65,381 research outputs found
Promisary note, Jacob Atkinson
No full textJacob Atkinson of Kendal requests that Joseph Saul pay the bearer one dollar for unspecified services. 7.25" X 4
Café Royal Books Archive One
No full textArchive One
Café Royal Books
100 books
423mm x 214mm x 210mm
Rigid paper covered tray with lift off lid
Three Inner compartments
1500 Microns black lined board
Black Wibalin Buckram
Foil blocked
Edition of 10. Each book is an edition of IRO200.
Published on the occasion of Café Royal Books tenth birthday. December 2015, with celebratory event at The Photographers' Gallery, London.
The first 100 books of the current series.
Contents as follows:
CRB104 Revisiting Utopia: Modernist Architecture in the Post-regenerate City Craig Atkinson & In Certain Places (Elaine Speight and Charles Quick) 300 (first edition) 140mm x 200mm 24 b/w digital
CRB105 Photograph Converted into Base 64 Code Matthew Birchall 100 140mm x 200mm 24 b/w digital
CRB110 Another Time Another Place John Claridge 100 140mm x 200mm 28 b/w digital
CRB111 Berlin Autobus Craig Atkinson 100 140mm x 200mm 40 b/w digital
CRB112 Along The Thames John Claridge 100 140mm x 200mm 28 b/w digital
CRB115 The Salvation Army John Claridge 100 140mm x 200mm 28 b/w digital
CRB120 Peopled Streets John Claridge 100 140mm x 200mm 28 b/w digital
CRB122 East End Graphics John Claridge 100 140mm x 200mm 28 b/w digital
CRB123 British Rituals David Levenson 100 140mm x 200mm 28 b/w digital
CRB124 Someone Else's Friends and Family Craig Atkinson 100 140mm x 200mm 28 b/w digital
CRB125 Ten ’til Late Mark McNulty 100 140mm x 200mm 28 b/w digital
CRB126 America 29.01.13 Craig Atkinson 100 140mm x 200mm 28 b/w digital
CRB127 The Burry Man David Levenson 100 140mm x 200mm 16 b/w digital
CRB128 Preston Bus Station: Lost and Found Craig Atkinson 150 140mm x 200mm 28 b/w digital
CRB129 Monoliths, Sculptures, Fun and Death John Claridge 150 140mm x 200mm 28 b/w digital
CRB130 Blitz Kids, Skins & Silver Spoons Homer Sykes 150 140mm x 200mm 28 b/w digital
CRB132 Promise Land… Joni Sternbach 150 140mm x 200mm 28 b/w digital
CRB133 Working Men: Club and Coal Homer Sykes 150 140mm x 200mm 28 b/w digital
CRB134 Coal Miners 1971 John Claridge 150 140mm x 200mm 28 b/w digital
CRB136 East End Shops Tony Hall 100 140mm x 200mm 28 b/w digital
CRB137 East End Panoramas Tony Hall 100 140mm x 200mm 28 b/w digital
CRB139 Brick Lane and Co: Whitechapel in the 1970s Homer Sykes 150 140mm x 200mm 28 b/w digital
CRB140 Britannia Coco-nut Dancers David Levenson 150 140mm x 200mm 28 b/w digital
CRB141 Afternoons Well Spent John Claridge 150 140mm x 200mm 28 b/w digital
CRB142 A Tinker’s Tale John Claridge 150 140mm x 200mm 28 b/w digital
CRB143 Electric Tears and All Their Portent J A Mortram 150 140mm x 200mm 28 b/w digital
CRB145 The Gorbals John Claridge 150 140mm x 200mm 28 b/w digital
CRB146 South Liverpool 1976 - 1982 Phil Maxwell 150 140mm x 200mm 28 b/w digital
