9,645 research outputs found
Polly Stewart Oral History Project: Interview with Tim Morrison
No full textRecording of an interview by Polly Stewart with Tim Morrison, a participant in the Utah folk music scene of the 1960s. Jennifer Bott [now Bateman] served as sound engineer. Transcript by Laura R. Marcus [now Green]. One of the interview recordings that Polly Stewart and Jennifer Bott conducted for the Utah Folk Music Revival Oral History Project, 2004-20111. Basic and musical background; 2. Finding the conduit to bluegrass music and the banjo/friendship with Ron Spears/becoming a member of the Stormy Mountain Boys/involvement with the Intermountain Acoustic Music Association; 3. Forming the Utah Friends of Bluegrass; 4. Teaching guitar and banjo/being a conduit for the next generation; 5. Talking about early musical background/music in the family; 6. Learning to play bluegrass music on guitar, banjo, and bass; 7. Becoming a member of the Stormy Mountain Boys; 8. Talking about current musical activities/participation in several groups; 9. Involvement in national bluegrass community; 10. Talking about his Maisel bass/bass technique; 11. Talking about bluegrass music as livelihood/stereotypes about bluegrass music; 12. Talking about preference for traditional bluegrass music/general appeal of bluegrass; 13. Talking about the Stormy Mountain Boys at the Utah Urban Pioneers Concert; 14. Talking about his own family/on making the choice whether to go on the road as professional musician; 15. On putting together a set list for the Utah Urban Pioneers Concert; 16. On having a respectful and gentlemanly attitude towards the audience- heritage of this attitude in bluegrass performing; 17. Talking about the Stormy Mountain Boys-longevity, orchestration/maintaining high standards; 18. Talking about band, Lonesome Ridge; 19. Talking about Morrison\u27s bluegrass resume; 20. Appreciation for involvement with music community/mentioning cowboy music with which he had been involved, including the Wasatch Mountain Wild West Show; 21. Talking about family and personal connection to the music/grandfather who was Spanish American War Veteran/work as EMT; 22. Talking about playing on soundtrack for KUED documentary The Spirit of Ft. Douglas; 23. Talking about his own work documenting the bluegrass music tradition in the Salt Lake Valley area/talking about the history of bluegrass music; 24
Jennifer-Angoh/Pine-Marten-Rodent: v.1.0.0
No full text<p>Code for article "How do microtine rodent abundance, snow and landscape parameters influence pine marten Martes martes population dynamics?". Authors: Siow Yan Jennifer Angoh Affiliation: Inland Norway University of Applied Sciences, NO-2480, Koppang, Norway. Corresponding author: Siow Yan Jennifer Angoh, [email protected], ORCID: <a href="https://orcid.org/0000-0002-3791-0150">https://orcid.org/0000-0002-3791-0150</a></p>
<p><strong>Full Changelog</strong>: <a href="https://github.com/Jennifer-Angoh/Pine-Marten-Rodent/commits/Pine-Marten-Rodent">https://github.com/Jennifer-Angoh/Pine-Marten-Rodent/commits/Pine-Marten-Rodent</a></p>
Jennifer-Angoh/Pine-Marten-Rodent: v.1.0.1
No full text<p>Code for article "How do microtine rodent abundance, snow and landscape parameters influence pine marten Martes martes population dynamics?". Authors: Siow Yan Jennifer Angoh Affiliation: Inland Norway University of Applied Sciences, NO-2480, Koppang, Norway. Corresponding author: Siow Yan Jennifer Angoh, [email protected], ORCID: <a href="https://orcid.org/0000-0002-3791-0150">https://orcid.org/0000-0002-3791-0150</a></p>
<p><strong>Full Changelog</strong>: <a href="https://github.com/Jennifer-Angoh/Pine-Marten-Rodent/commits/Pine-Marten-Rodent">https://github.com/Jennifer-Angoh/Pine-Marten-Rodent/commits/Pine-Marten-Rodent</a></p>
Transforming America : Toni Morrison and classical tradition
No full textThis thesis examines a significant but little-studied feature of Toni Morrison's
work: her ambivalent engagement with classical tradition. Analysing all eight
novels. it argues that her allusiveness to the cultural practices of Ancient Greece
and Rome is fundamental to her political project. Illuminating hegemonic
America's consistent recourse to the classical world in the construction of its
identity, I expand on prior scholarship by reading Morrison's own revisionary
classicism as a subversion of dominant US culture. My three-part study
examines the way her deployment of Graeco-Roman tradition destabilizes
mythologies of the American Dream, prevailing narratives of America's
history, and national ideologies of purity. Part I shows that Morrison enlists
tragic conventions to problematize the Dream's central tenets of upward
mobility, progress and freedom. It argues that while her engagement with Greek
choric models effects her refutation of individualism, it is her later novels'
