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Issey Miyake, Making Things
No full textL'articolo restituisce criticamente i contenuti della mostra "Making Things" dello stilista Issey Miyake alla Fondation Cartier di Parigi (1998-1999) sottolineando il valore "progettuale" del lavoro di Miyake dove design, arte e tecnologia interagiscono per una insolita produzione di abiti.Design, art and technology interact as things to wear, and wearing clothes in itself becomes an art form in Issey Miyake exhibition in Paris.
The article is about the contents of the exhibition "Making Things" of the designer Issey Miyake at Fondation Cartier in Paris (1998-1999), emphasizing the "planning" value Miyake job where design, art and technology interact to produce an unusual production of clothing
Knit outfit
No full textIt is impossible to predict fashion's future. But it is reasonable to sat that knitted and stretch man-made and natural fibers will continue to grow in use as will comfortable clothes. Clothes that are genderless and generationless such as jeans, exercise wear, etc. will be used more but never completely eclipse the rare, the beautiful and the unusual. This kinetic knit garment by artist Issey Miyake perhaps best expresses these contemporary qualities (Gilles Tapie, photographer
232. Miyake
No full textIwao Seiichi, Iyanaga Teizō, Ishii Susumu, Yoshida Shōichirō, Fujimura Jun'ichirō, Fujimura Michio, Yoshikawa Itsuji, Akiyama Terukazu, Iyanaga Shōkichi, Matsubara Hideichi. 232. Miyake. In: Dictionnaire historique du Japon, volume 14, 1988. Lettres L et M (1) p. 130
Urotrygonidae McEachran, Dunn & Miyake 1996
No full textFamily Urotrygonidae McEachran, Dunn & Miyake 1996 Urotrygonidae McEachran, Dunn & Miyake 1996:81 [ref. 32589] (family) UrotrygonPublished as part of Laan, Richard Van Der, Eschmeyer, William N. & Fricke, Ronald, 2014, Family-group names of Recent fishes, pp. 1-230 in Zootaxa 3882 (2) on page 26, DOI: 10.11646/zootaxa.3882.1.1, http://zenodo.org/record/704777
Lissoporcellana nakasonei Miyake 1978
No full textLissoporcellana nakasonei (Miyake, 1978) Porcellana maculata Miyake, 1957: 75, figs. 1–3 (type locality: Tanabe Bay, Wakayama Prefecture, Japan). [Not Porcellana maculata H. Milne Edwards, 1837 (= Neopetrolisthes maculatus)]. Porcellana nakasonei Miyake, 1978: 28 (list). Lissoporcellana maculata.— Haig, 1978: 712. Lissoporcellana nakasonei.— Miyake, 1982: 204 (list), 240 (key).— Osawa, 1998 b: 876, figs. 1–3. Material examined. New Caledonia. Montrouzier, Touho Channel, lagoon, 35 m, commensal with Alcyonacea, 17 Sep. 1993, 1 male CL 3.5 mm. Remarks. This species was redescribed in detail by Osawa (1998 b). Lissoporcellana nakasonei closely resembles L. miyakei Haig, 1981, but differs in having subparallel instead of strongly convex branchial margins of the carapace. Distribution. This species was recorded only from southern Japan (Izu Islands; Kii Pesinsula, Amakura in Kyushu, Ryukyu Islands) at depths of about 20 m on rocky substrates and in association with alcyonacean octocoral, Dendronephthya nipponica Utinomi and Dendronephthya sp. (Osawa 1998 b; Kato & Okuno 2001; Osawa & Fujita 2005). This is the first record of L. nakasonei from outside of Japan and from New Caledonia at the depth of 35 m.Published as part of Osawa, Masayuki, 2007, Porcellanidae (Crustacea: Decapoda: Anomura) from New Caledonia and the Loyalty Islands, pp. 1-49 in Zootaxa 1548 on page 13, DOI: 10.5281/zenodo.17804
On the Record with Masa Miyake
No full textOn the Record piece is an edited transcript of an interview with Masa Miyake, Portland restaurateur. Miyake talks about how he got started in the business and his sourcing strategy
Doing Occidentalism in Contemporary Japan: Nation Anthropomorphism and Sexualized Parody in Axis Power Hetalia,
