pre-verbal, 2. discontinuous, and 3. post-verbal). Therefore, we advance a novel model for SN, based on SA-OT. It reproduces the three pure and the two observed mixed stages, whereas it correctly predicts the lack of an intermediate stage between 3 and 1. The success of the approach corroborates the computational, performance-based approach to the data. Finally, we employ the iterated learning paradigm to reproduce historical changes in a "simulated corpus study". This enterprise turns out to be more difficult than one would naively believe.Appeared open access as: Computational Linguistics in the Netherlands Journal (CLIN), vol. 1 (2011), pp. 21-40, and is available at http://www.clinjournal.org/sites/default/files/Lopopolo.pdfA. Lopopolo and Biró, T., “Language Change and SA-OT. The case of sentential negation”, Computational Linguistics in the Netherlands Journal, vol. 1, pp. 21-40, 2011.Peer Reviewe

    «Immer noch Mutter / Mehr noch Mutter jetzt…» Brechts episches Spiel mit der Mutterimago

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    La relation mère/fils comme thème récurrent du théâtre brechtien est une évidence. Le fantasme régressif est envisagé dans sa « fonction créative » (Peter von Matt), comme stratégie d’une rationalisation productive du conflit primaire. Dans cette perspective, la scène épique avec les procédés qui lui sont propres apparaît comme le lieu privilégié ou le psychodrame peut se donner en spectacle, ou il peut être « acte » («agiert»), au sens freudien du terme. Variantes de ce jeu avec ce conflit maternel ambivalent: la représentation de la maternité sociale (Grusche, Kattrin), l’image de la mère « révolutionnaire » / Mère de la Révolution (la mère Wlassowa). C’est dans la représentation de la « bonne âme » Shen Te que le jeu dialectique se noue pour devenir paradoxe.Die Mutter-Sohn-Beziehung als rekurrentes Thema des brechtschen Theaters ist geradezu augenfällig. Die Regressionsphantasie soll in ihrer «kreativen Funktion» (Peter von Matt) ins Auge gefaßt werden, als Strategie einer produkti- ven Rationalisierung des Primäkonflikts. Die epische Bühne mit den ihr eigenen Verfahren erscheint in dieser Perspektive als der geeignete Ort, wo das Psychodrama «durchgespielt», im freudschen Sinn «agiert» werden kann. Varianten dieses epischen Spiels mit dem ambivalenten Mutterkonflikt: die Repräsentation der sozialen Mutterschaft (Grusche, Kattrin); das Bild der «revolutionären" Mutter/Mutter der Revolution (die Mutter Wlassowa). In dem «guten Menschen» Shen Te scheint sich das dialektische Spiel allerdings zum Paradox zu verknoten

    THE K-THEORY of the <em>C</em><sup>∗</sup>-ALGEBRAS of 2-RANK GRAPHS ASSOCIATED to COMPLETE BIPARTITE GRAPHS

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    \ua9 The Author(s), 2021. Published by Cambridge University Press on behalf of Australian Mathematical Publishing Association Inc.Using a result of Vdovina, we may associate to each complete connected bipartite graph κ a two-dimensional square complex, which we call a tile complex, whose link at each vertex is κ. We regard the tile complex in two different ways, each having a different structure as a 2-rank graph. To each 2-rank graph is associated a universal C∗-algebra, for which we compute the K-theory, thus providing a new infinite collection of 2-rank graph algebras with explicit K-groups. We determine the homology of the tile complexes and give generalisations of the procedures to complexes and systems consisting of polygons with a higher number of sides

    Stakeholder research CoVE Water SA: CoVE Water SA the umbrella for all stakeholders