CRB147 Scottish Landscapes John Claridge 150 140mm x 200mm 28 b/w digital
CRB148 East End Pubs & Markets Tony Hall 150 140mm x 200mm 28 b/w digital
CRB150 Whitechapel 1983 -1999 Phil Maxwell 150 140mm x 200mm 28 b/w digital
CRB151 Someone Else’s Skiing Holiday Craig Atkinson 150 140mm x 200mm 28 b/w digital
CRB152 The Industrial Past John Claridge 150 140mm x 200mm 28 b/w digital
CRB153 Stonehenge:1970’s Counterculture Homer Sykes 150 140mm x 200mm 28 b/w digital
CRB154 Alexandra Road Estate Craig Atkinson 150 140mm x 200mm 28 b/w digital
CRB155 Kings of Grey Luke Overin 150 140mm x 200mm 28 b/w digital
CRB156 The Common Riding Jeremy Sutton-Hibbert 150 140mm x 200mm 28 b/w digital
CRB157 Suited and Booted Peter Dench 150 140mm x 200mm 28 b/w digital
CRB158 Someone Else's Summer in Moritz Craig Atkinson 150 140mm x 200mm 28 b/w digital
CRB159 Underground Phil Maxwell 150 140mm x 200mm 28 b/w digital
CRB160 London Barbican Craig Atkinson 150 (first edition) 140mm x 200mm 28 b/w digital
CRB161 Toff’s Hat Flat Cap Homer Sykes 150 140mm x 200mm 28 b/w digital
CRB162 Living With Epilepsy J A Mortram 150 inc 30 signed 140mm x 200mm 32 b/w digital
CRB163 London Circus Craig Atkinson 150 140mm x 200mm 28 b/w digital
CRB164 London, Nine Miles from Hounslow Craig Atkinson 150 140mm x 200mm 28 b/w digital
CRB165 Once a Year: 1970s Folklore in Britain Homer Sykes 200 140mm x 200mm 28 b/w digital
CRB166 Sheffield Tinsley Viaduct John Darwell 150 140mm x 200mm 28 b/w digital
CRB167 Glasgow, The River Underground Hugh Hood 150 140mm x 200mm 28 b/w digital
CRB168 Preston Bus Station: Pie and Blow Dry Craig Atkinson 150 140mm x 200mm 28 b/w digital
CRB169 Tyburn Hemp Brian David Stevens 150 140mm x 200mm 28 b/w digital
CRB170 Harris Flights Craig Atkinson / In Certain Places 150 140mm x 200mm 28 b/w digital
CRB171 “Where’s The Monkey?” David J Carol 250 140mm x 200mm 28 b/w digital
CRB172 Sheffield Meadowhall, Hyde Park, Ponds Forge John Darwell 150 140mm x 200mm 28 b/w digital
CRB173 Vintage London John Claridge 150 140mm x 200mm 28 b/w digital
CRB174 Glasgow Streets Hugh Hood 150 140mm x 200mm 28 b/w digital
CRB175 Ribble Steam Railway John Claridge 200 140mm x 200mm 28 b/w digital
CRB177 Leiston, Suffolk 1966 Libby Hall 150 140mm x 200mm 28 b/w digital
CRB178 London, Trellick Tower Craig Atkinson 150 140mm x 200mm 28 b/w digital
CRB179 Once a Year: Folklore in Britain Now Homer Sykes 200 140mm x 200mm 28 b/w digital
CRB180 Old Ladies of Whitechapel Phil Maxwell 150 140mm x 200mm 28 b/w digital
CRB181 Photographs Converted into Morse Code Matthew Birchall 150 140mm x 200mm 98 b/w digital
CRB182 Red Neck Land Tilney1 150 140mm x 200mm 16 b/w digital
CRB183 Glasgow Streets The New Era Hugh Hood 150 140mm x 200mm 28 b/w digital
CRB185 Small Town Inertia Diary Entries J A Mortram 150 140mm x 200mm 28 b/w digital
CRB186 Preston Bus Station Exit Town Centre Craig Atkinson 150 140mm x 200mm 28 colour digital
CRB187 Skelmersdale 1984 Stephen McCoy 150 140mm x 200mm 28 b/w digital
