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    Thomas Middleton and Early Modern Textual Culture A Companion to the Collected Works

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    Thomas Middleton and Early Modern Textual Culture is a comprehensive companion to The Collected Works of Thomas Middleton, providing detailed introductions to and full editorial apparatus for the works themselves as well as a wealth of information about Middleton's historical and literary context. It will be indispensable to scholars of Renaissance literature as well as essential reading for anyone interested in the history of the book in early modern Europe. - ;Thomas Middleton and Early Modern Textual Culture is not only a companion to The Collected Works of Thomas Middleton, which every scholar of Renaissance literature will find indispensable. It is also essential reading for anyone interested in the history of the book in early modern Europe. The book is divided into three parts. The first part, on The Culture, situates Middleton within an historical and theoretical overview of early modern textual production, reproduction, circulation, and reception. An introductory essay by Gary Taylor (The Order of Persons) surveys lists of persons written by or connected to Middleton, using the complex relationship between textual and social orders to trace the evolution of textual culture in England during the Middleton century (1580-1679). Ten. original essays then focus on Middletons connections to different aspects of textual culture in that century: authorship (by MacD. P. Jackson), manuscripts (Harold Love), legal texts (Edward Geiskes), censorship (Richard Burt), printing (Adrian Weiss), visual texts (John Astington), music (Andrew. Sabol), stationers and living authors (Cyndia Clegg), posthumous publishing (Maureen Bell), and early readers (John Jowett). The rest of the volume, supplies the documentation for claims made in the first part. Part II, the author includes detailed evidence for the canon and chronology of Middletons works in allgenres, greatly extending previous scholarship, and using the latest corpus-based attribution techniques. This section situates individual authorial agency in the space between larger institutional forces and the material specificity of particular textual embodiments. Part III, The Texts, contains a full. editorial apparatus for each item in The Collected Works: an Introduction, which summarizes and extends previous scholarship, is followed by textual notes, recording substantive departures from the control-text, variants between early texts, press-variants, discussions of emendations, and (for plays) an. exact transcription of all original stage directions. Cross-references make it easy to move between the two volumes. This authoritative account of the early texts includes some extraordinarily complicated cases, which have never before been systematically collated: Hence, all you vain delights (the most popular song lyric from the Renaissance stage), The Two Gates of Salvation, The Peacemaker, and A Game at Chess (the most complex editorial problem in early modern drama, with eight extant texts and numerous reports of the early performances). - ;...elaborately cross-referenced...a good deal of effort has gone into making the Companion as user-friendly as possibe... - Michael Neill LRB;The Oxford Middleton is a monumental achievement. Gary Taylor and his team of scholars have managed to do for Thomas Middleton what Heminges and Condell did for Shakespeare in the 1623 First Folio: they've collected a great playwright's work in a landmark edition, one that enables us to appreciate afresh an extraordinary literary career. Taken together, The Collected Works of Thomas Middleton and its companion volume Thomas Middleton and Early Modern Textual. Culture, provide an essential guide to matters at the heart of the English literary world in the earlyseventeenth century, from authorship and collaboration to censorship, civic pageantry, and the London book trade. - James Shapiro, author of 1599: A Year in the Life of William Shakespeare and Professor of English, Columbia University;a monumental work of scholarship - Jonathan Bate, Times Literary Supplement;It is not, I think, overstating the case to say that the release of this edition feels epochal, and the sense of recognition at what it has added, as well as what it will inspire over the ensuing decades, is already palpable. The Oxford Middleton is a truly momentous work, and it is now in the hands of you, the Great Variety of Readers. - Will Sharpe, The Shakespeare Bookshop Newsletter;All of us who care deeply about the history of English drama welcome with great enthusiasm and excitement the publication of the Collected Works of Thomas Middleton, a major achievement in textual scholarship that represents the collective expertise and critical wisdom of scholars from all over the world. Gary Taylor and his many collaborators have given us a new and remarkably versatile Thomas Middleton-a great tragic playwright, a brilliant creator of sly and cynical. urban comedies, a thoroughly gifted man of the theater and citizen of London. With this massive collected edition, the history of English drama is much more complete and we can hope for many more professional productions of these neglected plays. - Gail Paster, Director, Folger Shakespeare Library;It is hard to exaggerate the scale of the Oxford Middleton particularly since this is the kind of scholarship which is--in its diversity and eclecticism--designed to open up debate rather than close it off. It is a colossal achievement representing a decisive expansion of Renaissanc studies which will percolate throughout scholarship and teaching. But what is, perhaps, most exciting, is that thecollection must surely generate a rediscovery of these eminently stageable plays in the. theatre. - Andrew James Hartley, Editor, Shakespeare