672 research outputs found
Millet und Rousseau
No full textMILLET UND ROUSSEAU
Millet und Rousseau ( - )
Einband ( - )
Vorblatt ( - )
Titelblatt ( - )
Abbildung ([2])
Einleitung. ([3])
Jean Francois Millet. ([7])
P. E. Théodore Rousseau. ([65])
Vorblatt ( - )
Einband ( - )
Provenienzmerkmale 2. Exemplar ( -
Interview with Jean Francois Revel, author
No full textJean Francois Revel, the author of Without Marx or Jesus, has been quoted as saying, "The United States is now a microcosm for all of the problems man faces." In this interview with Meredith Watts, he discusses a new kind of revolution which could produce successful change without violent upheavalGrayscaleSoun
Huth (Ferdinand Louis) Papers
No full textClipping advertising an etching reproduction of a painting by Jean Francois Millet, "The Angelus", pg. 72. Etching is offered as free gift to weekly subscribers of The St. Louis Republic. Watch advertisements on verso, pg. 71. Watches are offered by The Brodix Publishing Co., Washington, D.C., to subscribers and club organizers of "The Home Magazine"
The Evolution of Criticism on Jean-Francois Millet
No full textThe nineteenth-century French painter Jean-François Millet's social context, compositional style, and rustic subject matter invite a wide variety of interpretations of his art. To his biographer and contemporary Alfred Sensier, the rustic canvases were the work of a stoic 'peasant painter,' removed from the political controversies of his day. To the Marxist art historian T. J. Clark, on the other hand, Millet's paintings interacted with and challenged the dominant values and institutions of the Second Republic. To the social art historian Robert Herbert, the paintings reveal the artist's response to urban-industrial change and his Parisian exodus. In presenting these three formative readings of Millet's canvases, this thesis demonstrates how each particular writer's vantage point in history affected both his methodology and vision of the artist's identity. The criticism on Millet shows not merely a series of antithetical, isolated opinions, but a kind of evolution, one that has gradually come to include both the artist and the society in which he worked
The Angelus
No full textAn undated color print of The Angelus by Jean Francois Millet.https://scholarworks.moreheadstate.edu/university_art_collection/1041/thumbnail.jp
Corot and Millet
No full textCOROT AND MILLET
Corot and Millet ( - )
Einband ( - )
Vorblatt ( - )
Titelblatt ( - )
Preface. ( - )
List of illustrations ( - )
List of special plates not included in the foregoing ( - )
Abbildung ( - )
Jean-Baptiste Camille Corot. (I)
Abbildungen [C1 - C47] ( - )
Jean-Francois Millet. (I)
The etchings of J. F. Millet. (XV)
Abbildungen [M1 - M73] ( - )
Vorblatt ( - )
Einband ( -
All Things Oppulent
No full textAn article about the ""Gothic Art in the Gilded Age"" exhibition, at the Ringling Museum and its' history.""The Angelus"" by Jean-Francois Millet is mentioned, although not apart of the collection or exhibition, and ti is noted that Salvador Dali was fascinated by this work and created multiple interpretations of it
Referencing Millet, 2012
No full text"Referencing Millet" by G. James Brown was executed as a contemporary response to the long tradition of interpretative artworks. The drawing addresses the subject, conceptual focus, style and approach of Jean-Francois Millet (1814–75) in his etching, "Peasant Returning from the Manure Heap", 1855–56, from the standpoint of a contemporary North Queensland artist's perception of the light, colour and treatment of the portrayed subject. By design, the drawing is a point of comparison between European practices in the nineteenth century to the artist's personal art practice. An article discussing this drawing and its context may be found at: http://www.printsandprinciples.com/2012/05/james-brown-illustration-referencing.htm
Appreciating Millet for his own Genius
No full textAbout the St. Louis Museum of Art's exhibition: ""Millet and Modern Art: From Van Gogh to Dali."" Mentioned are key artists who had works in the show as well as standard Millet iconography and how these artists interpreted it
The painting "The Shepherd" by Millet, depicting a man tending his flock, [s.d.]
No full textPhotograph of the painting "The Shepherd" by Millet, depicting a man tending his flock, [s.d.]. The man, shrouded by heavy shadows, stands at center pointing his staff or cane out of his cloak and towards the ground. In the background, a flock of sheep is visible, the sheep standing close together and merging with the grasslands in the distance
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