366 research outputs found
Oral History of Patty Mitchell Conducted on March 27, 2025 By Meg Corner
No full textPatty Mitchell is an artist and social entrepreneur whose work focuses on facilitating collaboration between artists with and without developmental differences. She graduated from Ohio University with a Bachelor of Fine Arts in Photography in 1987 and a Master of Fine Arts in Photography in 1987. While at Ohio University as an undergraduate, Mitchell was a resident volunteer at the Athens Mental Health Center, known currently as The Ridges. Her work with developmentally different residents inspired her to found Passion Works Studio in 1998 to foster connections and purpose through the arts for people with developmental differences. Through this collaborative community arts core artists which is now the official flower of Athens, Ohio.
In addition to being the founder and executive director of Passion Works Studio, Mitchell has previously served as a field representative and artist-in-residence at the Ohio Arts Council. Since 2012, she has been the co-founder and director for Honey for the Heart, a puppet and community performance company. Since 2015, Mitchell has served as the CEO of Creative Abundance Consulting, which assists other organizations in enhancing the wellbeing of people with developmental differences. She is also a community fellow at Ohio University with the Barbara Geralds Storytelling Institute. Patty Mitchell has coauthored Upcycling Sheltered Workshops: A Revolutionary Approach to Transforming Workshops into Creative Spaces with Susan Dlouhy. Mitchell has received a Distinguished Alumna Award from Award from the Ohio Arts Council, a Citizen of the Year Award from Civitan, and a Keystone Award from Ohio University for outstanding community service.
This interview was conducted as part of a class project for Recording Memory: Methods and Uses of Oral History, Spring 2025, Alexander G. Lovelace (Ph.D.) Instructorhttps://ohioopen.library.ohio.edu/hist4798/1015/thumbnail.jp
The Opinion – Volume 38, No. 3, December 1994
No full textSelected Table of Contents Dean Search Committee Selects Finalists Summaries of the Candidates An End Run for State Funded Abortions / Tarsney, Jim MJF\u27s Fall Season / First, Patty And I Thought Jim Crow Was Dead / Udoibok, Ken
Editors
Hoey, Colleen; Chatto, Jimmy; Hagen, Tom; Nguyen, Thi; Raver, Rickhttps://open.mitchellhamline.edu/the-opinion/1138/thumbnail.jp
Letter from Patty Lew, to Jim Matsuoka, National Coalition for Redress/Reparations
No full textLetter from Patty Lew, to Jim Matsuoka, National Coalition for Redress/Reparations, thanking Jim Matsuoka for sending the National Coalition for Redress/Reparations buttons for their Asian American Youth Conference at the University of Oregon.The Jim Matsuoka Nikkei for Civil Rights and Redress Collection includes brochures, meeting notes and agendas, publications, booklets, and other material related to the Nikkei for Civil Rights and Redress (NCRR), formally known as the National Coalition for Redress/Reparations. The National Coalition for Redress/Reparations was officially formed on July 12, 1980, and included members of the Los Angeles Community Coalition for Redress/Reparations (LACCRR), Japanese Community Progressive Alliance (JCPA), Tule Lake Committee, Nihonmachi Outreach Committee, the Asian/Pacific Student Union, and other members of the community. The material was collected by Jim Matsuoka, a founding member of the organization. Matsuoka also served on the board and was the treasurer. In addition to the NCRR material, the collection also contains event flyers and Day of Remembrance material. For issues of the Nikkei for Civil Rights and Redress newsletter "Banner" published after 2007, visit the NCRR website at https://ncrr-la.org/
The Opinion – Volume 38, No. 3, December 1994
No full textSelected Table of Contents Dean Search Committee Selects Finalists Summaries of the Candidates An End Run for State Funded Abortions / Tarsney, Jim MJF\u27s Fall Season / First, Patty And I Thought Jim Crow Was Dead / Udoibok, Ken
Editors
Hoey, Colleen; Chatto, Jimmy; Hagen, Tom; Nguyen, Thi; Raver, Rickhttps://open.mitchellhamline.edu/the-opinion/1138/thumbnail.jp
Kate visits Mr & Mrs W J Lyne’s home “Camberoona” in NSW
No full textSketch from the scrapbook of Sarah E.E. Mitchell of Lisdillon on the East Coast of Tasmania 1874.
Sketch 127 - Taken from nature 1876 - by Catherine Mitchell.
“Cumberoona”, Mr & Mrs W.J. Lyne’s home in N. S. Wales, near Albury. Mrs W.J. Lyne is on the veranda, & her two daughters Victoria & Patty: - Their son John called Jack, was their youngest. At the boarding house once Mr Lyne said “they keep a good table here”. Jack lifted the table cloth to see it – The covered in well is close by. – She was Martha Coots Shaw, & a window in her memory is in Swansea Church, Tasmania (Lady Lyne)
The sketches by Catherine Penwarne (Kate), eldest daughter of John and Catherine Mitchell (of Cornwall, England, who settled at Lisdillon, East Coast Tasmania in 1852) were made between 1860 and 1876, and portray aspects of 19th Century social and domestic life. Catherine’s sketches were compiled by her sister Sarah. E.E.Mitchell. Derived from her own collection, from those of friends and relations, and from John Ball, Kate's husband, they were compiled sometime between 1928 and 1933. The sketches are mounted in an album, together with: locks of Kate's hair on red silk; a pressed fern arrangement; a coloured photograph of John and Catherine Ball; and coloured views of Buckland Churchyard in 1850, showing the grave of Paul Thomas Mitchell, aged 3 days, and in 1879 showing the grave of Catherine Penwarne Ball. The scrapbook was bequeathed to The Royal Society of Tasmania in 1946.