Get PDFAxis Powers Hetalia (2006–present), a Japanese gag comic and animation series, depicts relations between nations personified as cute boys against a background of World War I and World War II. The stereotypical rendering of national characteristics as well as the reduction of historically charged issues into amusing quarrels between nice-looking but incompetent boys was immensely popular, especially among female audiences in Japan and Asia, and among Euro-American manga, anime, and cosplay fans, but it also met with vehement criticism. Netizens from South Korea, for example, considered the Korean character insulting and in early 2009 mounted a protest campaign that was discussed in the Korean national assembly. Hetalia's controversial success relies to a great extent on the inventive conflation of male-oriented otaku fantasies about nations, weapons, and concepts represented as cute little girls, and of female-oriented yaoi parodies of male-male intimacy between powerful "white" characters and more passive Japanese ones. This investigation of the original Hetalia by male author Hidekaz Himaruya (b. 1985) and its many adaptations in female-oriented dōjinshi (fanzine) texts and conventions (between 2009 and 2011, Hetalia was by far the most adapted work) refers to notions of interrelationality, intersectionality, and positionality in order to address hegemonic representations of "the West," the orientalized "Rest" of the world, and "Japan" in the cross-gendered and sexually parodied mediascape of Japanese transnational subcultures
21_21 Design Sight
No full textDetail, cupola on variant of model "Jonquille" (1425 sq. ft.); A design museum in Roppongi, Minato, Tokyo, which opened in 2007. The museum is a collaboration between Ando and the fashion designer Issey Miyake. The building, designed by Ando, is on the edge of the park area, and features 1,700 square meters (18,300 sq ft) of floor space, including two galleries and an attached cafe run by chef and restaurateur Takamasa Uetake. The split-level concrete structure includes a hand-sanded steel roof whose design was inspired by Issey Miyake's A-POC ("A Piece of Cloth") concept, with 14-meter (46 ft) long glass panels. Source: Wikipedia; http://en.wikipedia.org/wiki/Main_Page (accessed 7/30/2014
Agnorimus Miyake & Iwase 1991
No full textAgnorimus Miyake & Iwase, 1991 Agnorimus Miyake & Iwase 1991: 187; Yu et al. 1998 (in synonymy); Li & Yang 1999: 164 (diagnostic characters); Krajčík 1999: 50; Tauzin 2000 (in synonymy); Tauzin 2004 (in synonymy); Smetana 2006 (in synonymy); Krikken 2009: 13; Krajčík 2011: 75; Krajčík 2012: 14; Bezděk 2016: 404. Type species: Gnorimus tibialis Chûjô, 1938 (= Gnorimus pictus Moser, 1902), by original designation. Differential diagnosis. By strongly curved inward male mesotibia and inflexed male metatibia, this genus can be easily separated from other genera of the Eurasian Trichiini. It differs from the most similar genus Gnorimus by the following characteristics (modified from Miyake & Iwase (1991): body convex (Fig. 47; flat in Gnorimus); dorsal surface matt (usually bright in Gnorimus); anterior margin of clypeus not raised (distinctly raised in Gnorimus); mesometasternal process distinct and long (Fig. 2; almost invisible in Gnorimus); scutellum subtriangular (semicircular in Gnorimus); male abdomen without groove (Fig. 2; with a longitudinal groove in Gnorimus); female pygidum without groove (Fig. 5; with a medial groove in dorsal view in Gnorimus); male mesotibia abruptly expand inward in distal portion (Fig. 1; gradually expand inward in Gnorimus); male metatibia inflexed (Fig. 1; straight in Gnorimus); segment 1 of male mesotarsus distinctly elongated and pilose (Fig. 1; segment 1 unmodified and glabrous in Gnorimus); parameres margins almost parallel, and outer margin sharply protrude outward in apex (Fig. 37; margins constricted and without sharply protruding in Gnorimus). Distribution. Oriental region.Published as part of Qiu, Jian-Yue, Xu, Hao & Chen, Li, 2019, Coloration variability of the Oriental genus Agnorimus Miyake & Iwase, 1991 (Coleoptera: Scarabaeidae, Cetoniinae) with synonymic notes, pp. 531-545 in Zootaxa 4585 (3) on page 533, DOI: 10.11646/zootaxa.4585.3.8, http://zenodo.org/record/264026
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