1,721,168 research outputs found

    Stimmung-Bild. Riflessioni su due parole-mondo

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    Through the analysis of the concepts of Stimmung and Bild from a historical and philosophical viewpoint, the author analyses both concepts as attempts, worked out by the Western thought, to variously overcome, in poetic and artistic fields, the question of the “inside–out”, “soul and body” dualism and opposition. The most important references include Hölderlin, Schelling, Heidegger

    Nimbus. Nota sulla questione dell’«aura» in Ludwig Klages

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    In this paper the author reconstructs the Klagesian positions that, according to him, have possibly inspired Walter Benjamin in his reflection on “aura”. Ludwig Klages’ thought, in fact, and especially the notion of “Nimbus-Aura”, had an interesting resonance in the work of Walter Benjamin. The author shows that Benjamin has probably shared with Klages the idea that human history is indeed rooted in what we might call “myth”, differently from Theodor Adorno, who intends to criticize Klages’ influence in Benjamin’s notion of “aura”, dialectilizing the mythical “origin” and characterizing it as fiction. In the author’s view, moreover, if in Klages this root receives nourishment from the universal symbolism of matter, that Klages intends as originally “auratic”, in Benjamin this root becomes the starting point through which, by means of artistic reproducibility, the human pattern moves away from the myth

    La sospensione spettrale. A partire da «Stalker» di Andrej Tarkovskij

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    Obiettivo di questo contributo è quello di avvicinarsi all’enigma della sospensione proprio dell’opera d’arte a partire da un’analisi del film di Tarkovskij «Stalker», letto in una prospettiva storica sullo sfondo di un aspetto particolare della cultura russa tra Ottocento e Novecento: la riflessione e il dibattito, sorto in seno alla comunità scientifica, sul tema del medianico e della spettralità
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