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    The water and sanitation sector faces well-documented issues that are challenging to address, leading to the establishment of the Platform of Vocational Excellence (PoVE) Water. This platform brings together five regional Centers of Vocational Excellence (CoVE) Water in Europe and South Africa to ensure high-quality skills and competencies in the water sector. These CoVEs facilitate collaboration among stakeholders, enabling the development of vocational education and training programs to increase awareness, responsiveness to industry needs, and address sector challenges. A few months ago, CoVE Water SA was established in South Africa to achieve the previously mentioned goals. Therefore, it is important that the following research question is answered in this initial set-up phase: What actions need to be taken to enhance the effectiveness of the CoVE Water SA? To answer this research question, several important stakeholders were interviewed. Subsequently, the interviews were analysed thematically in order to extract the most important themes and quotes, PI grids were created to assess power and interest dynamics among stakeholders, and a Social Network Analysis was conducted to understand the CoVE Water SA network and potential clusters.The research findings have unveiled key aspects for enhancing the effectiveness of CoVE Water SA. The current network in the water sector has a low density, implying that many collaborations are lacking. This leads to a high degree of interdependence within the network, resulting in a non dynamic system. The lack of collaborations, such as connections with TVET colleges, schools, farmers and local communities, results in a lack of knowledge, funding and connection to the labour market. Governmental stakeholders, like DWS, EWSeta, and BGCMA, have been identified as influential players with extensive networks and important resources, Local Authorities and Research Organizations also play important roles. Universities exhibit substantial international links, making them crucial contributors. These stakeholders have the potential to provide knowledge, collaboration, and power. These are valuable insights for CoVE Water SA, fostering network growth and effectiveness in the water sector. Furthermore, six key themes have been derived from the conducted interviews, addressing the needs of stakeholders and where CoVE can make a valuable contribution. These themes include raising awareness, reducing the skills gap in the water sector, fostering international collaborations, mitigating the labour shortage in the water sector, improving education material and establishing desired collaborations. For each theme, the interviewed stakeholders have presented their views and numerous suggestions on how CoVE Water SA can assist in addressing these issues. Additionally, stakeholders have also mentioned possible failures of CoVE Water SA, which can aid in preventing any shortcomings of the platform. Furthermore, stakeholders mentioned ongoing initiatives related to the six themes, through which they can contribute to the platform. From the Thematic Analysis, PI Grids and the SNA, a set of actions have emerged that are essential for enhancing the effectiveness of CoVE Water SA. These actions revolve around expanding and enhancing the network, organising activities and contributing to educational improvement. In terms of broadening and strengthening the network, the platform should focus on enhancing the collaborations among educational groups, building stronger relations with international institutions in Europe and Africa, involving TVETs and schools within the water network, improving stakeholder involvement and encouraging the involvement of Local Communities to increase awareness and knowledge about water issues. Furthermore, CoVE Water SA should play a role in organising activities to raise awareness of Water Resource Management. Additionally, it should assist in improving curricula, supporting students’ preparation for the workforce and making the education more practical instead of only theoretical. CoVE Water SA should also provide training and learning resources as well as comprehensive courses.However, this study recognizes several limitations that should be considered in future research and when implementing recommendations for CoVE Water SA. These limitations encompass factors like a limited scope due to resource and time constraints, minimal varied interviewee responses, and potential biases in responses. Addressing these limitations will be crucial in guiding future research and actions for CoVE Water SA.CEGM3000Civil Engineerin

    Interview with Erica Jolly - teacher, author and founding member of SA Social Studies Teachers Association

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    Erica is a teacher and author who was a founding member of the SA Social Studies Teachers Association (contributing to its text books) and the SA History Teachers Association. She took her Masters in English Literature at Flinders University and taught in Girls and Boys Technical Colleges for 40 years. Erica's published works include a history of vocational education in South Australia from 1897 - 2001, We Came to Marion 1955 - 1995 (1995), A Broader Vision: Voices of Vocational Education in SA (2001), Challenging the Divide: Approaches to Science and Poetry (2010), and Making a Stand (2015)

    Entre spectres familiaux et disparition de la mère : Mutter. Chronik eines Abschieds de Melitta Breznik

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    International audienceLe sujet de la vieillesse et de la fin de vie sont peu mis en scène dans les littératures allemandes contemporaines et cette étude propose le regard particulier d’une femme médecin sur la fin de vie de sa mère. L’écrivaine autrichienne Melitta Breznik et psychiatre exerçant en Suisse raconte, dans la chronique familiale et autobiographique Mutter. Chronik eines Abschieds, l’accompagnement de sa mère condamnée par un cancer du pancréas. Le récit autobiographique montre la lente décrépitude de la vieille dame qui veut mourir chez elle et convoque également des souvenirs familiaux douloureux. Il retrace, avec justesse et compassion, l’histoire d’une famille et ses secrets, auxquels la narratrice et sa mère vont faire face ensemble une dernière fois

    Historický vývoj a charakteristika rozvojovej pomoci

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    V príspevku sa autor zaoberá vývojom povojnových rozvojových teórií, ktorých podstatou je skúmanie príčin, dôsledkov zaostalosti krajín rozvojového sveta a vzniku ekonomických a spoločenských disparít medzi jednotlivými regiónmi sveta. Z chronologického hľadiska sa autor v príspevku venuje relevantným historickým aspektom, ktoré ovplyvnili vznik rozvojovej pomoci vo forme ako ju poznáme v súčasnosti. Východiskovou teóriou zahraničnej rozvojovej pomoci sa stala teória „Začarovaného kruhu chudoby“ a z nej vychádzajú mnohí autori, ktorí hľadajú východiská zo zaostalosti a prehlbovania sa rozdielov medzi vyspelými a zaostalými krajinami sveta. Jednotlivé regióny sú špecifické určitými charakteristikami, ktoré autor rozoberá v poslednej časti príspevku.rozvojové teórie, rozvojová pomoc, zahraničná pomoc, začarovaný kruh
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