8,918 research outputs found
Father Moses Berry interview addendum- transcript
No full textTranscript of audio-only interview addendum with Karl W. (Father Moses) Berry by interviewers Samuel Knox and Tom Peters at Father Berry's Theotokos "Unexpected Joy" Orthodox Church in Ash Grove, Missouri. November 10, 2014. Part of the "Birthplace: Greater Springfield Route 66 Oral History Project."
Includes discussion of the difficulties of African Americans using restrooms and encountering discrimination and police officers along Route 66. Recording can be accessed here: http://purl.missouristate.edu/library/archives/Route66/FATHERMOSESBERRY
Father Moses Berry interview- transcript
No full textTranscript of interview with Karl W. (Father Moses) Berry by interviewers Samuel Knox and Tom Peters at Father Berry's Theotokos "Unexpected Joy" Orthodox Church in Ash Grove, Missouri. November 10, 2014. Part of the "Birthplace: Greater Springfield Route 66 Oral History Project." Topics discussed include Route 66, African Americans, 1967's "Summer of Love" and the Monterey International Pop Music Festival, Big Sur, The Youngbloods band, the song "Get Together" Missouri Highway 1, Bagnell Dam, Salmon Creek Commune, Ash Grove (Missouri), Rolla (Missouri), San Francisco (California), Bakersfield (California), Springfield (Missouri), and Glenstone Avenue in Springfield. Recording can be accessed here: http://purl.missouristate.edu/library/archives/Route66/FATHERMOSESBERR
Kohen-Beer, Moses Samuel
No full textDigital ImageGewitsch, Moravia (today Jevíčko, Czech Republic), 1835-1845N 37941LBI Art 77.
Samuel Dorris Dickinson papers
No full textThe Samuel Dorris Dickinson papers contain the professional and personal records of archaeologist, journalist, and author Samuel Dorris Dickinson
Austin Papers: Series III, Miscellaneous Material, 1814-1821
No full textCopy of transcript for a letter from Samuel Hammond to Moses Austin, in October 1818, informing Austin that he stopped a transaction from taking place until he could receive Austin's letter concerning it. He also mentions the building of a bridge at Herculaneum
Moses, God, and the dynamics of intercessory prayer
No full textThe primary objective of this thesis is to reconsider the significance of the canonical portrayal of Moses the intercessor in the aftermath of "documentary" pentateuchal criticism. Not disregarding the diachronic dimension of the text, at the heart of this study is a close theological reading of Exodus 32-34 and Numbers 13-14 in their final form with focus on the nature and theological function of Moses' prayers. The intercessions evoke important theological questions, especially with regard to divine mutability, reputation, purpose, and covenant. It will become evident that Moses’ prayers embody a hermeneutical key to biblical theology. The choice of the two key narratives is endorsed by their strong inner-biblical associations. Two are of particular importance: I) Moses' intercession in Numbers 14:11-19 clearly wants to be understood in relation to Exodus 34:6-7, YHWH's fullest revelation of His name, which in itself is the result of Moses' engaging prayer activity (Ex. 32-33). By appealing to YHWH's name (Nu. 14:18), Moses sets an important biblical paradigm of authentic prayer. II) We shall see that YHWH's disclosure of His name remains a somewhat abstract reality in the context of the golden calf account. I shall advance the thesis, however, that YHWH's fullest revelation of His name (Ex. 34:6-7) is enacted in Numbers 14 in a specific and concrete situation and stands thus as a kind of commentary on Exodus 34:6-7.Another central aspect of this study is to bring Moses' intercessory activity into canonical connection with his prophetic qualities. It has long been noticed that Moses is presented as Israel's archetypal prophet. His prophetic role, however, has rarely been brought into constructive relation with his role as intercessor. Our study of Moses' intercessory prayers is preceded by some hermeneutical reflections and a survey of recent literature on Old Testament intercessory prayers
Austin Papers: Series III, Miscellaneous Material, 1814-1821
No full textCopy of transcript of a document appointing Samuel Perry to be the proxy to vote for Moses Austin and James Bryan in a meeting of stockholders at the Bank of St. Louis in Missouri Territory
Images of Moses and sixteenth-century Venice
No full textThis thesis addresses the striking proliferation of Moses imagery in sixteenth-century Venice by considering the images as a distinctive category. Although the narratives of Moses can be found elsewhere in Italy, the Venetian treatment of these subjects is distinguished by their number and their placement not in private chapels but in locations available to a broad audience. Additionally, a contrast can be made between the central Italian examples, which display variations on a political theme originally established by St. Thomas Aquinas, and the peculiar Venetian approach to the prophet, influenced by the city’s Byzantine roots and its constitution. In tracing the development of this imagery in the sixteenth century, initial consideration must be given to the roots of its stylistic interpretation in the Veneto where paintings for chapels of the Sacrament exhibit the group-oriented compositions that characterize the works throughout the period. In this context, the pioneering work of Jacopo Tintoretto forms the principal focus of this thesis, arguing that he was the first to introduce Moses imagery into Venice on a monumental scale. In his works for the main chapel of the Church of the Madonna dell’Orto and the ceiling of the Scuola Grande di San Rocco, the image of Moses takes on heightened theological significance in the general religious context of the Counter Reformation and in particular Venetian contexts of parish and confraternity. The interplay of such monumental painting and printed book illustration is also considered. It is the influence of Tintoretto’s approach to Moses on later artists that forms in part the foundation for the proliferation of the subjects in the later years of the sixteenth and the early years of the seventeenth century
Moses Fargos -- Orderly Book
No full textThis is the orderly book of Moses Fargos for the use of William Coit\u27s company which is the 4th Company and 6th Regiment under Colonel Samuel Holden Parsons. It covers the period of April 23, 1775 to August 7, 1775 and includes General George Washington\u27s commission to William Coit
Portrait of author David Foster at the National Library of Australia, Canberra, 8 June 2011 /
No full textTitle from acquisitions documentation.; Part of the collection: Portraits of author David Foster at the National Library of Australia, Canberra, 8 June 2011.; Acquired in digital format; access copy available online.; Mode of access: Online.; Photographed by a staff member of the National Library of Australia
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