3,200 research outputs found
Paisajes inapropiables: horizontes críticos y creativos en el espacio iberoamericano
No full textPresentación del monográfico Paisajes inapropiables: horizontes críticos y creativos en el espacio iberoamericano, coordinado por Margareth Dos Santos y Alessandro Mistrorigo
Nota alla traduzione delle "bestie" di Virginia Navalón
No full textNota critica alla traduzione del libro "Bestiario" della poeta spagnola Virginia Navaló
Introduzione a "Facciamo trentuno"
No full textEdition and translation from Spanish into Italian of the selection of poems that form the anthology entitled "Facciamo trentuno" by the Spanish poet Ben Clar
Alla luce di un’oscura distanza. "Bestiario" di Virginia Navalón
No full textPrefazione al libro di Virginia Navalón, Bestiari
Delirio del lenguaje y lenguaje en delirio. Una escritura que piensa poéticamente: 'Así en la lengua como en la pluma' de Armando Romero
No full textIntroduction to the anthology of short stories by the writer Armando Romero entitled "Así en la lengua como en la pluma
“Manchas de voz”, de Juan Vicente Piqueras: metapoesía y pre-verbal
No full textSince writing and human voice are media, which the poets always worked\ud
with, interactions and interferences created between the text and the author\ud
reading it aloud fall within the reach of the intermedial phenomena. Thanks to\ud
the specific case of the poem “Manchas de voz” by Spanish poet Juan Vicente\ud
Piqueras and the recording that he realised under the Phonodia project, this\ud
article shows the shift of status that concerns, on the one hand, the figure of\ud
reader and, on the other hand, the figure of the author in relation to his own\ud
voice as a mean.Puesto que la escritura y la voz humana son medios con los que los poetas\ud
trabajan desde siempre, las interacciones e interferencias que se crean entre el\ud
texto y su lectura en voz alta por parte del autor pertenecen al ámbito de los\ud
fenómenos intermediales. Gracias al caso específico del poema “Manchas de\ud
voz” del autor español Juan Vicente Piqueras y de la grabación que el mismo\ud
llevó a cabo en el marco del proyecto Phonodia, este artículo muestra el cambio\ud
de estatus que concierne por una parte a la figura del lector y, por otra, a la del\ud
poeta en relación con su propio medio-voz
Manuel Vázquez Montalbán leyendo sus poemas: cuerpo y voz, escritura y autoría
No full textStarting by analysing a 1989 documentary in which Manuel Vázquez Montalbán reads out loud his own poems, the article focuses on the way this author uses his voice in relation to the space and his own body. It also concentrates on the relation between the written and published version of the pomes and the vocalized ones suggesting a way to interpret the vocal expression of the reader-author
APPROCCI ALLA PHONÉ DELLA POESIA: L’ESPERIENZA DI PHONODIA
No full textApproaches to the phoné of poetry: the experience of Phonodia. The digital archive project dedicated to the voice of poets called Phonodia and created at the Ca’ Foscari University of Venice was born as a tool to investigate the “intermedial relation” that occurs between a poetic text and its recorded version with the reading voice of the author. After some suggestions about the concept of phoné in poetic language, the article focuses on how the specific configuration of Phonodia web page, in which text and recording are juxtaposed and experimented simultaneously, not only activates an intermedial relationship between voice and writing, but also hybrids the status of both the author, who becomes an “author-reader”, and the traditional reader who becomes a “reader-listener”. By an interdisciplinary approach that combines philosophy, psychology, anthropology, linguistics and cognitive sciences, the article also offers a possible method to “critically” listen to these recordings and finally treat them as a real part of the hermeneutical process
Cajambre de Armando Romero: una novela no solo negra
No full textThe last novel of the Colombian author Armando Romero takes place in the forest traversed by the river Cajambre, which flows into the Pacific Ocean. In this work, Romero recollect the culture of the Pacific coast, where he had the opportunity to live as a young man, and pays a tribute to African-American women of that area, which have always been the support of local communities. The tragic story of Ruperta allows the author to explore the social dynamics between different sectors of that community, and to investigate the relationships with the white strangers, called «paisas» . It is a strange noire and a tribute to the river, to its people and a personal story describing the wonderful and difficult impressionist landscape of the damp tropical jungle
Racconti del dispatrio
No full textAntologia di nove racconti scelti dello scrittore spagnolo Vicente Soto. "El sueño" si trova nel libro Vidas humildes, cuentos humildes, (1949); "Dignidad", "La mano encontrada" e "Topotón" fanno parte della raccolta Casicuentos de Londres (1973); "El girasol" si trova in Cuentos del tiempo de nunca acabar (1977); "Miradas" in Pasos de Nadie (1991); "En tercera persona" è stato pubblicato nella rivista "Debats", N° 75 (abrile 2001); "El regreso" si trova nell'antologia di Andrés Berlanga (ed.), El mundo es ancho, pero no ajeno (2003); "El sabor de la uva espina" in Alessandro Mistrorigo, La narrativa breve de Vicente Soto (2020)
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