879 research outputs found
Portrait of Louis Nowra, author, 1981, 1 [picture] /
No full textTitle devised by cataloguer from inscription.; Part of the collection: Portraits of Louis Nowra, author, 1981.; Inscriptions: "Louis Nowra 5/2/81, H de Berg"--In ink on verso of print.; Condition: Soiled, scratched.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-vn4728368
Portrait of Louis Nowra, author, 1981, 2 [picture] /
No full textTitle devised by cataloguer from inscription.; Part of the collection: Portraits of Louis Nowra, author, 1981.; Inscriptions: "Louis Nowra 5/2/81, H de Berg"--In ink on verso of print.; Condition: Soiled, scratched.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-vn4728375
Portrait of Louis Nowra, author, 1981, 3 [picture] /
No full textTitle devised by cataloguer from inscription.; Part of the collection: Portraits of Louis Nowra, author, 1981.; Inscriptions: "Louis Nowra 5/2/81, H de Berg"--In ink on verso of print.; Condition: Soiled, scratched.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-vn4728377
Portrait of Louis Nowra, author, in front of a tree, 1981 [picture] /
No full textTitle devised by cataloguer from inscription.; Part of the collection: Portraits of Louis Nowra, author, 1981.; Inscriptions: "Louis Nowra 5/2/81, H de Berg"--In ink on verso of print.; Condition: Soiled, scratched.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-vn4728421
Portrait of Louis Nowra, author, leaning on a railing, 1981 [picture] /
No full textTitle devised by cataloguer from inscription.; Part of the collection: Portraits of Louis Nowra, author, 1981.; Inscriptions: "Louis Nowra 5/2/81, H de Berg"--In ink on verso of print.; Condition: Soiled, scratched.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-vn4728382
Dorothy "Dodi" Morrison recounts visit to Kettle River Museum, Midway
No full textSegment from the 'Daybreak' program in which Morrison describes her visit to Kettle River Museum
Transforming America : Toni Morrison and classical tradition
No full textThis thesis examines a significant but little-studied feature of Toni Morrison's
work: her ambivalent engagement with classical tradition. Analysing all eight
novels. it argues that her allusiveness to the cultural practices of Ancient Greece
and Rome is fundamental to her political project. Illuminating hegemonic
America's consistent recourse to the classical world in the construction of its
identity, I expand on prior scholarship by reading Morrison's own revisionary
classicism as a subversion of dominant US culture. My three-part study
examines the way her deployment of Graeco-Roman tradition destabilizes
mythologies of the American Dream, prevailing narratives of America's
history, and national ideologies of purity. Part I shows that Morrison enlists
tragic conventions to problematize the Dream's central tenets of upward
mobility, progress and freedom. It argues that while her engagement with Greek
choric models effects her refutation of individualism, it is her later novels'
rejection of a wholly catastrophic vision that enables her to avoid reinscribing
the Dream. Part II demonstrates that it is through her classical allusiveness that
Morrison rewrites American history. Her multiply-resonant echoes of the epic,
pastoral and tragic traditions that have consistently informed the dominant
culture's justifications for and representations of its actions enable her
reconfiguration of colonization, of the foundation of the new nation, of slavery
and its aftermath and of the Civil Rights Movement. Part III illuminates how
the author uses the discourse of pollution or miasma to challenge
Enlightenment-derived valorizations of racial purity and to expose the practices
of scapegoating and revenge as flawed means to moral purity. Her interest in
the hegemonic fabrication of classical tradition as itself a pure and purifying
force is matched by her insistence on that tradition's African elements, and thus
on its potent impurity. Her own radical classicism, therefore, is central to the
transformation of America that her novels envision
Portrait of Mary Durack, author, 1976 [picture] /
No full textTitle devised by cataloguer from accompanying information.; "Durack, Mary; 12/3/1976, Photog by Hazel de Berg"--Compactus card.; Condition: Scratched, soiled.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-vn4778087; Lent for copying
Portrait of Alison Dolling, author and historian, Adelaide, 1978 [picture] /
No full textTitle devised by cataloguer from accompanying information.; "Dolling, Alison. Writes under Mary Broughton, Hazel de Berg collection. From Adelaide Festival, South Australia"--Compactus card.; Condition: Scratched.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-vn4764650; Conversation with Alison Dolling (Mary Broughton); located at; National Library of Australia Oral History collection ORAL TRC1/1067
I remember my mother at Seabrook
No full textIn this "I remember" memoir, Hazel Okino Ritchey remembers her mother, Alice Oda Okino. After Hazel's family moved to Seabrook from the Arkansas camp they were interned at, her mother began teaching at the Child Care Center at Seabrook. Later, she attended Glassboro State College for continuing education. Hazel also remembers that her mother was very kind, and Hazel's and her brother's friends would visit their house to spend time with Hazel's mother. The Seabrook Educational and Cultural Center has been soliciting current and past residents of Seabrook Farms for an "I remember" project. Residents are asked to create narratives regarding their experiences at Seabrook Farms. These memories help preserve the history and multi-cultural heritage of Seabrook Farms
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