3,247 research outputs found
Mitchell, Thos Edwin, QX12335
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/405513Surname: MITCHELL. Given Name(s) or Initials: THOS EDWIN. Military Service Number or Last Known Location: QX12335. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 41079.243514
Item: [2016.0049.37790] "Mitchell, Thos Edwin, QX12335
Sun of my soul [music] : an easy anthem for soprano solo, bass solo and chorus /
No full textCover title.; "Printed by C.G. Roder, Leipzig."; For voices (SB) and chorus (SATB) and organ.; "This Anthem may be obtained direct from the Composer."; "The music (incorporating a few bars of melody by Batiste) ..."--Caption.; "Inscribed to my friend Nicholas James Johns".; Also available online http://nla.gov.au/nla.mus-vn2118318
Mitchell, E R (Edwin Robert), VX50061
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/405546Surname: MITCHELL. Given Name(s) or Initials: E R (EDWIN ROBERT). Military Service Number or Last Known Location: VX50061. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 31705.243577
Item: [2016.0049.37823] "Mitchell, E R (Edwin Robert), VX50061
Edwin & Mark returning from Horton College
No full textSketch from the scrapbook of Sarah E.E. Mitchell of Lisdillon on the East Coast of Tasmania 1874.
Sketch 117 - Taken about 1867 - by Catherine Mitchell.
Edwin Harry John Mitchell, and Mark Septimus Mitchell, coming home for holidays from Horton College, Ross. Kate meets them & Miss Stoney, by the carrot field, and the orchard beyond. The cart is in the field where the pigs have been fed. Our horses had to be sent, with them, and for them, each term.
Horton College used to be a famous school. Edwin wrote on the ground “Red Brick Prison” and got into great trouble for it – Mark got the Good Conduct prize, there.
The sketches by Catherine Penwarne (Kate), eldest daughter of John and Catherine Mitchell (of Cornwall, England, who settled at Lisdillon, East Coast Tasmania in 1852) were made between 1860 and 1876, and portray aspects of 19th Century social and domestic life. Catherine’s sketches were compiled by her sister Sarah. E.E.Mitchell. Derived from her own collection, from those of friends and relations, and from John Ball, Kate's husband, they were compiled sometime between 1928 and 1933. The sketches are mounted in an album, together with: locks of Kate's hair on red silk; a pressed fern arrangement; a coloured photograph of John and Catherine Ball; and coloured views of Buckland Churchyard in 1850, showing the grave of Paul Thomas Mitchell, aged 3 days, and in 1879 showing the grave of Catherine Penwarne Ball. The scrapbook was bequeathed to The Royal Society of Tasmania in 1946.
RS 32/
Margaret Mitchell
No full textMargaret Mitchell became a famous author in 1936 when "Gone With the Wind" was published. She had consulted the opinion of Rollins English Professor Edwin Granberry on her manuscript. The story was easily related to and was made into a motion picture in 1939. Mitchell later visited the Winter Park campus
Twentieth-century poetry and science : science in the poetry of Hugh MacDiarmid, Judith Wright, Edwin Morgan, and Miroslav Holub
No full textThe aim of this thesis is to arrive at a characterisation of twentieth century poetry and science by means of a detailed study of the work of four poets who engaged extensively with science and whose writing lives spanned the greater part of the period. The study of science in the work of the four chosen poets, Hugh MacDiarmid (1892 – 1978), Judith Wright (1915 – 2000), Edwin Morgan (1920 – 2010), and Miroslav Holub (1923 – 1998), is preceded by a literature survey and an initial theoretical chapter. This initial part of the thesis outlines the interdisciplinary history of the academic subject of poetry and science, addressing, amongst other things, the challenges presented by the episodes known as the ‘two cultures’ and the ‘science wars’. Seeking to offer a perspective on poetry and science more aligned to scientific materialism than is typical in the interdiscipline, a systemic challenge to Thomas Kuhn’s The Structure of Scientific Revolutions (1962) is put forward in the first chapter. Additionally, the founding work of poetry and science, I. A. Richards’s Science and Poetry (1926), is assessed both in the context in which it was written, and from a contemporary viewpoint; and, as one way to understand science in poetry, a theory of the creative misreading of science is developed, loosely based on Harold Bloom’s The Anxiety of Influence (1973). The detailed study of science in poetry commences in Chapter II with Hugh MacDiarmid’s late work in English, dating from his period on the Shetland Island of Whalsay (1933 – 1941). The thesis in this chapter is that this work can be seen as a radical integration of poetry and science; this concept is considered in a variety of ways including through a computational model, originally suggested by Robert Crawford. The Australian poet Judith Wright, the subject of Chapter III, is less well known to poetry and science, but a detailed engagement with physics can be identified, including her use of four-dimensional imagery, which has considerable support from background evidence. Biology in her poetry is also studied in the light of recent work by John Holmes. In Chapter IV, science in the poetry of Edwin Morgan is discussed in terms of its origin and development, from the perspective of the mythologised science in his science fiction poetry, and from the ‘hard’ technological perspective of his computer poems. Morgan’s work is cast in relief by readings which are against the grain of some but not all of his published comments. The thesis rounds on its theme of materialism with the fifth and final chapter which studies the work of Miroslav Holub, a poet and practising scientist in communist-era Prague. Holub’s work, it is argued, represents a rare and important literary expression of scientific materialism. The focus on materialism in the thesis is not mechanistic, nor exclusive of the domain of the imagination; instead it frames the contrast between the original science and the transformed poetic version. The thesis is drawn together in a short conclusion
Edwin Gaustad oral history interview.
