28,991 research outputs found
Originals of revisable originals : sampling and composting in the poetry of Peter Minter, Paul Hardacre and Kate Lilley
No full textAn essay on the anthological miscellany "This Compost," by Jed Rasula is presented. It examines how the trope of literary composting of Rasula influences poets such as Peter Minter, Paul Hardacre, and Kate Lilley. The author states that Rasula's work compared the poetics of a continuous present in Gertrude Stein's essay "Composition of Explanation" to the composition by field's technique as discussed in "Projective Verse," by Charles Olson
The Structure of Stable Codimension One Integral Varifolds near Classical Cones of Density
No full textFor each positive integer , we prove a multi-valued
regularity theorem for varifolds in the class ,
i.e., stable codimension one stationary integral -varifolds which have no
classical singularities of vertex density , which are sufficiently close to
a stationary integral cone comprised of half-hyperplanes (counted with
multiplicity) meeting along a common axis. Such a result furthers the
understanding of the local structure about singularities in the (possibly
branched) varifolds in achieved by the author and
N.~Wickramasekera (\cite{minterwick}) and generalises the authors' previous
work in the case (\cite{minter-5-2}) to arbitrary . One notable difference with previous works is that our methods do not need
any a priori size restriction on the (density ) branch set to rule out
density gaps.Comment: 27 pages, comments welcome
Conversations with Paul Auster
No full textInterviews with the author of The New York Trilogy, In the Country of Last Things, and The Brooklyn Follies.Cover -- Contents -- Introduction -- Chronology -- Translation -- Interview with Paul Auster -- An Interview with Paul Auster -- Memory's Escape-Inventing the Music of Chance: A Conversation with Paul Auster -- The Making of Smoke -- The Manuscript in the Book: A Conversation -- An Interview with Paul Auster -- The Futurist Radio Hour: An Interview with Paul Auster -- Paul Auster: Writer and Director -- Off the Page: Paul Auster -- Paul Auster: The Art of Fiction -- Jonathan Lethem Talks with Paul Auster -- A Conversation with Paul Auster -- The Making of The Inner Life of Martin Frost -- Interview: Paul Auster -- A Connoisseur of Clouds, a Meteorologist of Whims: The Rumpus Interview with Paul Auster -- Interview: Paul Auster on His New Novel, Invisible -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- ZInterviews with the author of The New York Trilogy, In the Country of Last Things, and The Brooklyn Follies.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
Portrait of Paul Ham at the National Library of Australia, 15 November 2011 /
No full textTitle from nformation supplied by photographer.; Part of the collection: Podcast photograph of author Paul Ham at the National Library of Australia, 15 November 2011.; Mode of access: Online.; Photographed by a staff member of the National Library of Australia
New news: LEAK! Why do people leak, and why should they?
No full textMost important journalism depends, to some extent, on who breaks the rules to give confidential information to journalists. Sometimes they are breaking the law. Can such action ever be justified? What motivates leakers, and should the law protect them? What would happen if no one leaked?
With Suelette Dreyfus, University of Melbourne, Nick McKenzie, the Age investigative team, Peter Bartlett, Minter Ellison and Paul Farrell, Guardian Australia.
 
Author, Dr. Paul Wehr. c. 1980
No full textDr. Paul Wehr, as he appeared c. 1980. Dr. Wehr was a professor of history at UCF and the author of Like a Mustard Seed: the Slavia Settlement (1982 - Mickler Publishing House), a history of the early years of Slavia and St. Luke\u27s history.https://stars.library.ucf.edu/cfm-images/1413/thumbnail.jp
Michael Rodriguez interviews author Paul Clemens
No full textAuthor Paul Clemens talks about his book "Made in Detroit," the genre of memoir, and writing about race. Clemens is interviewed by Michigan State University Librarian Michael Rodriguez for the MSU Libraries' Michigan Writers Series. Held in the MSU Main Library
The British ‘Bluesman’ Paul Oliver and the Nature of Transatlantic Blues Scholarship
No full textRecent revisionist studies have argued that much of what is known about music known as the blues’ has been 'invented' by the writing of enthusiasts far removed from the African American culture that created the music. Elijah Wald and Marybeth Hamilton in particular have attempted to sift through the clouds of romanticism, and tried to unveil more empirical histories that were previously obscured by the fallacious genre distinctions conjured up during the 1960s blues revival. While this revisionist scholarship has shed light on some previously ignored historical facts, writers have tended to concentrate on the romanticism of blues writing strictly from an American perspective, failing to acknowledge the genesis and influence of transatlantic scholarship, and therefore ignoring the work of the most prolific and influential blues scholar of the twentieth century, British writer Paul Oliver. By examining the core of Oliver’s research and writing during the 1950s and 1960s, this study aims to place Oliver in his rightful place at the centre of blues historiography. His scholarship allows a more detailed appreciation of the manner in which the blues was studied, through lyrics, recordings, oral histories, photography and African American literature. These historical sources were interpreted in accordance with the author’s attitudes to the commercial popular music, which allowed the ‘reconstruction’ of an African American ‘folk’ culture in which the blues became the antithesis of pop. Importantly, this study seeks to transcend dominant discourses of national cultural ownership or ethnocentrism, and demonstrate that representations of African American music and culture were constructed within a transatlantic context. The blues is music with roots in the African American experience within the United States; however, as Paul Oliver’s writing shows, its reception and representation were not limited by the same national, cultural or racial boundaries
[Memo by Paul Tsuneishi, January 19, 1998]
No full textA memo by Paul Tsuneishi offering both humorous and apparently serious explanations of the work of that Friends of Michi (FOM) is doing.These materials are from box 73 and 74 of the Frank Chin Papers. The Frank Chin Papers contain personal and professional correspondence between Frank Chin and Michi Weglyn relating to particular projects on which either author was working as well as files related to the Day of Remembrance Tribute to Michi Weglyn
Jersey Homesteads -- A Triple Co-operative
No full textChapter 11, pages 256-276, of
Title: "Tomorrow a new world: the New Deal communuity program."
Publisher: Ithaca, NY, Published for the American Historical Association (by) Cornell University Press, 1959.
Author; Conkin, Paul Keith
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