14,172 research outputs found
William Mitchell Opinion - Volume 16, No. 7, May 1974
No full textSelected Table of Contents SBA Board Elects 1974-\u2775 Officers / Don Horton Opinion Editor, LSD Rep to be Elected this Week Minnesota Bar Among Leaders in Requiring Continuing Legal Education Children and the Law: Local Program Getting National Visibility / Frank Gerval Mitchell Students Attend LSD Conference in Des Moines College\u27s Founders Were Legal Reformers of Their Day / Duane Galles Kyle Montague- A Legend and an Educator / Frank Gerval The Methodology of Logic in the Law of Statutory Liens: Possession Worthier Than Ninety Percent / Alan D. Harris Mitchell Student Enters Political Race in 65A / Frank Gerval
Editorial Board
Stephen R. Bergerson, Jeanne Schleh, Greg Gaut, Edward Lief, Mindy Elledge, Roberta Kellerhttps://open.mitchellhamline.edu/the-opinion/1036/thumbnail.jp
Mitchell, Arthru Alan, VX22079
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/405530Surname: MITCHELL. Given Name(s) or Initials: ARTHRU ALAN. Military Service Number or Last Known Location: VX22079. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 21696.243547
Item: [2016.0049.37807] "Mitchell, Arthru Alan, VX22079
Mitchell, A D (Alan Dewar), NX59034
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/405503Surname: MITCHELL. Given Name(s) or Initials: A D (ALAN DEWar). Military Service Number or Last Known Location: NX59034. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 39821.243495
Item: [2016.0049.37780] "Mitchell, A D (Alan Dewar), NX59034
Mitchell, A S (Alan Seabrook), 409567
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/405432Surname: MITCHELL. Given Name(s) or Initials: A S (ALAN SEABROOK). Military Service Number or Last Known Location: 409567. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 51373.243355
Item: [2016.0049.37709] "Mitchell, A S (Alan Seabrook), 409567
State of the Nation Tour 1980
No full textState of the Nation Tour 1980 - Poets: David Mitchell, Alan Brunton, Ian Wedde - Musicians: Bruno Lawerence, Wilton Rodger, Bill Grant, Sarah Mitchell. Exact date unknown
William Mitchell Opinion - Volume 15, No. 4, February 1973
No full textSelected Table of Contents Clinical Legal Program off to \u27Tumultuous\u27 Start / Gretchen Quattlebaum Four More Years: The Nixon Court / Stephen R. Bergerson The Extra Hour: Supreme Court Officials Talk / John Gries Prior Restraint of Property and Due Process of Law Revisited / Alan Harris The Diploma Privilege Special Supplement Fair Trial v Free Press / Randy G. Millard Scientists Call for More Investigation of \u27Voiceprint\u27 Identification Process / Stephen Doyle New Law School Project Trust Battles for Status / Jeanne Schleh
Editorial Board
Stephen R. Bergerson, Kay Silverman, Mindy Elledge, Roberta Kellerhttps://open.mitchellhamline.edu/the-opinion/1028/thumbnail.jp
Comment on "whole-genome analyses resolve early branches in the tree of life of modern birds"
No full textJarvis et al. (Research Articles, 12 December 2014, p. 1320) presented molecular clock analyses that suggested that most modern bird orders diverged just after the mass extinction event at the Cretaceous-Paleogene boundary (about 66 million years ago). We demonstrate that this conclusion results from the use of a single inappropriate maximum bound, which effectively precludes the Cretaceous diversification overwhelmingly supported by previous molecular studies.Kieren J. Mitchell, Alan Cooper, Matthew J. Phillip
Interview with Alan Simpson by Brien Williams
No full textBiographical NoteAlan K. Simpson was born September 2, 1931. He attended Cody, Wyoming, public schools and the University of Wyoming, taking a B.S. degree in 1954 and a law degree in 1958. In 1954, he married Susan Ann Schroll, who was a fellow student at the University of Wyoming. He practiced law in Cody, held positions as assistant attorney general and city attorney, and was a United States Commissioner from 1959-1969. He was elected to the Wyoming House of Representatives from 1964-1977. Subsequently, he served in the U.S. Senate as a Republican representing Wyoming from 1979-1997, first by briefly filling the seat vacated by Clifford P. Hansen, and then by election. His father, Milward L. Simpson, also served as senator for Wyoming (1962-1967), and as governor (1955-1959). Alan was Senator Bob Dole’s assistant (majority/minority) leader for ten years, including the six years when George Mitchell was majority leader. In addition to other committee service, he served as chair of the Veterans’ Affairs Committee from 1981-1987.
