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E-Mail from Michael Bailey to Mavis May, Mike McKay, etc., October 13, 2006. The email pertains to a previous meeting and Michael Bailey is attaching comments for review
Mike McKay of the Adelaide 36ers and Larry Sengstock of the Brisbane Bullets, 6 November 1986 [picture].
Title devised by cataloguer based on inscription.; Inscriptions: "Guard/forward Mike McKay, the 36ers' 1985 Rookie of the Year, races down the court shadowed by Larry Sengstock of the Bullets. McKay is in the team to go to Bangkok. Promotion Australia Photograph, A681130.2 6/11/86/3"--Label on verso.; Condition: Upper left corner creased.; Published in: A sporting nation : celebrating Australia's sporting life. Canberra, National Library of Australia, 1999. p. 84 with caption: Mike McKay of the Adelaide 36ers and Larry Sengstock of the Brisbane Bullets in an upcourt burst in 1986.; Also available in electronic version via the Internet at: http://nla.gov.au/nla.pic-vn4588176
Wordsworth and Bashō: Walking Poets
Wordsworth and Bashō: Walking Poets was an exhibition of original and facsimile copies of manuscripts by William and Dorothy Wordsworth and Matsuo Bashō. They were shown alongside new work by contemporary UK and Japanese artists who responded to the manuscripts, and what originally inspired them, in ways that were as fresh, creative and radical now as Wordsworth and Bashō were during their lives. Artists in the show include: Ewan Clayton; Ken Cockburn; Alec Finlay; Christine Flint-Sato; Zaffar Kunial (Poet in Residence at the Wordsworth trust, 2014); Eiichi Kono; Manny Ling; Chris McHugh; Nobuya Monta; Inge Panneels; Andrew Richardson; Autumn Richardson; Nao Sakamoto; Minako Shirakura; Richard Skelton; Ayako Tani; Brian Thompson and myself (with two new works based on the journals of Dorothy Wordsworth.
The exhibition (which is showing at Dove Cottage - click here for more information) was organized and curated by myself assisted by Janet Ross for WALK in collaboration with Jeff Cowton (Curator, the Wordsworth Trust) and was accompanied by a significant publication and opened to the public on the 24th May, running until the 2nd November 2014. The publication, which was published in English and Japanese, includes essays by: Professor Emeritus John Elder: Middlebury College, USA; Professor Shoko Azuma: Jumonji University; Tokyo; Dr. Kaz Oishi: University of Tokyo; Professor Ewan Clayton University of Sunderland; Pamela Woof – President of the Wordsworth Trust; Dr. Carol McKay – University of Sunderland and myself. Thanks also to Ayako Tani and Christopher McHugh for their help in liaising with the Japanese museums involved (Kyoto National Museum; Iga City Bashō Memorial Museum; Waseda Library and Kakimori Bunko)
Claude McKay, circa 1933
A portrait of Claude McKay. Written on recto: Claude McKay, author of "Banjo" and "Home to Harlem," whose new novel, "Banana Bottom," will be published by Harper & Brothers on March 29th, has been living in Spain and Morocco for the last three years. The background of his novel is the island of Jamaica, British West Indies, where Mr. McKay was born. Written on verso: For Harold Jackman After a five year interval wit[?] the same sentiment. Claude McKa
Recollections of a Chief Trader in the Hudson’s Bay Company:
McKay came from Canada to Fort Vancouver in the Hudson's Bay Company service in 1844. Describes disturbed conditions in the old Oregon country, in consequence of the American influx; duties in 1845-1846 escorting British officers; visit to San Francisco and Hawaii in 1846 on Company business; Frémont's activities; experiences in charge of Fort Simpson, 1846-1849; relations with the Russian American Company and Indians of the Northwest Coast; duties on Vancouver Island, 1850; discovery of gold on Queen Charlotte Island, 1851, and of coal at Bellingham Bay, 1853; life at Fort Simpson during the Crimean War. Includes typed transcript.
McKay, Joseph William. Recol[l]ections of a Chief trader in the Hudson's Bay Company, BANC MSS P-C 24, The Bancroft Library, University of California, Berkeley
Patterns of Participation in Classroom Learning
This study is concerned with the learning experiences and strategies of secondary Aboriginal girls from Elcho Island in the Northern Territory as they study in an urban school in the Gold Coast, Queensland. The girls were learning English as their second and third language. The study details how the ESL teacher/author tried to understand how to meet the needs of these girls who came with such different learning strategies and styles. The teacher/author's visit to their homeland in Elcho Island immediately helped her to understand how the grils' different social and learning experiences had influenced them, and how different their lives were at the new school. The account of observations and analysis of their patterns of participation in their new school give important insights into their learning styles
Recipes for your holiday baking
Recipes by Muriel McKay for Holiday Baking (1957)Cover title; "Compliments of CJON-Radio-TV" --cover; "The gay illustrations by: Continuity Editor, Joan LeClair" -- p.
Wilder McKay correspondences
A conjectural generalization of the McKay correspondence in terms of stringy
invariants to arbitrary characteristic, including the wild case, was recently
formulated by the author in the case where the given finite group linearly acts
on an affine space. In cases of very special groups and representations, the
conjecture has been verified and related stringy invariants have been
explicitly computed. In this paper, we try to generalize the conjecture and
computations to more complicated situations such as non-linear actions on
possibly singular spaces and non-permutation representations of non-abelian
groups.Comment: 42 pages. The title has been changed from the previous "The motivic
McKay correspondence for non-linear actions on possibly singular spaces". A
new added subject is computations of weight functions and masses for some
non-permutation representations. Comments are welcom
Open problems in the wild McKay correspondence and related fields
The wild McKay correspondence is a form of McKay correspondence in terms of
stringy invariants that is generalized to arbitrary characteristics. It gives
rise to an interesting connection between the geometry of wild quotient
varieties and arithmetic on extensions of local fields.
The principal purpose of this article is to collect open problems on the wild
McKay correspondence, as well as those in related fields that the author
believes are interesting or important. It also serves as a survey on the
present state of these fields.Comment: 20 page
L'identité diasporique de Claude McKay : la découverte désenchantée du progrès
This master’s dissertation tackles the issue of Jamaican author Claude McKay’s identity. Oftentimes described as an archetypal author of the Harlem Renaissance or as Jamaica’s national poet, his representations are often incomplete. Taking into account all of McKay’s writings and his travels, we offer a definition of his identity as a diasporic one. Always evolving and reshaping itself, this identity create tension in McKay’s productions. Through his travels and his meetings with fellow artists and thinkers, the author engages himself in an always-frustrated quest for belonging. Modern condition disenchants his discovery of progress.Ce mémoire s’attache à étudier l’identité de l’auteur jamaïcain Claude McKay. Souvent vu comme un auteur archétypal de la Harlem Renaissance, ou comme poète national de la Jamaïque, il est souvent représenté de façon incomplète. En étudiant la totalité du corpus de McKay et l’ensemble de ses voyages, nous proposons de définir son identité comme diasporique. En constante évolution et toujours remise en question, cette identité crée de nombreuses tensions dans l’écriture de McKay. À travers ses voyages et de nombreuses rencontres McKay se lance dans une quête toujours frustrée d’appartenance et découvre le progrès de façon désenchantée
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