139,733 research outputs found
[Report on Officer's Duties, by H. M. Moore #2]
No full textReport by H. M. Moore, detailing his movements in regards to the deaths of President John F. Kennedy, Officer J. D. Tippit, and Lee Harvey Oswald
Joshua F. Moore, a schooner captain, describes various methods to avoid seasickn
No full textJoshua F. Moore, a schooner captain, describes various methods to avoid seasickness. Because most Maine sightseeing and ferry trips operate within protected bays and harbors, the vast majority of passengers on Maine boat rides never get seasick
Moore, F F, Vp6943
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/405925Surname: MOORE. Given Name(s) or Initials: F F. Military Service Number or Last Known Location: VP6943. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 16377.246771
Item: [2016.0049.38202] "Moore, F F, Vp6943
Letter from B. F. Hall, Jr., and Samuel Moore, to S. B. Simmons
No full textLetter from B. F. Hall, Jr., and Samuel Moore, to S. B. Simmons, sending check for NFA camp fund
On interviewing Ewan MacColl as a Young Student: The Interviews
No full textSome thoughts about how I interviewed Ewan MacColl, the father of the English folk revival, in 1987 and 1988 in the longest and last interview of his life, later published by Ashgate in "Legacies of Ewan MacColl" (edited by Allan F. Moore and myself)
Alan Moore Comics as Performance, Fiction as Scalpel
No full textEclectic British author Alan Moore (b. 1953) is one of the most acclaimed and controversial comics writers to emerge since the late 1970s. He has produced a large number of well-regarded comic books and graphic novels while also making occasional forays into music, poetry, performance, and prose. In Alan Moore: Comics as Performance, Fiction as Scalpel , Annalisa Di Liddo argues that Moore employs the comics form to dissect the literary canon, the tradition of comics, contemporary society, and our understanding of history. The book considers Moore's narrative strategies and pinpoints the main thematic threads in his works: the subversion of genre and pulp fiction, the interrogation of superhero tropes, the manipulation of space and time, the uses of magic and mythology, the instability of gender and ethnic identity, and the accumulation of imagery to create satire that comments on politics and art history. Examining Moore's use of comics to scrutinize contemporary culture, Di Liddo analyzes his best-known works-- Swamp Thing, V for Vendetta, Watchmen, From Hell, Promethea , and Lost Girls . The study also highlights Moore?s lesser-known output, such as Halo Jones, Skizz , and Big Numbers , and his prose novel Voice of the Fire. Alan Moore: Comics as Performance, Fiction as Scalpel reveals Moore to be one of the most significant and distinctly postmodern comics creators of the last quarter-century.Intro -- Contents -- Preface and Acknowledgments -- Introduction -- CHAPTER 1. Formal Considerations on Alan Moore's Writing -- CHAPTER 2. Chronotopes: Outer Space, the Cityscape, and the Space of Comics -- CHAPTER 3. Moore and the Crisis of English Identity -- CHAPTER 4. Finding a Way into Lost Girls -- Conclusion -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- ZEclectic British author Alan Moore (b. 1953) is one of the most acclaimed and controversial comics writers to emerge since the late 1970s. He has produced a large number of well-regarded comic books and graphic novels while also making occasional forays into music, poetry, performance, and prose. In Alan Moore: Comics as Performance, Fiction as Scalpel , Annalisa Di Liddo argues that Moore employs the comics form to dissect the literary canon, the tradition of comics, contemporary society, and our understanding of history. The book considers Moore's narrative strategies and pinpoints the main thematic threads in his works: the subversion of genre and pulp fiction, the interrogation of superhero tropes, the manipulation of space and time, the uses of magic and mythology, the instability of gender and ethnic identity, and the accumulation of imagery to create satire that comments on politics and art history. Examining Moore's use of comics to scrutinize contemporary culture, Di Liddo analyzes his best-known works-- Swamp Thing, V for Vendetta, Watchmen, From Hell, Promethea , and Lost Girls . The study also highlights Moore?s lesser-known output, such as Halo Jones, Skizz , and Big Numbers , and his prose novel Voice of the Fire. Alan Moore: Comics as Performance, Fiction as Scalpel reveals Moore to be one of the most significant and distinctly postmodern comics creators of the last quarter-century.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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Moore's axiom 5₁
No full textIn any space satisfying Axioms 0, 1, 2, 3, 4, and 5 of R.L. Moore's Foundations of Point Set Theory a large body of Plane Analysis Situs theorems hold true. Nevertheless, not every such space is a subset of the plane even if completely separable. However, Moore has shown that if such a space satisfies certain additional axioms, it is a subset of a plane. This problem has also been studied by Leo Zippin and, more recently, by J.H. Roberts. In this paper the problem is again attacked, and the treatment emphasizes the rather peculiar role played by connectedness. As a matter of fact, connectedness enters into all of the axioms used by the author except Axioms 0, 1, and 6. In Part I a certain space is studied which, although not necessarily a subset of a plane, nevertheless, possesses many of the properties of a plane. However, if the space of Part I is completely separable or metric, it is shown to be a subset of a plane or a sphere. Definitions of terms peculiar to the treatment are given in the text. For the definition of terms not defined, the reader is refered to R.L. Moore's Foundations of Point Set Theory. Many of the notational conventions of this work are also used here without explanation.Mathematic
[Supplementary Offense Report by Rose, Stovall, Moore, and Adamcik #1]
No full textSupplementary offense report by G. R. Rose, R. S. Stovall, H. M. Moore, and J. P. Adamcik. The officers obtained a search warrant and searched 2515 W. 5th Street again. They found many photographs and papers
Moore Theatre program, October 14, 1917
No full textThe Moore Theatre program for the week of October 14, 1917. The vaudeville acts for the week included Nelson and his funny hats and mysterious pitcher; Leach Sisters, vocal entertainers; Georgia Earle & Company in "Getting Acquainted"; Fleta Brown & Herbert Spencer, singers; Nina Payne, character studies in dance; 'Skeet' Gallagher & Irene Martin; and Henri de Vries in "Submarine F. 7".Moore Theatre is an 1,800-seat performing arts venue in Seattle, Washington, at the corner of 2nd Avenue and Virginia Street. Built for Seattle real estate developer James A. Moore and designed by E. W. Houghton, the Moore Theatre functioned as a lavish social venue for the Gilded Age elite of early 20th-century Seattle. It opened in 1907 in time for the originally planned date of the Alaska–Yukon–Pacific Exposition which was ultimately postponed to 1909. The Moore Theatre and adjoining Moore Hotel were designed partly to accommodate and entertain tourists for this event. It is Seattle's oldest active theater, currently hosting a variety of theatrical productions, concerts and lecture
[Memo to J. E. Curry from T. F. Moore]
No full textMemorandum to Chief J. E. Curry from T. M. Moore. Moore states that he received a call from Mrs. G. Little. Little told him that a call from J. P. Kavanaugh had originated from a pay telephone in Windsor, Ontario
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