SummaryInterview includes discussion of: Edmund S. Muskie story; description of Senator Mitchell; Clean Air Act; Iran-Contra; speaking engagements with Mitchell; majority leader; senatorial relationships; Simpson-Mitchell relationship; Al Gore; George Mitchell’s sense of humor; and Mitchell’s legacy
Alan Moore Comics as Performance, Fiction as Scalpel
No full textEclectic British author Alan Moore (b. 1953) is one of the most acclaimed and controversial comics writers to emerge since the late 1970s. He has produced a large number of well-regarded comic books and graphic novels while also making occasional forays into music, poetry, performance, and prose. In Alan Moore: Comics as Performance, Fiction as Scalpel , Annalisa Di Liddo argues that Moore employs the comics form to dissect the literary canon, the tradition of comics, contemporary society, and our understanding of history. The book considers Moore's narrative strategies and pinpoints the main thematic threads in his works: the subversion of genre and pulp fiction, the interrogation of superhero tropes, the manipulation of space and time, the uses of magic and mythology, the instability of gender and ethnic identity, and the accumulation of imagery to create satire that comments on politics and art history. Examining Moore's use of comics to scrutinize contemporary culture, Di Liddo analyzes his best-known works-- Swamp Thing, V for Vendetta, Watchmen, From Hell, Promethea , and Lost Girls . The study also highlights Moore?s lesser-known output, such as Halo Jones, Skizz , and Big Numbers , and his prose novel Voice of the Fire. Alan Moore: Comics as Performance, Fiction as Scalpel reveals Moore to be one of the most significant and distinctly postmodern comics creators of the last quarter-century.Intro -- Contents -- Preface and Acknowledgments -- Introduction -- CHAPTER 1. Formal Considerations on Alan Moore's Writing -- CHAPTER 2. Chronotopes: Outer Space, the Cityscape, and the Space of Comics -- CHAPTER 3. Moore and the Crisis of English Identity -- CHAPTER 4. Finding a Way into Lost Girls -- Conclusion -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- ZEclectic British author Alan Moore (b. 1953) is one of the most acclaimed and controversial comics writers to emerge since the late 1970s. He has produced a large number of well-regarded comic books and graphic novels while also making occasional forays into music, poetry, performance, and prose. In Alan Moore: Comics as Performance, Fiction as Scalpel , Annalisa Di Liddo argues that Moore employs the comics form to dissect the literary canon, the tradition of comics, contemporary society, and our understanding of history. The book considers Moore's narrative strategies and pinpoints the main thematic threads in his works: the subversion of genre and pulp fiction, the interrogation of superhero tropes, the manipulation of space and time, the uses of magic and mythology, the instability of gender and ethnic identity, and the accumulation of imagery to create satire that comments on politics and art history. Examining Moore's use of comics to scrutinize contemporary culture, Di Liddo analyzes his best-known works-- Swamp Thing, V for Vendetta, Watchmen, From Hell, Promethea , and Lost Girls . The study also highlights Moore?s lesser-known output, such as Halo Jones, Skizz , and Big Numbers , and his prose novel Voice of the Fire. Alan Moore: Comics as Performance, Fiction as Scalpel reveals Moore to be one of the most significant and distinctly postmodern comics creators of the last quarter-century.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
Implementation at the Environmental Protection Agency
No full text(Statement of Responsibility) by Alan Mitchell(Thesis) Thesis (B.A.) -- New College of Florida, 1993(Electronic Access) RESTRICTED TO NCF STUDENTS, STAFF, FACULTY, AND ON-CAMPUS USE(Bibliography) Includes bibliographical references.(Source of Description) This bibliographic record is available under the Creative Commons CC0 public domain dedication. The New College of Florida, as creator of this bibliographic record, has waived all rights to it worldwide under copyright law, including all related and neighboring rights, to the extent allowed by law.(Local) Faculty Sponsor: Lewis, Eugen
- …