CRB188 Grangemouth and the Forth Estuary John Darwell 150 140mm x 200mm 28 b/w digital
CRB189 Rotherhithe Photographs Geoff Howard 150 140mm x 200mm 28 b/w digital
CRB190 Mayday Brian David Stevens 150 140mm x 200mm 28 b/w digital
CRB191 Electronic Music New York City 1995 Tim Soter 150 140mm x 200mm 28 b/w digital
CRB192 Saltaire 1981 Still a Model Mill Village Homer Sykes 150 140mm x 200mm 28 b/w digital
CRB193 Preston Bus Station Up and Over Craig Atkinson 150 140mm x 200mm 28 colour digital
CRB194 The Passengers Joni Sternbach 150 140mm x 200mm 36 b/w digital
CRB195 “Here’s the Deal…” David J Carol 150 140mm x 200mm 28 b/w digital
CRB197 Brighton Beach Stewart Weir 150 140mm x 200mm 28 b/w digital
CRB198 Annual General Meeting David Levenson 200 140mm x 200mm 28 b/w digital
CRB199 Recreation and Romance 1970’s London Geoff Howard 150 140mm x 200mm 28 b/w digital
CRB200 Glasgow 1974-1978 Hugh Hood First edition 140mm x 200mm 36 b/w digital
CRB201 Sunderland and South Shields in the 1980’s George Plemper 150 140mm x 200mm 36 b/w digital
CRB202 Social Landscapes London in the 1970s Tony Bock 150 140mm x 200mm 28 b/w digital
CRB203 Crash Happy Grant Scott 150 140mm x 200mm 28 b/w digital
CRB204 Preston Bus Station Babies, Ladies and Gentlemen Craig Atkinson 150 140mm x 200mm 28 colour digital
CRB205 Israel 1967 John Claridge 150 140mm x 200mm 28 b/w digital
CRB206 Modernist Revival Jonathan Mortimer 150 140mm x 200mm 28 b/w digital
CRB207 Glasgow Steamies Allan Bovill 150 140mm x 200mm 28 b/w digital
CRB208 Ocean Beach Rhyl Stephen Clarke 150 140mm x 200mm 28 b/w digital
CRB209 Manchester 42 Bus Claire Atkinson 150 140mm x 200mm 28 b/w digital
CRB210 Bristol 04.13 Craig Atkinson 200 140mm x 200mm 28 b/w digital
CRB211 Sheffield Things Seen Whilst Wandering Around Attercliffe John Darwell 150 140mm x 200mm 36 b/w digital
CRB213 Housing Estates 1979 - 1981 Stephen McCoy 150 140mm x 200mm 28 b/w digital
CRB214 Social Landscapes Britain in the 1970s Tony Bock 150 140mm x 200mm 36 b/w digital
CRB215 Social X-rays New York Dafydd Jones 200 140mm x 200mm 36 b/w digital
CRB216 Notting Hill Sound Systems Brian David Stevens 150 140mm x 200mm 36 b/w digital
CRB217 North of Barnet Geoff Howard 150 140mm x 200mm 28 b/w digital
CRB219 Egypt 1963 One Arthur Tress 150 140mm x 200mm 36 b/w digital
CRB220 Egypt 1963 Two Arthur Tress 150 140mm x 200mm 36 b/w digital
CRB221 Notting Hill Sound Systems Brian David Stevens 150 140mm x 200mm 36 b/w digital
CRB222 Millbank and That Van Marc Vallée 150 140mm x 200mm 36 b/w digital
CRB223 Holy Ireland Croagh Patrick Geoff Howard 150 140mm x 200mm 36 b/w digital
CRB224 Robin Hood Gardens Craig Atkinson 250 140mm x 200mm 36 b/w digital
CRB302 Archive One Various 10 423mm x 214mm x 210mm 100 books mixe
Jacob Atkinson letter to Thomas Rotch, April 21, 1818
