1,721,246 research outputs found
Poesia e prosa come categorie della critica montaliana (Montale, Gargiulo, Contini)
No full textIl contributo tenta di precisare i significati correlati che le categorie di
“poesia” e “prosa” assumono nella poetica esplicita montaliana e nel dibattito
sulle Occasioni che vede impegnati su fronti avversi Gargiulo e Contini, con
la partecipazione attiva dello stesso Montale
Chinese Sentence-Initial Indefinites: What Corpora Reveal
Full text linkWhile the sentence-initial position in Chinese is generally related to givenness/definiteness, instances of informationally new or indefinite sentence-initial nps may be found in language in use. This paper systematically explores the phenomenon of sentence-initial indefinites (SIIs), their statistical relevance, and the interaction with features typically connected to linear order, such as animacy or locatability. Results of a quantitative and qualitative analysis conducted on three major big-size, generalised corpora show that SIIs in Chinese are not only possible, but also statistically relevant. Animacy and locatability are found to play a key role in increasing SIIs acceptability. Finally, data reveal a new pattern featuring SIIs with proper nouns
Prosa in transito. Note sulla ricezione italiana di Char, Michaux e Ponge
No full textL'obiettivo del contributo è indagare, attraverso un’osservazione dall’alto delle traduzioni, alcuni aspetti della ricezione italiana di tre poeti francesi: René Char, Henri Michaux e Francis Ponge
«Avanza su una corda tesa». Il lavoro poetico di Cosimo Ortesta
No full textIl saggio sintetizza la parabola compiuta dalla poesia di Cosimo Ortesta, offrendo per ciascun libro e fase della sua opera un conciso profilo tematico e stilistico
Rovesciare il mondo rovesciato. Risvolti linguistico-stilistici del carnevale nel "Candelaio" di Giordano Bruno
Full text linkThe paper provides a proposal research on the thematic and linguistic contents presented on the Candelaio by means of Bakhtin's category of the Carnival. This research has a double aim. The first purpose is to identify some contradictory and highly problematic elements according to the interpretation, which is usual within the comedy genre, based on both a philosophical reading and a theatrical technique typical of the Mannerism. The other objective is to outline in its fundamental lines a hypothetical project upon the Candelaio.
After a short review of the main thematic elements, the analysis of the carnivalistic aspects focuses on some dialogical and linguistic elements that are connected to the rhetoric of parody. In addition to the obscene deformation of the biblical-lyturgical statements, some of the most meaningful phenomena are given by the participants taking part in the dialogues, with their ability to lower the tone, and by the usage of the bakhtinian hybrid utterance, which is employed by the author with a dual effect. In general, the analysis, which is here summarily presented with the intention to postpone a systematic study, seems to confirm the importance of the carnivalistic code as not only a linguistic but also an imaginative device of the comedy: his dual value persists and allows not to make absolute generalization about the negativity of the depicted world
Un'immensa stanchezza. Lettura del Custode
No full textIl contributo propone una lettura della poesia "Il custode" inclusa nella raccolta "Composita solvantur" (1994) di Franco Fortini
Acquisition of Double-Nominative Constructions by Italian L1 Learners of Chinese A Cross-Sectional Corpus Study
Full text linkThis paper presents new results of an ongoing cross-sectional corpus study investigating the acquisition of Chinese word order by Italian L1 learners. Specifically, it focuses on the acquisition of “double-nominative constructions,” as well as the correct sequential organisation of topical and focal information in the Chinese sentence. The analysis is conducted on three learner corpora, created by the author on the basis of a test submitted to three groups of university (BA and MA)-level Italian L1 learners of Chinese, for a total of 132 learners. Quantitative and qualitative analysis conducted on the collected data show that while the double-subject construction may appear as a simple and straightforward pattern, it is in fact a rather difficult construction to acquire and spontaneously produce for Italian L1 learners. Rather, students tend to use patterns they are used to in their L1 (or other L2s, such as English). These include the [NP1 have NP2], [NP1 的 NP2], or [NP1 adjectival predicate] patterns, among other types, thus confirming the inhibitive L1 transfer hypotheses of this study
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