7,646 research outputs found
Wake up Jacob Day's a breaking
No full textvoiceCollected By: Deanna Moore
Transcribed By: Doug Haynie
Arkansas Folklore Class
Sung By: R.K. Moore
Benton, Arkansas November 26, 1960
Reel 381; Item 9
WAKE UP JACOB
Wake up Jacob
Day's a breaking
Peas in the pot
And the hoe cakes bakingFunding for digitization provided by the Arkansas Humanities Council and the Happy Hollow Foundation
Jacob of Sarug's Homily on Tamar (Gen 38)
No full textThis small volume contains an edition (from Vatican ms. 117) of Jacob of Sarug’s homily on Tamar (420 lines long). The full title is “On Tamar and on the Mystery of the Church.” The biblical narrative on which the poem is based (Gen 38) gives Jacob the opportunity to discuss various women in the early part of biblical history and in Jesus’ lineage, as well as the fact that a woman who is called a prostitute is in that lineage. Jacob explains how Scripture’s language is used in this regard
[Letter to Dr. Thomas Moore from Jacob De Cordova, Oct. 26, 1856]
No full textLetter from Jacob De Cordova to Thomas Moore and his son Hamilton, dated Oct. 26, 1856
[Letter from Jacob De Cordova to Dr. Thomas Moore, dated May 20, 1858]
No full textLetter from Jacob De Cordova to Dr. Thomas Moore and Moore's son Hamilton. The letter discusses De Cordova's upcoming tour of Europe
Jacob Wassermann.
No full textOne of several renderings of the German author Jacob Wassermann by the painter and illustrator Suzanne Carvallo-Schülein.Digital ImageArtwork
Jacob of Serugh's Homilies on the Spectacles of the Theatre
No full textThis fascinating volume contains excerpts from four otherwise unedited (and untranslated) homilies from Jacob of Sarug on the theatre. These homilies, extant only in a single manuscript (BM Add. 17158), which is unfortunately poorly preserved, are unique for the light they cast on the Greek theatre in the Byzantine period. In this article, originally published in Le Muséon 48 (1935), Moss gives a substantive introduction to the selections presented from these homilies, and then presents the texts in Syriac and in English translation. Scholars and readers interested in Syriac literature, and in Jacob of Sarug in particular, as well as students of the history of the theatre, will find this work of great interest.Translated into English from the Syriac text
[Letter to Thomas Moore from Jacob De Cordova, April 13, 1867]
No full textLetter from Jacob De Cordova to Dr. Thomas Moore, dated April 13, 1867. De Cordova issues instructions to pay taxes on several tracts of land in Burnet County. Named persons include: George W. Chambers, John D. Phillips, W.G. Cooke, H.L. Dickson, and Francisco Y. Barboa
Jacob Viner’s Reminiscences from the New Deal (February 11, 1953)
No full textThis paper presents and reproduces an unpublished oral history interview given by Jacob Viner in 1953. The interview released by Viner for the Columbia Oral History Project gives us a valuable opportunity to throw light on his advisory activity during the New Deal Era. In our introduction we attempt to make a critical appraisal of Viner's reminiscences and to state the contribution they can provide to our general knowledge of the period. In addition, we also attempt to find out some biographical and interpretative elements useful to understand Viner’s own vision and his contribution to important economic policy processes during the New Deal.
Carving a legacy : the identity of Jacob Epstein (1880-1959)
No full textThe purpose of this thesis is to examine the efforts which were made during the life of Jacob Epstein and at the time his death to fix a particular identity that has thus shaped his legacy. The question that this thesis wishes to address is: how was Jacob Epstein's legacy carved?
The first part of this thesis, entitled 'Remembering Epstein', seeks to unpack and examine the written discourse surrounding his death. This will be done by assessing the themes, debates and considerations of Epstein's position in the history of art and will focus on four case studies: the obituaries and memorial pieces that were written immediately after Epstein's death; a memorial service that was held at St. Paul's Cathedral; a failed proposal
to tum Epstein's home studio into a museum; and the organisation and critical reception of the Epstein Memorial Exhibition held in Edinburgh in 1961. The second part of this thesis, entitled 'Writing a Legacy', attends to the analysis of texts which were written about or by Epstein throughout his career. This will be done through a close examination of those texts which have come to shape our understanding of Epstein's place in the history of art and will focus on five case studies: the writings of T. E. Hulme; Epstein by Bernard Van Dieren; a series of interviews with Epstein by Arnold Haskell, entitled The Sculptor Speaks; Epstein's role in protesting against repairs to ancient sculpture in the British Museum; and a chapter entitled 'My Place in Sculpture' from the 1954 edition of Epstein's autobiography. The final part of the thesis, entitled 'Selected Works', will focus on six separate sculptures as case studies for assessing different aspects of Epstein's artistic output. The works which
will be examined: The Rock Drill (1913), The Risen Christ (1917-19), Madonna and Child (1926-27), Genesis (1929), Albert Einstein (1933), and Madonna and Child (1950-52)
[Letter from Jacob De Cordova, dated Nov. 20, 1859]
No full textLetter from Jacob De Cordova, dated Nov. 20, 1850 to "My dear Doctor," probably Thomas Moore of Burnet County. Discusses his travels through Texas, and various land transactions. He directs that any letters sent by Phin be forwarded to Graham. Phineas De Cordova was Jacob De Cordova's brother and partner in their Land agent business
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