No full textJacob Atkinson takes Thomas Rotch to task for Rotch's lack of compliance to an agreement over the manufacture of Rotch's wool. According to his note on page 3 of this letter, Rotch did not respond directly to Atkinson "as the best antidote to incivility" but he wrote instead to third party (unclear) regarding his disagreement with Atkinson. 7.7" x 10.25"(19.6 by 26.1 cm
Café Royal Books Archive Two
No full textArchive Two
100 books (the second 100 publications from the current series)
423mm x 214mm x 210mm
Rigid paper covered tray with lift off lid
Three Inner compartments
1500 Microns black lined board
Black Wibalin Buckram
Foil blocked
Edition of 10, published July 2016
Contents:
Barbórka Justin Leighton 150 140mm x 200mm 36
Stanhope Daniel Zvereff 150 140mm x 200mm 36
New York in the 70s John Claridge 150 140mm x 200mm 36
No foursomes allowed at peak periods, in Scarborough Craig Atkinson 1000 150mm x 210mm 60
Thamesmead and Abbey Wood 1977 - 1982 George Plemper 200 140mm x 200mm 36
Sheffield The Remains of Some Buildings Around the Don Valley John Darwell 150 140mm x 200mm 36
“All My Pictures Look the Same” David J Carol 250 140mm x 200mm 36
Liverpool Flags and Badges John Stoddart 200 140mm x 200mm 28
Billy Childish Brian David Stevens 200 140mm x 200mm 28
London Circus Craig Atkinson 150 140mm x 200mm 28
Berlin 09.11.89 Justin Leighton 200 140mm x 200mm 36
MEXICO 1973 Mazatlan and Heading South Homer Sykes 150 140mm x 200mm 36
Social Landscapes East London in the 1970s Tony Bock 200 140mm x 200mm 36
Spectators David Walker 150 140mm x 200mm 36
After the Fall Afghanistan 2002 Stewart Weir 150 140mm x 200mm 36
Thamesmead Riverside School 1976 - 1978 One George Plemper 200 140mm x 200mm 28
Sheffield in Transition John Darwell 150 140mm x 200mm 28
Stockport Gypsies Daniel Meadows 200 140mm x 200mm 24
Manplan One Patrick Ward 200 140mm x 200mm 36
Biddy Boys Ireland 1972 Homer Sykes 150 140mm x 200mm 36
Preston Market Craig Atkinson 200 140mm x 200mm 36
Shankly One Ken Grant 200 140mm x 200mm 28
Thamesmead Riverside School 1976 - 1978 Two George Plemper 200 140mm x 200mm 28
Bancroft Shed Weaving 1976 Daniel Meadows 200 140mm x 200mm 36
“Keep off Sexy Drugs” Southport Stephen McCoy 200 140mm x 200mm 28
University of Leeds Craig Atkinson 200 140mm x 200mm 36
Wrexham Leisure 1982 - 1984 Colin Thomas 200 140mm x 200mm 36
Bancroft Shed Engine House 1976 Daniel Meadows 200 140mm x 200mm 20
Trawlermen Peter Dench 150 140mm x 200mm 28
Rhyl Seafront Stephen Clarke 150 140mm x 200mm 28
Millennium Britain Derek Hudson 150 140mm x 200mm 36
Weldone Boiler Fluers 1976-1977 Daniel Meadows 200 140mm x 200mm 24
Made in Roath Homer Sykes 150 140mm x 200mm 36
Balfron Tower Craig Atkinson 200 140mm x 200mm 36
Steeplejack 1976 Daniel Meadows 200 140mm x 200mm 20
Manplan Two Patrick Ward 200 140mm x 200mm 36
Shankly Two Ken Grant 200 140mm x 200mm 28
Alexandra Road Estate. Detail Craig Atkinson 200 140mm x 200mm 28
Pig Killing 1975—1976 Daniel Meadows 200 140mm x 200mm 36
Rhyl Caravan Parks Stephen Clarke 150 140mm x 200mm 36
Alexandra Road Estate. Park & Plant Craig Atkinson 200 140mm x 200mm 28