Bulletin;The publication of The Complete Works of Middleton will be a major event for all those who care about the theatre of Shakespeare's time. The scholarship is meticulous, the commentary is fascinating and the international team of experts displays the field of Renaissance Drama studies at its finest. In modern times, productions of The Changeling and Women Beware Women have shown the dark side of sex and power that Shakespeare touched on but never fully explored. The Complete Works now shows us the full range of Middleton's talent for comedy and social drama and, controversially, the full extent of his collaboration with and development of Shakespeare's plays. - Kathleen E. McLuskie, The Shakespeare Institute;Few editorial projects have been as eagerly anticipated as the Oxford Middleton, which will utterly transform how we understand early modern drama, both in the classroom and in our research. As with Shakespeare, Gary Taylor and his team have set a new gold standard for textual editing and interpretive criticism, leaping from the 19th century to the 21st - finally an edition that captures Middleton's tremendous accomplishments. - Henry Turner, Rutgers University, New Jersey, author of The English Renaissance Stage: Geometry, Poetics, and the Practical Spatial Arts, 1580-1630 (Oxford, 2006).Intro -- TABLE OF CONTENTS -- ALPHABETICAL CONTENTS -- INDEX OF TITLES BY GENRE -- LIST OF ILLUSTRATIONS -- HOW TO USE THIS BOOK -- PREFACE: TEXTUAL PROXIMITIES -- Part I: The Culture -- 'The Order of Persons' -- 'Early Modern Authorship: Canons and Chronologies' -- 'Thomas Middleton: Oral Culture and the Manuscript Economy' -- From Wronger and Wronged Have I Fee": Thomas Middleton and Early Modern Legal Culture -- 'Middleton, Music, and Dance' -- 'Thomas Middleton, Uncut: Castration, Censorship, and the Regulation of Dramatic Discourse in Early Modern England' -- 'Casting Compositors, Foul Cases, and Skeletons: Printing in Middleton's Age' -- 'Visual Texts: Thomas Middleton and Prints' -- Twill Much Enrich the Company of Stationers": Thomas Middleton and the London Book Trade, 1580-1627 -- 'Booksellers without an Author, 1627-1685' -- 'For Many of Your Companies: Middleton's Early Readers' -- Part II: The Author -- 'Introduction: The Middleton Canon' -- 'Works Included in this Edition: Canon and Chronology' -- 'Works Excluded from this Edition' -- Part III: The Texts -- 'Thomas Middleton: Lives and Afterlives -- 'Middleton's London -- 'Middleton's Theatres -- The Wisdom of Solomon Paraphrased -- Microcynicon: Six Snarling Satires -- The Ghost of Lucrece -- The Penniless Parliament of Threadbare Poets -- News from Gravesend -- The Nightingale and the Ant -- and, Father Hubburd's Tales -- The Meeting of Gallants at an Ordinary -- Plato's Cap -- The Black Book -- The Whole Royal and Magnificent Entertainment -- The Patient Man and the Honest Whore -- The Phoenix -- Michaelmas Term -- The Puritan Widow -- or, The Puritan -- or, The Widow of Watling Street -- The Revenger's Tragedy -- A Trick to Catch the Old One -- Your Five Gallants -- A Mad World, My Masters -- A Yorkshire Tragedy -- Sir Robert Sherley -- The Two Gates of SalvationThe Roaring Girl -- The Lady's Tragedy -- The Triumphs of Truth -- The Manner of his Lordship's Entertainment -- Masque of Cupids -- Civitatis Amor -- A Fair Quarrel -- The Owl's Almanac -- The Triumphs of Honour and Industry -- Orazio Busino's Eyewitness Account of The Triumphs of Honour and Industry -- Masque of Heroes -- or, The Inner Temple Masque -- The Peacemaker -- or, Great Britain's Blessing -- The World Tossed at Tennis -- The Triumphs of Love and Antiquity -- Honourable Entertainments -- The Sun in Aries -- An Invention -- The Triumphs of Honour and Virtue -- The Triumphs of Integrity -- The Triumphs of the Golden Fleece -- Measure for Measure: A Genetic Text -- The Tragedy of Macbeth: A Genetic Text -- The Life of Timon of Athens -- A Game at Chess: General Textual Introduction -- A Game at Chesse: An Early Form -- A Game at Chess: A Later Form -- Occasional Poems -- The Witch -- The Triumphs of Health and Prosperity -- A Chaste Maid in Cheapside -- The Bloody Banquet -- Hengist, King of Kent -- or, The Mayor of Queenborough -- Wit at Several Weapons -- The Nice Valour -- or, The Passionate Madman -- The Widow -- The Changeling -- The Spanish Gypsy -- Lost Plays -- An/The Old Law -- More Dissemblers Besides Women -- Women, Beware Women -- No Wit/Help like a Woman's -- Anything for a Quiet Life -- Lost Political Prose, 1620-7: A Brief Account -- INDEX TO NOTES ON MODERNIZATION -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z -- A SELECTIVE TOPICAL INDEX -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- WThomas Middleton and Early Modern Textual Culture is a comprehensive companion to The Collected Works of Thomas Middleton, providing detailed introductions to and full editorial apparatus for the works themselves as well as a wealth of information about Middleton's historical and literary context. It will be indispensable to scholars of Renaissance literature as well as essential reading for anyone interested in the history of the book in early modern Europe. - ;Thomas Middleton and Early Modern Textual Culture is not only a companion to The Collected Works of Thomas Middleton, which every scholar of Renaissance literature will find indispensable. It is also essential reading for anyone interested in the history of the book in early modern Europe. The book is divided into three parts. The first part, on The Culture, situates Middleton within an historical and theoretical overview of early modern textual production, reproduction, circulation, and reception. An introductory essay by Gary Taylor (The Order of Persons) surveys lists of persons written by or connected to Middleton, using the complex relationship between textual and social orders to trace the evolution of textual