201,128 research outputs found
Il disegno anatomico di Leonardo al tempo del Salvator Mundi / The Leonardo's Anatomical Drawing at the Time of Salvator Mundi
No full textThe volume includes essays and entries on Leonardo's anatomical drawings in relation to the Salvator Mundi painting kept in a Saudi Arabian collection. P.Marani is the author of one essay, three entries and, moreover, he is co-author of the Introduction and of another essay in collaboration with R.Barsanti and M.Gaian
Vitamin K antagonists and osteoporotic fractures: insights from comparisons with the NOACs
No full textGli studi anatomici di Leonardo e la cronologia del Salvator Mundi ex-Cook / Leonardo's anatomical Studies and the Chronology of the Salvator Mundi formerly Cook Collection, and entries on Leonardo da Vinci, Anonymous Milanese ( Francesco Melzi ? ) and Anonymous Milanese ( pp. 109-125 )
No full textThe essay concerns the date of the Salvator Mundi painting in relation to the copies of Leonardo's anatomical drawings as represented in a sheet of the Castello Sforzesco which, at its verso, presents also the inscription "Salvtor Mvndi". This permits to date the Leonardo painting around 1507-1513, here proposed for the very first time
The literary phenomenon of 'conflation’ in the reworking of Paul’s letter to the Colossians by the author of the letter to the Ephesians
No full textThis thesis is concerned with the nature of the relationship of the Letter to the Ephesians (Eph) to Paul's Letter to the Colossians (Col).The first three chapters seek to argue that this relationship should be designated as "literary dependent". In Chapter I the suggestion made by A.T. Lincoln (Dallas [Texas], 1990) that the contemporary redaction of the Letter of Aristeas by Josephus in his Jewish Antiquities, Book XII, §§ 11-118 is similar to the use the author of Eph made of Col, is exposed to critical review. Chapter II focuses on the phenomenon of repeated 'conflation' in Eph. This literary phenomenon entails that several 'Colossian' texts from different parts of Col are conflated by the author of Eph into one passage and is subjected to exhaustive analysis. It is argued that conflation is the main feature of the literary dependence of Eph on Col but does not occur in Josephus' reworking of the Letter of Aristeas. Chapter III continues the comparison between the method of reworking employed in the Jewish Antiquities and in Eph by pointing out that the fluctuation in verbatim agreement of one document with its source can be meaningful. Chapter IV provides the new synopsis of both letters on which the whole examination is based. This synoptic overview is a desideratum since the previous synoptic editions of the Greek text of both letters by E.J. Goodspeed (Chicago, 1933) and C.L. Mitton (Oxford, 1951) are not accurate enough and unsuitable for research that focuses on the conflations of 'Colossian' verses in Eph. The fifth and last chapter deals with the question why Eph is literary dependent on Col and shows that despite the literary dependence, the theology of Eph is distinctive in comparison with its source Col. The distinctiveness of Eph's theology consists in a critical modification of the stress which Col places on Christ's already accomplished victory over the cosmic powers (Co/ 2.15). In order to safeguard an authoritative reception of his modification of Col, the author of Eph presented his letter as the parallel letter of Col alluded to m Col 4.16. The literary dependence on Col is necessary both to modify its content and to present his own writing as its parallel letter
Le Cymbalum mundi / de Bonaventure Des Périers ; par M. Éloi Johanneau
No full text[Cymbalum mundi (français moyen)]Collection : Bibliothèque gauloiseCollection : Bibliothèque gauloiseComprend : Lettre à M. de Schonen contenant une clef du "Cymbalum mundi"...Contient une table des matièresAvec mode text
Il concetto di machina mundi in Lucrezio
No full textCon Lucrezio appare per la prima volta la metafora della "machina mundi". Indagine filologica sul significato di questa immagine all'interno dell'opera di Lucrezio
Corona Dn. Coronæ Megiseræ, Magnifici Viri Dn. Jonæ Schrimpfii, Comitis Palatini Cæsarei ... In hac Mundi Palæstra, & novissimè Mortis Arena, scil. Die 15. Decembr. Anno M. DC. LXII. feliciter ...
No full textCORONA DN. CORONÆ MEGISERÆ, MAGNIFICI VIRI DN. JONÆ SCHRIMPFII, COMITIS PALATINI CÆSAREI ... IN HAC MUNDI PALÆSTRA, & NOVISSIMÈ MORTIS ARENA, SCIL. DIE 15. DECEMBR. ANNO M. DC. LXII. FELICITER ...
Corona Dn. Coronæ Megiseræ, Magnifici Viri Dn. Jonæ Schrimpfii, Comitis Palatini Cæsarei ... In hac Mundi Palæstra, & novissimè Mortis Arena, scil. Die 15. Decembr. Anno M. DC. LXII. feliciter ... ([1])
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Dr. Duane M. Jackson, Morehouse College, July 2011
No full textThis video is a conversation with Dr. Duane M. Jackson. Dr. Jackson talks about his paper, "Recall and the Serial Position Effect: The Role of Primacy and Recency on Accounting Students' Performance." Jackie Daniel, AUC Woodruff Library, is the interviewer
Theatrum mundi - A Mediterranean imaginary of modern ‘cosmopolitan’ performativity
No full textOtto M. Theatrum mundi - A Mediterranean imaginary of modern ‘cosmopolitan’ performativity. Presented at the Transforma Globalization, Magdeburg
Katherine Mansfield and anima mundi
No full textThis presentation proposes a reading of Katherine Mansfield’s work that will begin with the medieval theories of anima mundi or world soul, the concept of an animistic universe in which the earth can be revivified through a spiritus mundi. It will refer to the French theological scholars of the 12th century who were influential in promoting the Pythagoraean-Platonic doctrine of anima mundi through allegories of ‘Dame Nature’: Bernard de Sylvestris of Tours (De Universitate Mundi) and Alanus of Insulis (De Planctu Naturae and Anticlaudianus), Jean de Meun’s continuation of Guillaume de Lorris’s Le Roman de la Rose. This strand of medieval culture and cosmology - often considered as tangential to mainstream European intellectual and Christian religious belief — was popular throughout the Renaissance and has survived in various literary forms in modernist writing, often as a vigorous rebuttal of modernization from an environmental perspective. Although no direct connection with the anima mundi tradition can be traced in Mansfield’s work, her close identification with nature and the non-human is undeniable, and some familiarity with popular survivals of the tradition of nature personified appear, for example, in her interest in the Greek god, Pan. Her creation of transitive, linking relations between herself and the natural world recalls the close participation between man and the rest of creation characteristic of the medieval world view. Certainly anthropomorphic thinking and the perception of human subjectivity as rooted in non-human nature underpin the sense of wonder and the marvellous found in her representations of the created world and her emphasis on its mystery and splendour. This Arcadian, pastoral orientation also appears in her empathy with living creatures, flowers, plants and trees, while cultivated gardens and wild outdoor spaces are settings for epiphanies, sites of revelation and transformation. Yet, I will argue, Mansfield also introduced her own modernist, gendered critique of the tropes and images associated with nature worship. The talk will refer to the traditions associated with anima mundi in relation to stories like ‘Epilogue II’, ‘In the Botanical Gardens’, ‘The Escape’, ‘See-Saw’ and ‘Prelude’, read as modernist adaptations of classical/medieval topoi of the locus amoenus (pleasant place), the hortus conclusus (enclosed garden), and the sacred tree
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