Chinatown 1984 Martin Parr 250 140mm x 200mm 36
Welfare State International 1976—1983 Daniel Meadows 200 140mm x 200mm 36
One Day in July near Cable Street Southport Ken Grant 200 140mm x 200mm 28
Running Riots and the Days After Homer Sykes 150 140mm x 200mm 36
Clayton Ward 1978 Daniel Meadows 200 140mm x 200mm 36
The Thames Path Johny Pitts 150 140mm x 200mm 28
wure In Leisure Matthew Murray 200 140mm x 200mm 28
My Britain 1970—1980s Homer Sykes 150 140mm x 200mm 36
The Miners Patrick Ward 200 140mm x 200mm 36
Sancta Maria Abbey, Nunraw Colin McPherson 150 140mm x 200mm 36
Boxing Boys Simon Roberts 200 140mm x 200mm 36
Haslingfield Scarecrows Brian David Stevens 200 140mm x 200mm 36
Tunnock’s Sophie Gerrard 140mm x 200mm 28
Dookits Stephen McLaren 150 140mm x 200mm 28
Personal Space Stephen McCoy 150 140mm x 200mm 28
North Sea Fishing Jeremy Sutton-Hibbert 150 140mm x 200mm 36
Sloanes and Rahs Homer Sykes 150 140mm x 200mm 36
From the Provy to the Derry Ken Grant 200 140mm x 200mm 28
Dirty Dozen Patrick Ward 200 140mm x 200mm 36
The Dark River Bolton — Farnworth John Darwell 150 140mm x 200mm 24
Reflections on Dark River Paul Herrmann 100 140mm x 200mm 12
Nelson Mandela — Glasgow 1993 Jeremy Sutton-Hibbert 150 140mm x 200mm 28
The Troubles Northern Ireland Homer Sykes 150 140mm x 200mm 36
Klondykers Shetland 1994 Jeremy Sutton-Hibbert 150 140mm x 200mm 28
Archaeology of a Carpet Stephen McCoy 150 140mm x 200mm 28
The Dark River Kearsley — Clifton John Darwell 150 140mm x 200mm 24
Christmas Turkey Market, Dublin 1990—1993 Tony O’Shea 200 140mm x 200mm 36
Vatersay 1985 Paul Glazier 150 140mm x 200mm 36
Patrick Procktor and Friends Homer Sykes 150 140mm x 200mm 36
South Liverpool Docks 1985 Tricia Porter 150 140mm x 200mm 32
The Tetley Archive Craig Atkinson 250 140mm x 200mm 28
Balsall Heath 1970 Des Gershon 150 140mm x 200mm 36
Esholt Sewage Works Bradford 1977—78 Ian Beesley 150 140mm x 200mm 28
The Royal Wdding 1981 David Williams 150 140mm x 200mm 28
M11 Link Road Protest David Solomon 200 140mm x 200mm 28
The Miners 1984 Michael Kerstgens 150 140mm x 200mm 36
Selborne 1980—1982 Tricia Porter 150 140mm x 200mm 36
Dog Days Ceredigion Colin Thomas 150 140mm x 200mm 36
Jewellery Quarter Colin Shaw 150 140mm x 200mm 36
The Dark River Kearsley Power Station John Darwell 150 140mm x 200mm 24
Slightly Unusual David Leveson 150 140mm x 200mm 36
Shipbuilding on The River Clyde Jeremy Sutton-Hibbert 150 140mm x 200mm 28
Weymouth '76—'77 The Watchers Iain McKell 200 140mm x 200mm 20
Momentum Series Alejandro Guijarro 200 140mm x 200mm 36
Northern Ireland One Victor Sloan 150 140mm x 200mm 32
Eton a Private Public School Homer Sykes 150 140mm x 200mm 36
Industry Year 1986 Tricia Porter 150 140mm x 200mm 36
Through the Mill Ian Beesley 150 140mm x 200mm 28
Liverpool: Before the Exodus John Stoddart 150 140mm x 200mm 28
Weekend Away Paddy Summerfield 200 140mm x 200mm 36
Yates's Martin Parr 500 140mm x 200mm 36