culture in England during the Middleton century (1580-1679). Ten. original essays then focus on Middletons connections to different aspects of textual culture in that century: authorship (by MacD. P. Jackson), manuscripts (Harold Love), legal texts (Edward Geiskes), censorship (Richard Burt), printing (Adrian Weiss), visual texts (John Astington), music (Andrew. Sabol), stationers and living authors (Cyndia Clegg), posthumous publishing (Maureen Bell), and early readers (John Jowett). The rest of the volume, supplies the documentation for claims made in the first part. Part II, the author includes detailed evidence for the canon and chronology of Middletons works in allgenres, greatly extending previous scholarship, and using the latest corpus-based attribution techniques. This section situates individual authorial agency in the space between larger institutional forces and the material specificity of particular textual embodiments. Part III, The Texts, contains a full. editorial apparatus for each item in The Collected Works: an Introduction, which summarizes and extends previous scholarship, is followed by textual notes, recording substantive departures from the control-text, variants between early texts, press-variants, discussions of emendations, and (for plays) an. exact transcription of all original stage directions. Cross-references make it easy to move between the two volumes. This authoritative account of the early texts includes some extraordinarily complicated cases, which have never before been systematically collated: Hence, all you vain delights (the most popular song lyric from the Renaissance stage), The Two Gates of Salvation, The Peacemaker, and A Game at Chess (the most complex editorial problem in early modern drama, with eight extant texts and numerous reports of the early performances). - ;...elaborately cross-referenced...a good deal of effort has gone into making the Companion as user-friendly as possibe... - Michael Neill LRB;The Oxford Middleton is a monumental achievement. Gary Taylor and his team of scholars have managed to do for Thomas Middleton what Heminges and Condell did for Shakespeare in the 1623 First Folio: they've collected a great playwright's work in a landmark edition, one that enables us to appreciate afresh an extraordinary literary career. Taken together, The Collected Works of Thomas Middleton and its companion volume Thomas Middleton and Early Modern Textual. Culture, provide an essential guide to matters at the heart of the English literary world in the earlyseventeenth century, from authorship and collaboration to censorship, civic pageantry, and the London book trade. - James Shapiro, author of 1599: A Year in the Life of William Shakespeare and Professor of English, Columbia University;a monumental work of scholarship - Jonathan Bate, Times Literary Supplement;It is not, I think, overstating the case to say that the release of this edition feels epochal, and the sense of recognition at what it has added, as well as what it will inspire over the ensuing decades, is already palpable. The Oxford Middleton is a truly momentous work, and it is now in the hands of you, the Great Variety of Readers. - Will Sharpe, The Shakespeare Bookshop Newsletter;All of us who care deeply about the history of English drama welcome with great enthusiasm and excitement the publication of the Collected Works of Thomas Middleton, a major achievement in textual scholarship that represents the collective expertise and critical wisdom of scholars from all over the world. Gary Taylor and his many collaborators have given us a new and remarkably versatile Thomas Middleton-a great tragic playwright, a brilliant creator of sly and cynical. urban comedies, a thoroughly gifted man of the theater and citizen of London. With this massive collected edition, the history of English drama is much more complete and we can hope for many more professional productions of these neglected plays. - Gail Paster, Director, Folger Shakespeare Library;It is hard to exaggerate the scale of the Oxford Middleton particularly since this is the kind of scholarship which is--in its diversity and eclecticism--designed to open up debate rather than close it off. It is a colossal achievement representing a decisive expansion of Renaissanc studies which will percolate throughout scholarship and teaching. But what is, perhaps, most exciting, is that thecollection must surely generate a rediscovery of these eminently stageable plays in the. theatre. - Andrew James Hartley, Editor, Shakespeare Bulletin;The publication of The Complete Works of Middleton will be a major event for all those who care about the theatre of Shakespeare's time. The scholarship is meticulous, the commentary is fascinating and the international team of experts displays the field of Renaissance Drama studies at its finest. In modern times, productions of The Changeling and Women Beware Women have shown the dark side of sex and power that Shakespeare touched on but never fully explored. The Complete Works now shows us the full range of Middleton's talent for comedy and social drama and, controversially, the full extent of his collaboration with and development of Shakespeare's plays. - Kathleen E. McLuskie, The Shakespeare Institute;Few editorial projects have been as eagerly anticipated as the Oxford Middleton, which will utterly transform how we understand early modern drama, both in the classroom and in our research. As with Shakespeare, Gary Taylor and his team have set a new gold standard for textual editing and interpretive criticism, leaping from the 19th century to the 21st - finally an edition that captures Middleton's tremendous accomplishments. - Henry Turner, Rutgers University, New Jersey, author of The English Renaissance Stage: Geometry, Poetics, and the Practical Spatial Arts, 1580-1630 (Oxford, 2006).Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries

