5,031 research outputs found
Music of Hugo Weisgall
No full textRecorded during a live performance at Oakland Recital Hall, Western Michigan University, Kalamazoo, Michigan on October 21, 1981, 8:00 p.m., program no. 34 of the School of Music's 1981-1982 season.1st work: Marilyn Rose Nicholson, soprano ; Robert Byrens, piano. 2nd work: Joyce Zastrow, soprano ; Robert Byrens, piano. 3rd work: Elizabeth Patches, mezzo-soprano ; Phyllis Rappeport, piano. 4th work: Gail Smith, stepdaughter ; Corinne O'Heran, mother ; Rick Knapp, son ; Mark Cummings, father ; Rick Krzeczkowski, the director ; Monica Whitaker, the prompter ; Nadine Vorenkamp, the coloratura ; Mary Rempalski, the mezzo ; Matthew Elliott, the basso cantante ; Tom Manguem, the tenore buffo ; Sarah Coley, the wardrobe mistress ; Jennifer Little, the understudy.Reel 1: Introductory remarks by the composer -- Two madrigals. Nuptual song ; No more I will thy love importune -- Translations. Song ; Poem ; The rebelReel 2: Di goldene pave. Di Goldene Pave ; Undzer Rebenyu ; Der Rebe Elimeylekh ; Mayn Harts Veynt in Mir ; Baleboste Zisinke ; Shlof Mayn Kind, Sholf Keyseyder ; Lomir Zikh Bafrayen -- Six characters in search of an author. Act I / libretto by Dennis Johnston, based on the play by Luigi Pirandell
<i>No se sabe</i>: entrevista a Hugo Luis López
No full textEntrevista al Dr. Hugo Luis López, ictiólogo y responsable de la División Zoología Vertebrados del Museo de Ciencias Naturales de la Universidad Nacional de La Plata. Autor de numerosos trabajos sobre zoología e ictiología, además de difusor y propulsor de estos estudios en nuestro país. Director y editor de la publicación ProBiota, dedicada a la ictiología, limnología, zoología, herpetología y otras disciplinas conexas.Al hacer clic en el enlace que figura en "Documentos relacionados", pueden accederse a todos los trabajos de Hugo Luis López presentes en el repositorio.Radio Universidad Nacional de La Plat
[Soliloquium de arrha animae]
No full text[(Pseudo-)Augustinus Aurelius]Impressum: Datum in der Vorlage genannt, Ort und Drucker nach ISTCThe true author is Hugo de S. Victore: R. Goy, Die Überlieferung der Werke Hugos von St. Viktor, 1976, p.328Digitalisierung=Digitization=Numérisation Juli 2024 TIF
Hugo Brehme. Los prototipos mexicanistas. Num. 16 Año 6 (2002-2003) invierno. Alquimia. Sistema Nacional de Fototecas
No full text- Hugp Brehme o la construcción nacional - Hugo Brehme: un gigante de la fotografía mexicana, por Dennis Brehme - Hugo Brehme y Sergei Eisenstein: una convergencia, por Aurelio de los Reyes - El imagunario de Hugo Brehme / Arno Brehme, un acto olvidado - La exportación de lo mexicano: Hugo Brehme en casa y en el extranjero, por Jesse Lerner - El artista fotógrafo Hugo Brehme / Nada se salvó en la conocida casa artísitica - La colección Hugo Brehme, por Mayra Mendoza Avilés - El horizonte técnico en Hugo Brehme, por Heladio Vera Trejo
The Political Communication of Hugo Chávez: The Evolution of Aló Presidente
Get PDFAló Presidente was a weekly television programme anchored and produced by Hugo Chávez during his presidency in Venezuela. The show, a version of a phone-in, was broadcast live on national television at 11am on Sundays and lasted on average six hours. It followed the presidential agenda to a new location every week, where Hugo Chávez would inaugurate factories, read Latin American poetry, interview Fidel Castro, and sing llanero songs. This thesis investigates the role that Aló Presidente played in the making of the “Bolivarian Revolution”, Hugo Chávez’s political project. Through a critical reading of the transcripts of the show, it explores the 378 episodes, or 1656 hours, that aired between 1999 and 2012. Aló Presidente was the cornerstone of Chávez’s political communication, replacing press conferences and interviews. Chávez was known for his continuous presence on radio and television and his daily presidential addresses. However, only on the Sunday show could the audience phone the president and share their ideas, emotions and everyday life concerns. This thesis reviews the narratives that underlined the relationship between the audience/electorate and the host/president on Aló Presidente. It is argued that Aló Presidente played a fundamental role in articulating the identity of a public that shared the values and ideas of Chávez’s hegemonic project. Moreover, it is argued that the show Aló Presidente and the ideological process called the “Bolivarian Revolution” can be read as two co-related arms of a same project, and that they informed and defined each other throughout Chávez’s presidency. In this context, this thesis assesses the evolution of the programme in light of the political events taking place in Venezuela during that time. Aló Presidente is thus seen as a repository, or “black box”, of the discourses that articulated the Bolivarian identity and constructed the legitimacy of Hugo Chávez as the leader of a populist movement in Venezuela. Finally, the core of this thesis is that the co-relation between the show and the hegemonic project evolved over time to strengthen the authoritarian tendencies of Hugo Chávez’s regime. Following the activities of Aló Presidente over 13 years, the investigation charts that evolution in three different stages: 1) participation, 2) education, and 3) obedience, arguing that what started as a seemingly participatory space, progressively became a platform that presented Hugo Chávez’s figure as the ideologue of a populist movement, and ultimately secured his position as the indisputable leader and sole authority of Venezuela’s “Bolivarian Revolution”