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Swansea winds are famous
No full textSketch from the scrapbook of Sarah E.E. Mitchell of Lisdillon on the East Coast of Tasmania 1875.
Sketch 134, taken 1869, by Catherine Mitchell, depicting a man in a storm on a dark night.
A very windy night, Mr W.J. Lyne, returning from Red Banks, seeing Patty Shaw, (Martha Coats Shaw) lost his top hat, which was found on Waterloo Point, by the Roman Catholic Church, “Star of the Sea”, with a stone in it – Swansea winds are famous.
The sketches by Catherine Penwarne (Kate), eldest daughter of John and Catherine Mitchell (of Cornwall, England, who settled at Lisdillon, East Coast Tasmania in 1852) were made between 1860 and 1876, and portray aspects of 19th Century social and domestic life. Catherine’s sketches were compiled by her sister Sarah. E.E.Mitchell. Derived from her own collection, from those of friends and relations, and from John Ball, Kate's husband, they were compiled sometime between 1928 and 1933. The sketches are mounted in an album, together with: locks of Kate's hair on red silk; a pressed fern arrangement; a coloured photograph of John and Catherine Ball; and coloured views of Buckland Churchyard in 1850, showing the grave of Paul Thomas Mitchell, aged 3 days, and in 1879 showing the grave of Catherine Penwarne Ball. The scrapbook was bequeathed to The Royal Society of Tasmania in 1946.
RS 32/
Salvator Rosa in French Literature: From the Bizarre to the Sublime
No full textSalvator Rosa (1615–1673) was a colorful and controversial Italian painter, talented musician, a notable comic actor, a prolific correspondent, and a successful satirist and poet. His paintings, especially his rugged landscapes and their evocation of the sublime, appealed to Romantic writers, and his work was highly influential on several generations of European writers. James S. Patty analyzes Rosa’s tremendous influence on French writers, chiefly those of the nineteenth century, such as Stendhal, Honoré de Balzac, Victor Hugo, George Sand, and Théophile Gautier. Arranged in chronological order, with numerous quotations from French fiction, poetry, drama, art criticism, art history, literary history, and reference works, Salvator Rosa in French Literature forms a narrative account of the reception of Rosa’s life and work in the world of French letters. James S. Patty, professor emeritus of French at Vanderbilt University, is the author of Dürer in French Letters . He lives in Nashville, Tennessee.https://uknowledge.uky.edu/srls_book/1000/thumbnail.jp
Dear Kate driving William Lyne into the sea
No full textSketch from the scrapbook of Sarah E.E. Mitchell of Lisdillon on the East Coast of Tasmania 1874.
Sketch 34 - Taken 1870 - by Catherine Mitchell.
The old house called Green Bank at Swansea with the Rev J. Mayson & family looking on – Mr W J Lyne slaped Kate’s horse & then rode out to sea, thinking she would not follow, & he got swimming before he knew, as the sand shelves deeper & deeper. Patty Shaw who was afterwards his wife, nearly fell off her horse laughing. He was Sir William John Lyne of N.S.Wales, & she Lady Lyne. Martha Coates Lyne has a window at Swansea Church in her memory & was one of the best of women. Note the sea birds almost pitching on his head. A young man said when I had been given “Kennedia” as I called it what did I buy a centipede house for!- Father bought it for me but advised me not to have it which was good. In 1921 I gave that place to my nephew C.E.S. Mitchell & he sold it to Charles Barber.
The sketches by Catherine Penwarne (Kate), eldest daughter of John and Catherine Mitchell (of Cornwall, England, who settled at Lisdillon, East Coast Tasmania in 1852) were made between 1860 and 1876, and portray aspects of 19th Century social and domestic life. Catherine’s sketches were compiled by her sister Sarah. E.E.Mitchell. Derived from her own collection, from those of friends and relations, and from John Ball, Kate's husband, they were compiled sometime between 1928 and 1933. The sketches are mounted in an album, together with: locks of Kate's hair on red silk; a pressed fern arrangement; a coloured photograph of John and Catherine Ball; and coloured views of Buckland Churchyard in 1850, showing the grave of Paul Thomas Mitchell, aged 3 days, and in 1879 showing the grave of Catherine Penwarne Ball. The scrapbook was bequeathed to The Royal Society of Tasmania in 1946.
RS 32/
Chronicle (Paterson, NJ) Vol. 31, No. 52, Dec. 27, 1959
No full textLocal information pertaining to Paterson, N.J. and surrounding Passaic County. Issues may include events, government, business, political cartoons, engagement and marriage announcements, and birth announcements. This publication was also known as the Paterson Chronicle (1952) and the Paterson Sunday Chronicle (1951-1952)
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