15,433 research outputs found
Moloney, P M (Patrick Murray), 421364
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/405672Surname: MOLONEY. Given Name(s) or Initials: P M (PATRICK MURRAY). Military Service Number or Last Known Location: 421364. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 53958.243838
Item: [2016.0049.37949] "Moloney, P M (Patrick Murray), 421364
Catholic Comments Podcast.
No full textDr. Patrick Murray discuss the concept of “Integral Humanism,” which appears in Pope Francis’ encyclical, Laudato Si’.
Murray is Professor of Philosophy at Creighton University
Gibbs Murray interview, 1994 December 6
No full textGibbs Murray, Chair of the Display and Exhibit Department at the time of this interview, talks about the origins of the program as a double degree in fashion display and photography in the 1960s. He discusses how the Display and Exhibit Department’s singular, comprehensive nature has led to exponential levels of enrollment in recent years, and mentions student exhibitions in conjunction with companies such as Chanel, Patrick Kelly, and Romeo Gigli. Murray details a close relationship with the National Association of Display Industries, and talks about how the advisory council gives valuable feedback to students. He discusses the student body and notable alumni from the program, emphasizing that FIT is uniquely situated for the study of visual merchandising. Murray then mentions industry seminars put on by the department and underscores the value of FIT’s 2-year vocational training. Murray ends the interview with his hopes for an art and design shop at the school
A great charmer : The peripatetic and adventurous Patrick Leigh Fermor
No full textReview of Patrick Leigh Fermor : An Adventure by Artemis Cooper (John Murray, 2012)
Art, Biography, Sexuality: Patrick Procktor and Keith Vaughan
No full textThis critical review forms a reflection on the research published within the following publications:
Patrick Procktor: Art and Life (Unicorn Press, 2010)
Keith Vaughan: The Mature Oils 1946-1977, (Sansom & Co., 2012)
The research is on two artists, Patrick Procktor (1936-2003), and Keith Vaughan (1912-1977). The monograph on Procktor – previously one of the least documented of the generation of artists who came to prominence in London in the Sixties – positions him in a history of art from which he had been notably absent. The research on Vaughan asserts a new reading of his work, one that is both deeper and more nuanced in its analysis of the ways in which personal experience and sexuality are encoded autobiographically within his work. Crucially, in both artists biography and work are symbiotically linked; the research therefore examines the links between life and art.
Revisionary in intent, the work examines trajectories of experience of gay British (or rather, English) artists in the twentieth century, artists who sought to express themselves and forge careers within the constraints of a heteronormative society, albeit one in which attitudes to sexuality were undergoing change. As gay men, both were constrained by the social mores of their times, and each used painting as a means to affirm personal and sexual identities. A key research interest is in the ways in which sexuality and persona are reflected in critical responses to the artist’s work: in Vaughan, Procktor and other gay male artists of the period. The writing on both Procktor and Vaughan examines the relationship between their personal and professional/artistic lives, framed within a broader socio-political and art historical context. It asserts the place of biography as a means to understand and form new readings of the work. The work adds substantially to the literature and wider discourse on post-war British painting and social history
The Ghost of Patrick Geddes: Civics As Applied Sociology
No full textIn 1904 and 1905 Patrick Geddes (1905, 1906) read his famed, but today little-read, two-part paper, \'Civics: as Applied Sociology\', to the first meetings of the British Sociological Society. Geddes is often thought of as a \'pioneer of sociology\' (Mairet, 1957; Meller, 1990) and for some (eg Devine, 1999: 296) as \'a seminal influence on sociology\'. However, little of substance has been written to critically assess Geddes\'s intellectual legacy as a sociologist. His work is largely forgotten by sociologists in Britain (Abrams, 1968; Halliday, 1968; Evans, 1986). Few have been prepared to follow Geddes\'s ambition to bridge the chasm between nature and culture, environment and society, geography, biology and sociology. His conception of \'sociology\', oriented towards social action from a standpoint explicitly informed by evolutionary theory. A re-appraisal of the contemporary relevance of Geddes\'s thinking on civics as applied sociology has to venture into the knotted problem of evolutionary sociology. It also requires giving some cogency to Geddes\'s often fragmentary and inconsistent mode of address. Although part of a post-positivist, \'larger modernism\' Geddes remained mired in nineteenth century evolutionary thought and fought shy of dealing with larger issues of social class or the breakthrough work of early twentieth century sociology of Simmel, Weber and Durkheim. His apolitical notion of \'civics\' limits its relevance to academic sociology today.History of Sociology, Civics, Patrick Geddes, Scottish Generalism, Urban Sociology
- …