Interview with Armando Hugo Ortiz Guerrero
No full textCathy Ragland interviews music historian and author, Armando Hugo Ortiz Guerrero.https://scholarworks.utrgv.edu/cathyraglandrec/1003/thumbnail.jp
Regimen conscientie vel parvum bonum
No full text[Bonaventura]. [Daran: Revelationes] / [Pseudo-Methodius]. [De praeparatione ad missam] / [Bonaventura]Keine Titelseite; Bl. 1a Textbeginn: Jncipit libellus qui appellatur regimen conscientie vel parvum bonum editus a fratre Bonaventure cardinalis ...De triplici via with title Regimen conscientie vel parvum bonum. The true author is Hugo de Balma (Verfasserlexikon 4 col. 225). On the text of (Pseudo-) Methodius see M. Kmosko in Byzantion 6 (1931) pp.273-96 (Sack(Freiburg) 2441)Polain dates about 147
Interview with Graeme Hugo
No full textGraeme Hugo is Federation Fellow, Professor of the Discipline of Geographical and Environmental Studies and Director of the National Centre for Social Applications of Geographical Information Systems at the University of Adelaide. He is the author of over 200 books, articles in scholarly journals and chapters in books, as well as a large number of conference papers and reports
3 adviezen aan Hugo de Jonge om van ambities naar uitvoering te komen
No full textDe ambities zijn mooi, maar de hoe-vraag blijft nog onbeantwoord in de plannen van de minister van woningbouw en ruimtelijke ordening. Hoogleraar Co Verdaas geeft daarom drie adviezen voor Hugo de Jonge - waaronder voor uitvoeringskracht in de regio als entresol in het huis van Thorbecke.Practice Chair Urban Area Developmen
Literatura e identidades: o regionalismo de Hugo de Carvalho Ramos
No full textThis study is about Hugo de Carvalho Ramos work which is claimed in discussions related
to nacionalism throughout the last years of the nineteenth and the beginning of the twentieth
centuries. He was considered a regionalist author who has presented a production of short
stories which features are away from the orthodox romancist standard of that time.
Furthermore, in his essays and criticism may be found deep considerations about the sentão
and sertanejo within the representative national context. We also have researched Hugo s
theoretical production and analyzed it with part of Monteiro Lobato s work, in which the
author theorized about the same theme in the beginning of his production. In order to get on
this analyses we have study the dialogism between some of Hugo s essays: O Interior
Goiano , Populações Rurais , and Lobato s articles: Velha Praga , Urupês . We have
pointed out the theoretical dialectic that is established between these two Brazilian writers in
order to understand their questioning in relation to validate the regionalism practice and to
style their types as figurative elements within the nationalist literature. Moreover, we aimed to
analyze how the theoretical thinking was processed by both authors during their artistic
production, thus, we have used some of Hugo s and Lobato s short stories.Mestre em Teoria LiteráriaEste trabalho apresenta um estudo sobre a obra de Hugo de Carvalho Ramos inserida nas
discussões a respeito da nacionalidade que animavam o final do século XIX e início do século
XX. Considerado um autor regionalista, Hugo apresenta uma produção contística que foge ao
padrão ortodoxo romanticista dessa prática literária, além de ensaios e críticas onde tece
aprofundadas considerações sobre a questão do sertão e do sertanejo no contexto da
representatividade nacional, circunscrita ao âmbito da identidade e literatura, objeto de que
trata este trabalho. Na realização deste trabalho analisamos a obra teórica produzida por
Hugo, relacionando-a com parte da obra de Monteiro Lobato onde este autor teorizou sobre o
mesmo tema, na fase inicial de sua atividade literária. Para essa pesquisa coloco em diálogo
os ensaios de Carvalho Ramos: O Interior Goiano e Populações Rurais e os artigos de
Lobato: Velha Praga e Urupês . Evidenciamos a dialética teórica que se estabelece entre
esses dois escritores para o entendimento das indagações que se punham em relação à
validade da prática regionalista e a estilização de seus tipos como elementos figurativos
dentro da literatura de cunho nacionalista; também buscamos ver o modo como se processa o
pensamento teórico dos dois autores em sua criação artística, usando, para isso, alguns contos
de Hugo e Lobato
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