rejection of a wholly catastrophic vision that enables her to avoid reinscribing
the Dream. Part II demonstrates that it is through her classical allusiveness that
Morrison rewrites American history. Her multiply-resonant echoes of the epic,
pastoral and tragic traditions that have consistently informed the dominant
culture's justifications for and representations of its actions enable her
reconfiguration of colonization, of the foundation of the new nation, of slavery
and its aftermath and of the Civil Rights Movement. Part III illuminates how
the author uses the discourse of pollution or miasma to challenge
Enlightenment-derived valorizations of racial purity and to expose the practices
of scapegoating and revenge as flawed means to moral purity. Her interest in
the hegemonic fabrication of classical tradition as itself a pure and purifying
force is matched by her insistence on that tradition's African elements, and thus
on its potent impurity. Her own radical classicism, therefore, is central to the
transformation of America that her novels envision
Dr. Jennifer Bowie – Faculty Author Interview
No full textDr. Jennifer Bowie, Assistant Professor of Political Science, is the co-author of a new book, The View from the Bench and Chambers: Examining Judicial Process and Decision Making on the U.S. Courts of Appeals, published recently by the University of Virginia Press. This book presents a series of quantitative analyses of judicial decisions in the Courts of Appeals with the perspectives gained from in-depth interviews with the judges and their law clerks
J. Stephen Morrison et Jennifer G. Cooke. Africa Policy in the Clinton Years
No full textGounin. J. Stephen Morrison et Jennifer G. Cooke. Africa Policy in the Clinton Years. In: Politique étrangère, n°3 - 2002 - 67ᵉannée. pp. 812-813
J. Stephen Morrison et Jennifer G. Cooke. Africa Policy in the Clinton Years
No full textGounin. J. Stephen Morrison et Jennifer G. Cooke. Africa Policy in the Clinton Years. In: Politique étrangère, n°3 - 2002 - 67ᵉannée. pp. 812-813
Ep. #136 - Jennifer Gabrys
No full textThis recording and transcript form part of a collection of podcasts conducted by the Cultures of Energy at Rice University. Cultures of Energy brings writers, artists and scholars together to talk, think and feel their way into the Anthropocene. We cover serious issues like climate change, species extinction and energy transition. But we also try to confront seemingly huge and insurmountable problems with insight, creativity and laughter.Your cohosts discuss what sensory technologies they might wish for their own home and the kind of multispecies encounters Cymene might have had in a Tegucigalpa red light district hotel (trigger warning: there be cockroach stories ahead!) Then (20:29) we chat with the multitalented Jennifer Gabrys from Goldsmiths (https://www.jennifergabrys.net), author most recently of Program Earth (U Minnesota Press, 2016), and her fascinating work on the spread of environmental sensing technologies and the impacts they are having on our worlds. Jennifer explains to us why she became taken with Whitehead’s concept of the “superject” as a different, more distributed and relational way of thinking about sensation and experience. That gets us to talking about nonhuman modes of sensing, what humans want from all these sensors, the problem of environmentality in smart city designs, computational urbanism, and why the figure of the idiot interests her in terms of thinking about models of digital participation. Jennifer explains how we can be for a world (and for other worlds) rather than simply of the world and why the etho-ecological is thus such an interesting domain for her. In closing, we return to Jennifer’s pathbreaking work on digital waste and the need for electronic environmentalism and talk about the e-waste/energy nexus and the paradox of spending ever more energy to monitoring ourselves using more energy. Listen on
Author and poet Lily Brett at the National Library of Australia, Canberra, 18 October 2012 /
No full textTitle from acquisitions documentation.; Part of the collection: Portraits of author and poet Lily Brett at the National Library of Australia, Canberra, 18 October 2012.; Acquired in digital format; access copy available online.; Mode of access: Online.; Photographed by a staff member of the National Library of Australia
Adrian Caesar speaking at Alex Miller author: A Celebration, held at the National Library, Canberra, 30 October 2011 /
No full textTitle from information supplied by photographer.; Part of the collection: Alex Miller author: A Celebration, held at the National Library of Australia theatre, 30 October 2011.; Mode of access: Online.; Photographed by a staff member of the National Library of Australia
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