19,469 research outputs found
Oral history interview with Jo Anne Miller
Transcript, 39 pp.Jo Anne Miller graduated in December 1967 with a degree in mathematics from the University of Michigan, where she had experience with computer programming. She took a job in Boston at GTE Sylvania working on military projects, then moved to St. Louis (when her husband was drafted) and ran a computer center at Parks College of St. Louis University, then did research at University of Colorado where she worked on a Master’s degree. She was recruited (a second time) by Bell Labs and began work at Bell Labs Naperville in March 1976, as a Member of Technical Staff working in software restructuring for electronic switching systems. She describes her experience with affirmative action, the women’s movement, and work culture and career expectations at Bell Labs. In 1978 she became a technical supervisor for 5ESS software development, relating short-term rotational experiences with installing 5ESS in California and in southern Illinois. She describes challenges advocating for part-time managerial positions, child care, and suggests there were changes in the support for affirmative action in the 1980s. Working for the Western Electric organization in the mid-1980s, she completed an executive MBA at the University of Chicago. After leaving Bell she became involved with MentorNet in 2003 and in investing in women-backed businesses.
This material is based on work funded by the Alfred P. Sloan Foundation award B2014-07 “Tripling Women’s Participation in Computing (1965-1985).”Alfred P. Sloan Foundation award B2014-07 “Tripling Women’s Participation in Computing (1965-1985).”Miller, Jo Anne. (2016). Oral history interview with Jo Anne Miller. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/188487
[Scrapbooks of Elizabeth Smith Miller and Anne Fitzhugh Miller]
The scrapbooks were compiled by suffragists Elizabeth Smith Miller and her daughter, Anne Fitzhugh Miller, of Geneva, N.Y., between 1897 and 1911. They include newspaper clippings, pamphlets, programs, letters, and photographs about the woman suffrage movement and suffragists in the United States (chiefly in New York State) and Great Britain. Organizations covered include the Geneva Political Equality Club, the New York State Woman Suffrage Association, and the National American Woman Suffrage Association.Includes indexes
Portrait of Mary Anne Miller, ca. 1890 [picture].
Part of the: Horrie Miller aviation photograph collection, 1906 to 1984.; A. Marcks & Co. Elgin Street Carlton"--Printed on front of mount.; Inscription: "Mary Anne (Hurley Miller) - Miller - mother of HCM"-Inscription.; Title devised by cataloguer based on inscription.; Also available in an electronic version via the internet at: http://nla.gov.au/nla.pic-vn4773965
Queen Anne High School, 215 W. Galer St., Seattle, probably between 1911 and 1913
On verso of image: Queen Anne High. Curtis and Miller
PH Coll 1286.CM3To order a reproduction, inquire about permissions, or for information about prices see: http://www.lib.washington.edu/specialcollections/services/reproduction/reproduction Please cite the Order Numbe
Anne as Pagan, Anne as Queer
‘Anne as Pagan, Anne as Queer’ is a critical and creative answer to the question: How do we construct Anne Shirley, and what does she mean to us? This creative research submission is a work of fanfiction, specifically a mash up based on Anne of the Island, L.M.M. Montgomery’s sequel to Anne of Green Gables. In this short work of fiction (under 4 thousand words) Anne is revealed as a changeling, one of the Faerie Folk, and also a being not strictly male or female; sometimes neither, sometimes both. The mash up is based on the last two chapters of Anne of the Island, the scenes in which Gilbert Blythe is seriously ill and Anne realises she loves him. This realisation causes Anne, in this version, to reveal to Gilbert that she is both non-human and not a girl, and to use Faerie magic to save Gilbert’s life. Anne’s revelation causes Gilbert a great relief, as he has been keeping a secret also - that he too is queer. The piece has an accompanying research statement and reflection, that reflects on the ways the contributor/author interprets Anne, as a being troubled by gender, and not strictly gender conforming. The much-loved scene from Anne of Green Gables in which Anne realises she is not wanted by the Cuthberts because she is not a boy is inserted into the mash up (as a memory) as this scene is the principal cause for the contributor’s identification with Anne as a gender non-conforming figure who resists gender expectations. Overall, this creative and critical work and reflection queers both Anne as a character and the Anne of the Island novel.Book chapter - work of fiction with a critical reflective essa
Anne Miller, Westbrook College, Class of 1973
Anne Miller, Westbrook Junior College, Class of 1973, scooches on the floor in the Proctor Hall Library while consulting a Spanish dictionary. Anne wears a dark turtle neck shirt underneath a buttoned shirt. She has on dark jeans and wears boat shoes on her feet. Anne\u27s hair is pulled back and she has an earring in her left ear.
The books on the Library shelves are cataloged with the Dewey Decimal system. Anne is posed among the foreign language dictionaries which fall within the 423 Dewey range.https://dune.une.edu/wchc_photos_students1970s/1029/thumbnail.jp
Peapack - H. N. Miller grist mill and bridge
Grist mill and bridge in Peapack. Lettering on the mill reads "H. N. Miller / Flour, feed, grain.
Peapack, H. N. Miller Receipt, 1910
Receipt dated Feb. 18, 1910 from H. N. Miller & Co. to W. M. Wortman for a purchase of hay and straw
Peapack, H. N. Miller Receipt, 1908
Receipt dated Jan. 8, 1908 from H. N. Miller & Co. to W. M. Wortman for a purchase of cotton seed meal
Anne-Marie Schwirtlich, Adrian Caesar, Genevieve Jacobs, Joan Kennedy and Alex Miller at the National Library of Australia, Canberra, 30 October 2011 /
Title from information supplied by photographer.; Part of the collection: Alex Miller author: A Celebration, held at the National Library of Australia theatre, 30 October 2011.; Mode of access: Online.; Photographed by a staff member of the National Library of Australia
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