    Query regarding the importance of Dog Rocks to the local indigenes posed by Mr. W. G. D. Middleton, adviser to the Victorian Conservation Trust

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    Query regarding the importance of Dog Rocks to the local indigenes posed by Mr. W. G. D. Middleton, adviser to the Victorian Conservation Trus

    Behaviour of buried pipelines subjected to external loading.

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    The research presented in this Thesis was carried out at the University of Sheffield under the supervision of Dr I. C. Pyrah and Dr W. F. Anderson, and Mr G. Leach at British Gas Engineering Research Station (ERS). The research was financially supported by a British Gas Research Scholarship and by the Overseas Research Students Awards Scheme. The Author would like to express his sincere gratitude to his supervisors for their invaluable help, guidance and encouragement during the development of the research. The Author is also grateful to Dr S. R. Mi for his interest and assistance throughout the research. Special thanks also go to Dr S. J. Wheeler for his supervision during the first year of the research and sound advice in the initial stage of the work. The Author would like to express his gratitude to all members of the geotechnics group at the University of Sheffield for the useful discussions and comments. Special thanks and appreciation are extended to the staff at the ERS, particularly Mr E. Middleton for providing the data of the field tests and constructive comments. The laboratory tests were performed at ERS Soils Laboratory for which the Author is thankful to the laboratory staff. The Author must also thank British Gas for providing the computer hardware and software for performing the numerical analyses, and the printing facilities to produce the Thesis. Thanks also go to Mr D. Reay and Mr B. Bellwood at the Gas Research Centre of British Gas for ensuring continuous financial support throughout the award period. Finally, the Author wishes to thank his family and friends for their endless support and encouragement throughout the period of study in the UK. Without them, this Thesis may never have been completed

    Elizabeth and Middleton Reefs (Lord Howe Marine Park) Coral Reef Health Surveys: report on reef surveys February 2024

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    Elizabeth and Middleton Reefs are the world’s southernmost open ocean platform reefs, supporting a unique mix of tropical and subtropical species. While isolated reefs, such as Elizabeth and Middleton Reefs, are often described as being ‘near pristine’ due to limited local anthropogenic impacts, these isolated reefs (like coral reefs globally) are being increasingly exposed to changing environmental conditions, particularly ocean warming. Quantifying the status and trends on these reefs is critical to understand the responses of these reef ecosystems to contemporary and future disturbances