Farm Work Colin Shaw 200 140mm x 200mm 36
Birkenhead 1985 Colin Thomas 150 140mm x 200mm 36
Weymouth '76—'77 Beach Iain McKell 200 140mm x 200mm 28
"The Dark River
Clifton — Death Valley
Agecroft" John Darwell 150 140mm x 200mm 36
East End Dancers and Chancers David Hoffman 200 140mm x 200mm 36
Anti Austerity Stuart Franklin 150 140mm x 200mm 24
India in the 1970s John Claridge 200 140mm x 200mm 24
Impossible Accidents John Deakin 200 140mm x 200mm 24
Northern Ireland Two Victor Sloan 150 140mm x 200mm 2
Jacob Atkinson letter to Thomas Rotch, Wheeling, March 25th, 1816
No full textJacob Atkinson discusses personal financial matters, mentioning that he has little money to pay his debts. He assures Rotch that he will fulfill his obligations. Atkinson sends news of his brother's activities and thanks Rotch and his wife Charity for their past kindness. 7.6" x 9.75" (19.3 by 24.5 cm
Jacob Atkinson letter to Thomas Rotch, Wheeling, June 18, 1817
No full textJacob Atkinson discusses dimensions for cloth to be produced at Kendal by Thomas Rotch. Atkinson states that he has left his own wool at Steubenville for transport to Canton and Rotch's Kendal factory where the wool will be turned into flannel. He reiterates that he is awaiting a payment for cloth. 8" x 9.5" (20 by 24 cm
Jacob Atkinson letter to Thomas Rotch, June 10, 1819
No full textJacob Atkinson discusses a disagreement between himself and Thomas Rotch regarding the price and sale of wool. Atkinson informs Rotch that a party in the dispute, Peabody gave Bezaleel Wells a draft on 466. The issue remained unsettled, and the discord and animosity between the two men remained unchanged. 8.05" x 9.75" (20.6 by 24.9 cm
Nathaniel P. Atkinson letter to Thomas Rotch, November 22nd, 1819
No full textNathaniel Atkinson inquires after cloth promised to him by Thomas Rotch who has neglected to respond in a timely manner. Atkinson, seemingly at the end of his rope with Rotch's failure to deliver his order, informs Rotch that he will not be able to sell the cloth this winter. 7.6" x 12.5" (19.4 by 31 cm
Map of the northern interior of British Columbia
No full textby A.G. Morice; published by direction of the honourable the Chief Commissioner of Lands and Works.Scale [ca. 1:675,000] (W 129 00?--W 122 00?/N 54 50?--N 53 00?). Relief shown by hachures and spot heights. Originally published by: Victoria, B.C. : Dept. of Lands and Works, 1907. Reproduction. Prince George, B.C. : Bryan Chernoff Thompson Architects, 2000 -- 1 map : bandw ; 69 x 93 cm
N.P. Atkinson letter to Thomas Rotch, Wheeling, June 21st, 1818
No full textNathaniel Atkinson took several of Thomas Rotch's merino breed sheep on lean and in this letter, he offers to sell Rotch some of his wool for processing in Rotch's factory at Kendal. Exchange was not unusual as hard currency was scarce and the banking system was unstable until at least 1823. 8.05" x 13" (20.6 by 32 cm
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