1,748,378 research outputs found
Bibliografia do Ministro Mozart Victor Russomano
No full textApresenta lista de referências bibliográficas elaborada pela Coordenadoria de Documentação do Tribunal Superior do Trabalho, retratando a produção intelectual de autoria do Exmo. Sr. Ministro MOZART VICTOR RUSSOMANO.Informação sobre o autor: Ministro, Tribunal Superior do TrabalhoRevisada em 5 fev. 201
Evening of Mozart
No full textRecorded during a live performance at Oakland Recital Hall, Western Michigan University, Kalamazoo, Michigan, June 11, 1974, program no. 260 of the Department of Music’s 1973-1974 season.Spring session Chamber Orchestra ; Spring session Chamber Choir ; Gerald Fischbach, conductor (1st-2nd works) ; William Appel, conductor (3rd work).3rd work sung in Latin.Reel 1: Symphony no. 3 in F major, K. 138 (1772) ""Salzburg symphony"" / Wolfgang Amadeus Mozart -- (10:59) Symphony no. 29 in A major, K. 201 (1774) / Wolfgang Amadeus Mozart.Reel 2: Mass in C major, K. 317 (1779) ""Coronation mass"" / Wolfgang Amadeus Mozart
[Galimathias musicum KV 32 : fragments] (manuscrit autographe) / Wolfgang Amadeus Mozart]
No full textTitre uniforme : Mozart, Wolfgang Amadeus (1756-1791). Compositeur. [Galimathias musicum. KV 32]. ExtraitsTitre uniforme : Mozart, Wolfgang Amadeus (1756-1791). Compositeur. [Per quel paterno amplesso. KV 73D]Contient aux p. 2-4 des esquisses des no 1, 2, 2a, 3 et 5a du "Galimathias musicum", avec des annotations de Leopold Mozart. - Contient aussi p. 1 le début de l'aria "Per quel paterno amplesso" KV 73 D. - Instruments non précisés : Sol 2 (4) [Vl 2, ob 2, cor 2], Ut 3 [vla], Fa 4 [b]. - 1766 d'après Köchel. - Papier hollandaisPrésentation musicale : [Partition]Appartient à l’ensemble documentaire : RISM2Appartient à l’ensemble documentaire : RISMMssOrchestre, Musique d' -- +* 1700......- 1799......+:18e siècle
6 Keyboard pieces keyboard / [heading:] Nach Mozart. | Thema aus einer alten beliebten französischen Ariette zu einigen Veränderungen
No full textDie vorliegenden Fassung weist verschiedene Abweichungen vom Original auf.Beim Thema sind beide Stimmen eine Oktave tiefer notiert, Triller und Punktierungen fehlen.Variationen 1, 2 und 5 stammen nicht von Mozart.Variation 3 entspricht Nr. 5 bei Mozart, Variation 4 Mozarts Nr. 9
Fafúvós hangszerek szerepe Wolfgang Amadeus Mozart életművében
No full textWolfgang Amadeus Mozart (teljes nevén Johannes Chrysostomus Wolfgangus Theophillus Amadeus Mozart) (Salzburg, 1756. január 27. – Bécs, 1791. december 5.) osztrák muzsikus, zeneszerző, a bécsi klasszikusok egyik vezéralakja, az európai komolyzene történetének egyik legnagyobb alkotója, az egyik legjátszottabb és legismertebb szerző, aki szinte minden műfajban alkotott a (kamarazenétől a szimfóniákon és versenyműveken át egészen az egyházi zenéig, ill. az operákig). Nincs még egy zeneszerző, akinek életéről és jelleméről annyi legenda kapott volna szárnyra, mint Mozart. Úgy tűnik, a világ a mai napig nem tud mit kezdeni a csodával: a zenei tehetség ilyen mértékű koncentrációjával.BSc/BAKlarinéttanármagyarnappal
Leopold Mozart an Maria Anna Mozart in Salzburg, München, 18. Januar 1775, mit Nachschrift von Wolfgang Amadé Mozart an Maria Anna (Nannerl) Mozart
No full textTitel fingiertBei der Nachschrift von Wolfgang Amadé Mozart an seine Schwester handelt es sich um einen Scherz, denn Maria Anna (Nannerl) Mozart hielt sich noch in München aufBauer/Deutsch Nr. 31
J.C. Bach's London keyboard sonatas : style and context
Full text linkJ. C. Bach's keyboard works include several sets of accompanied sonatas, a genre that enjoyed a wide popularity during the Classical era, but never
found its way into the concert repertoire. The accompanied sonata was a genre meant for domestic performance; the solo keyboard sonata, on
the other hand, was adopted in due course by concert audiences. J. C. Bach composed works within both genres during most of his productive years, and his output constitutes a corpus of remarkable consistency. J. C. Bach's removal to London in 1762 coincided with his clear adoption of a galant style, marked by the Italianate influence, and the abandonment of most Baroque traits. The British milieu provided additional factors: the rise of the pianoforte, a thriving music-publishing market, and a great interest in domestic music making among the affluent classes. These factors marked J. C. Bach's output at various levels. Keyboard works had to conform to the proficiency of the amateur performer, a
fact reflected in the accompanied output mostly. The number of movements, their length, and the inclusion of particular technical devices are readily observable differences between the two genres. The most remarkable
distinction lies perhaps in the preference for binary sonata format in the accompanied. sonatas from the mid 1760s to the 1770s, in spite of a later tendency for tripartite designs in both genres. J. C. Bach's lifelong preference for motivic phrase structure conditioned his keyboard production and partly explains the gap in quality between some of his works and sonatas composed around the same time by Haydn and Mozart, who developed more effective means to connect the melodic material
to higher structural units. J. C. Bach's influence, however, endured in Mozart's handling of melody, and his keyboard production constitutes, in spite of some flaws, a noteworthy example of elegance and craftsmanship
Mozart forensic facial reconstruction
No full text<p>The skull of Mozart was the basis of his facial reconstruction from anthropological data. The head is short, with a vertical forehead, the middle face juts forward and the cheekbones are prominent. A poor bone rim protection of the eyes gives to the face a feminine appearance that helps to identify Mozart as his brother-in-law Joseph Lange portrayed him.</p
Wolfgang Amadeus Mozart és a klarinét
No full textMozart csodálatosan gazdag életműve – a vígoperáktól és káprázatos versenyművektől kezdve a könnyed szerenádokig és a megrázó gyászmiséig - a zeneirodalom legszebb alkotásai.
Kivételes, olykor megbotránkoztató, de zseniális személyiségével, tehetségével kivívta a kor és utókor szeretetét, elismerését.BSc/BAKlarinéttanármagyarnappal
Quartetto Mozart: Quartets de Wolfgang Amadeus Mozart
No full textPrograma del concert celebrat el 5 de desembre de 1982, dins la "Setmana Mozart
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