    End-to-End QoS Support for a Medical Grid Service Infrastructure

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    Quality of Service support is an important prerequisite for the adoption of Grid technologies for medical applications. The GEMSS Grid infrastructure addressed this issue by offering end-to-end QoS in the form of explicit timeliness guarantees for compute-intensive medical simulation services. Within GEMSS, parallel applications installed on clusters or other HPC hardware may be exposed as QoS-aware Grid services for which clients may dynamically negotiate QoS constraints with respect to response time and price using Service Level Agreements. The GEMSS infrastructure and middleware is based on standard Web services technology and relies on a reservation based approach to QoS coupled with application specific performance models. In this paper we present an overview of the GEMSS infrastructure, describe the available QoS and security mechanisms, and demonstrate the effectiveness of our methods with a Grid-enabled medical imaging service

    The Australasian Bronchiectasis Registry - early steps in mapping the impact of bronchiectasis in Australia and New Zealand

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    AbstractS. Visser, H. Allan, L. Burr, A. Chang, C.-L. Holmes-Liew, C. Hunter, D. Jackson, P. King, G. Maguire, P. Middleton, D. Smith, R. Thomson, G. W. Waterer, C. Wong, L. Morga

    Information Extraction from the Long Tail. A Socio-Technical AI Approach for Criminology Investigations into the Online Illegal Plant Trade

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    In today's online forums and marketplaces cybercrime activity can often be found lurking in plain sight behind legitimate posts. Most popular criminology techniques are either manually intensive, and so do not scale well, or focus on statistical summaries across websites and can miss infrequent behaviour patterns. We present an inter-disciplinary (computer science, criminology and conservation science) socio-technical artificial intelligence (AI) approach to information extraction from the long tail of online forums around internet-facilitated illegal trades of endangered species. Our methodology is highly iterative, taking entities of interest (e.g. endangered plant species, suspects, locations) identified by a criminologist and using them to direct computer science tools including crawling, searching and information extraction over many steps until an acceptable resulting intelligence package is achieved. We evaluate our approach using two case study experiments, each based on a one-week duration criminology investigation (aided by conservation science experts) and evaluate both named entity (NE) directed graph visualization and Latent Dirichlet Allocation (LDA) topic modelling. NE directed graph visualization consistently outperforms topic modelling for discovering connected entities in the long tail of online forums and marketplaces

    CONSORT 2010 statement: Updated guidelines for reporting parallel group randomised trials

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    Kenneth F Schulz, Douglas G Altman, David Moher... [Philippa Middleton... et al.] for the CONSORT Grou

    Researching Identities: Impact of the Performance-Base Research Fund on the Subject(s) of Education

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    My argument begins by introducing key conceptual tools, applying them to the formative years of Education as a university subject. Second, I sketch a brief history of the subject in New Zealand in the 1980s and 1990s, emphasising its contradictory mandates as both academic and professional/clinical discipline. Third, I explore interviewees’ experiences and perspectives during and immediately after the quality evaluation process (Middleton, 2005a). The conclusion suggests ways the evaluation model might change to support (not penalise) Education’s dual mandate to enhance research capacity and outputs and to produce good practitioners for the teaching professions

    The Immunoglobulin G Heavy Chain (IGHG) genes of the Atlantic bottlenose dolphin, Tursiops truncatus

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    Dolphin Immunoglobulin G Heavy Chain (IGHG) sequences were obtained by PCR amplification of cDNA from peripheral blood leukocytes using degenerate primers. Analysis of full-length sequences indicated the presence of two expressed isotypes, IGHG1 and IGHG2 that differ mainly in the hinge region of the molecule. Genomic Southern blot analysis indicated that the IGHG1 and IGHG2 genes are most likely present in single copies. The inferred amino acid sequences show greatest similarity between the dolphin and other closely related artiodactyl species. The genetic structure of the IGHG genes were deduced through genomic PCR and revealed that the hinge regions of both IGHG1 and IGHG2 are encoded by a single exon. The transmembrane region of the dolphin IGHG chain shows similarity to the transmembrane region of other mammalian IGHG chains with a canonical CART motif. This is in contrast to the unusual Ser to Gly substitution previously found in the dolphin IGHM transmembrane region, and the functional significance of this variation for B cell antigen-receptor dimer activation remains unknown
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