756 research outputs found
Aoife Nolan, Rosa Freedman et Therese Murphy, dir, The United Nations Special Procedures System, Boston, Brill, Nijhoff, 2017
No full textDumoulin Roxanne. Aoife Nolan, Rosa Freedman et Therese Murphy, dir, The United Nations Special Procedures System, Boston, Brill, Nijhoff, 2017. In: Revue Québécoise de droit international, volume 31-2, 2018. pp. 219-224
Ste. Therese
Full text linkA work of creative non-fiction in which the author explores his French Canadian-American spiritual roots through encounters with the stories of Ste. Therese of France and St. Teresa of Spain
Poster, I’ve always tried to be a good little girl … but at heart I’m still a rebel
No full textFrom Lunchroom to Boardroom was an oral history project by historian Therese Collie and visual artist Judith Hewitson. Funded in 1991 by the Australia Council, and supported by the Oral History Association of Queensland, the Union of Australian Women and the Trades and Labour Council. The objective of the project was to record the stories of a wide variety of women who participated in the Queensland labor movement from the 1930s though to the 1970s. Interviews were conducted by Therese Collie. Transcripts of the interviews were compiled by Sue Pechey. Interviews with Joyce Murphy, Ivy Willey, Jenny Prohaska, Alice Hughes, Ivy Neilsen, Jean Bowden, Marie Crisp, Constance Healy, Jean O'Connor, Ida Welsh, Vi Cox, Susie Dickson, Frances Bishop, Julba Julba Woman Dance Troupe, Loma Thompson, Pat Bowe, Bessie Lymburner, and Elena Timms
Poster, Union Stars 1891-1991
No full textFrom Lunchroom to Boardroom was an oral history project by historian Therese Collie and visual artist Judith Hewitson. Funded in 1991 by the Australia Council, and supported by the Oral History Association of Queensland, the Union of Australian Women and the Trades and Labour Council. The objective of the project was to record the stories of a wide variety of women who participated in the Queensland labor movement from the 1930s though to the 1970s. Interviews were conducted by Therese Collie. Transcripts of the interviews were compiled by Sue Pechey. Interviews with Joyce Murphy, Ivy Willey, Jenny Prohaska, Alice Hughes, Ivy Neilsen, Jean Bowden, Marie Crisp, Constance Healy, Jean O'Connor, Ida Welsh, Vi Cox, Susie Dickson, Frances Bishop, Julba Julba Woman Dance Troupe, Loma Thompson, Pat Bowe, Bessie Lymburner, and Elena Timms
Poster, Mother Mine
No full textFrom Lunchroom to Boardroom was an oral history project by historian Therese Collie and visual artist Judith Hewitson. Funded in 1991 by the Australia Council, and supported by the Oral History Association of Queensland, the Union of Australian Women and the Trades and Labour Council. The objective of the project was to record the stories of a wide variety of women who participated in the Queensland labor movement from the 1930s though to the 1970s. Interviews were conducted by Therese Collie. Transcripts of the interviews were compiled by Sue Pechey. Interviews with Joyce Murphy, Ivy Willey, Jenny Prohaska, Alice Hughes, Ivy Neilsen, Jean Bowden, Marie Crisp, Constance Healy, Jean O'Connor, Ida Welsh, Vi Cox, Susie Dickson, Frances Bishop, Julba Julba Woman Dance Troupe, Loma Thompson, Pat Bowe, Bessie Lymburner, and Elena Timms
Poster, I Wasn’t Born Yesterday
No full textFrom Lunchroom to Boardroom was an oral history project by historian Therese Collie and visual artist Judith Hewitson. Funded in 1991 by the Australia Council, and supported by the Oral History Association of Queensland, the Union of Australian Women and the Trades and Labour Council. The objective of the project was to record the stories of a wide variety of women who participated in the Queensland labor movement from the 1930s though to the 1970s. Interviews were conducted by Therese Collie. Transcripts of the interviews were compiled by Sue Pechey. Interviews with Joyce Murphy, Ivy Willey, Jenny Prohaska, Alice Hughes, Ivy Neilsen, Jean Bowden, Marie Crisp, Constance Healy, Jean O'Connor, Ida Welsh, Vi Cox, Susie Dickson, Frances Bishop, Julba Julba Woman Dance Troupe, Loma Thompson, Pat Bowe, Bessie Lymburner, and Elena Timms
Dear father,
No full textMy father’s passing was his return to wellness. Having had brain damage for thirty years, he had not been cognizant of his life. In dear father, – a collection of letter-like essays and poems – it is my task to review memories with my deceased father that he may learn of his time on Earth through an epistolary form. Writing in the second person was driven by a need to connect: writing to and not of. The essays assume a lyric style that is imagistic. They seek honesty rather than sentimentality. They serve as a zoom lens to magnify jarring moments when his dementia flared, as well as heartfelt hours. Some essays offer a collage of early memories, of a well father who was much loved before his open-heart surgery during which there was a lack of oxygen. The bulk of essays however, center on the first year of his brain damage when, traumatized by his dementia, I starved myself. These essays show a corollary relationship of a father and his young daughter co-existing in a damaged world. Interspersed are poems. Set between longer pieces, they work like stepping-stones that help forge the path our lives took. The organization of the collection uses mind-time rather than a chronological arrangement. Time moves about as with most letter collections; with no guarantee the next essay begins where the previous left off. Scenes unfold by way of emotional impact, like flashbacks that usher forth, rather than a linear approach. This worked for me on an aesthetic and metaphorical level, as it reflected my father’s imagined world. In dear father, readers learn of long suffering and family survival – not so much by any outward change. Rather, transcendence occurs by staying in place, navigating and finally coming to terms with the strange terrain of a ruined mind.M.F.A.by Therese Anne Halschei
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