No full textOral history interview with Edwin Gaustad conducted by David Marshall, originally recorded May 1, 2007, in Santa Fe, New Mexico. Accompanied by one finding aid.Dr. Gaustad, a retired history professor and renowned author of American religion, talks about his life, family, education, publications and interests
Playing croquet, a gift from Frank Mitchell
No full textSketch from the scrapbook of Sarah E.E. Mitchell of Lisdillon on the East Coast of Tasmania 1874.
Sketch 97 - Taken April 1869 - by Catherine Mitchell.
Playing Croquet at Lisdillon on the front lawn with the post and rail fence put up by father instead of the old pailing fence, nearer the flower border – former people called Shaw lived there but did no good, two young men, used to amuse themselves firing bullets through it & we used to see the holes. They where not E.C. Shaw family. – Our brother Frank W.D. Mitchell in London, England at the Paymaster Generals Office which he gained from 3 with 131 marks to spare, & at the last of three, he was 18 years old, & the others past 20yrs. The school master at Exeter used to publish in the prospectus, that his pupil got into office, before others. He was 20 yrs in London & about the same in Dublin, Secretary for Congested Districts Board, & went all over Ireland. Retired to England with a good name & “Imperial Service Order” – Well he sent us “Croquet” & afterwards “Lawn Tennis” soon after it came out in England – Kate, Edwin, Amy , Miss F Johnston, Mr Henry Grigg & S.E.E.M are playing.
The sketches by Catherine Penwarne (Kate), eldest daughter of John and Catherine Mitchell (of Cornwall, England, who settled at Lisdillon, East Coast Tasmania in 1852) were made between 1860 and 1876, and portray aspects of 19th Century social and domestic life. Catherine’s sketches were compiled by her sister Sarah. E.E.Mitchell. Derived from her own collection, from those of friends and relations, and from John Ball, Kate's husband, they were compiled sometime between 1928 and 1933. The sketches are mounted in an album, together with: locks of Kate's hair on red silk; a pressed fern arrangement; a coloured photograph of John and Catherine Ball; and coloured views of Buckland Churchyard in 1850, showing the grave of Paul Thomas Mitchell, aged 3 days, and in 1879 showing the grave of Catherine Penwarne Ball. The scrapbook was bequeathed to The Royal Society of Tasmania in 1946.
RS 32/
Edwin as “wall flower” at the Red Banks dance
No full textSketch from the scrapbook of Sarah E.E. Mitchell of Lisdillon on the East Coast of Tasmania 1869.
Sketch 133, taken 1869, by Catherine Mitchell, depicts people dancing.
A dance at Red Banks, Swansea; Mr, & Mrs E.C Shaws. – Miss Fanny Johnston, Miss Mary Rose Meredith, Mr William John Lyne, and Miss Susanah Amos, dancing a “Reel” – Mr James Shaw standing, Kate P.M. sitting by the conservatory, of the big-room; and Edwin H. J. Mitchell, as “wall flower” – He would not learn to dance, & snatched the wooden ruler out of our governess hand & broke the wood in two because she tapped him with it at the class. Now he wishes to dance, with Miss Johnston, our governess & cannot. Mr James Shaw was Mr Bernard Shaw’s brother, on a visit from Victoria, home. The dance was given for him, I think
The sketches by Catherine Penwarne (Kate), eldest daughter of John and Catherine Mitchell (of Cornwall, England, who settled at Lisdillon, East Coast Tasmania in 1852) were made between 1860 and 1876, and portray aspects of 19th Century social and domestic life. Catherine’s sketches were compiled by her sister Sarah. E.E.Mitchell. Derived from her own collection, from those of friends and relations, and from John Ball, Kate's husband, they were compiled sometime between 1928 and 1933. The sketches are mounted in an album, together with: locks of Kate's hair on red silk; a pressed fern arrangement; a coloured photograph of John and Catherine Ball; and coloured views of Buckland Churchyard in 1850, showing the grave of Paul Thomas Mitchell, aged 3 days, and in 1879 showing the grave of Catherine Penwarne Ball. The scrapbook was bequeathed to The Royal Society of Tasmania in 1946.
RS 32/
Ty Mitchell Wins Merit Scholarship
No full textTy Mitchell, son of Edwin and Sharon Mitchell, 1300 Croghan St., Fremont, Ohio, has been granted a four-year National Merit Scholarship. He is a Senior at Fremont Ross High School
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