147 research outputs found
Researchers and Narrators (Stanko Vraz, Đuro Deželić, Vinko Žganec − among the Croats in Hungary)
No full textMuzikolog Vinko Žganec proveo je nekoliko zimskih dana 1958. godine među Hrvatima u okolici Nagykanizse i objavio knjigu o njihovoj usmenoj pjesmi. Trideset godina nakon toga autorica pokušava utvrditi repertoar kazivača-pjevača istih ovih kajkavskih sela, imajući u vidu slijedeće okolnosti: dugotrajnu (ne)mogućnost komuniciranja s pripadnicima srodnog dijalektalnog idioma u Hrvatskoj; postojanje Žgančeve publikacije (dolazi li do povratne informacije?); suvremeni repertoar pjesama i okolnost da je u međuvremenu proradila tzv.“kulturnoumjetnička aktivnost”.The musicologist Vinko Žganec spent several winter days in 1958 among the Croats around Nagykanizse and published a book on their songs. Thirty years later, the author attempted to establish the repertoire of the informants-singers in the same kajkavian villages, keeping in mind: the long period when communication was (im)possible with speakers of related dialect idioms in Croatia; the existence of Žganec's publication (is there a feedback of information); the contemporary repertoire of songs, and the circumstance that in the meantime so-called “cultural-artistic” activities have developed
Against the current – Vinko Krišković as a political philosopher
No full textSveučilišni profesor upravnog prava, političar, šekspirolog i esejist Vinko Krišković (Senj, 1861. – Zürich, 1952.) u više svojih djela s temama iz filozofije politike zagovara liberalizam na fonu engleskih autora i engleske političke prakse. Krišković je razmjerno slabo prisutan u hrvatskoj političkoj i intelektualnoj povijesti, među ostalim i zbog toga što nije pristajao niti uz jednu političku opciju djelatnu u Hrvatskoj dvadesetih, tridesetih, četrdesetih i pedesetih godina prošlog stoljeća (integralno jugoslavenstvo, haesesovski populizam, totalitarno ustaštvo, jugoslavenski komunizam). Autor sugerira mogući odgovor na pitanje - u kolikoj mjeri on argumente za otpor ovim opcijama i nepristajanje uz njih nalazi u filozofiji, i je li Kriškovićev slučaj u nekoj mjeri relevantan i za aktualne probleme i prijepore.Professor of administrative law at the University of Zagreb, politician, essayist and first Croatian member of the Royal Shakespeare Society Vinko Krišković (Senj 1861 - Zurich 1952) dealt in some of his works with the topic of political philosophy. He was an advocate of liberal positions inspired by English authors and English political practice. Krišković is relatively unknown in the Croatian political and intellectual history, i.a. because he opposed all the political options present in Yugoslavia and Croatia in the first half of the 19th century (integral Yugoslavism, Peasant Party populism, totalitarian Ustasha movement, Yugoslav Communism). The author offers possible answers to the questions to what extent did Krišković find the arguments needed to resist these political options in philosophy and whether his case is in any measure relevant for the current issues and controversies
The Number of People from Town of Stari Grad Who Died in World War I (1914 - 1918)
No full textU ovom članku se iznosi najnoviji broj i popis žrtava Prvog svjetskog rata iz Staroga Grada. Rad je nastao na temeljima dva prethodna izvještaja, Petra Kuničića i Vinka Ruževića. Autor dopunjava popis zahvaljujući istraživanjima u Smotri Dalmatinskoj i Verlustlistama s mrežnih stranica Državnog arhiva u Beču. Navodi se konačan popis poginulih Starograđana, njih 28, s Rudinom i Selcima sveukupno 35.This paper presents the latest number and list of victims from town of Stari Grad during World War I. The paper was written based on two previous reports by Petar Kuničić and Vinko Ružević. The author supplements the list thanks to research in the Smotra Dalmatinska and Verlustliste from State Archive in Vienna website. The final list is stated of Stari Grad people who died, 28 of them, the total of 35 with Rudina and Selca
Featured topic: A silent judge of art – friar Vinko Fulgencije Fugošić (1916–2003) - Summary
No full textThe fact is that it has been too little said, written, or rather thought about uncle friar, i.e. Vinko Fugošić, a Franciscan, an artist and a travel writer. He himself appreciated the silence and didn’t let himself get carried away by titles, achievements and performances. Nevertheless, the man, who has left his mark by brush, pen or word in virtually every church and chapel on the island of Krk as well as in many other sacred constructions throughout the Adriatic area, deserves something more than just silence. He was the silent type, he was an artist, passing judgments only and just in the field of art – which earned him his another name: a silent judge of art. Friar Vinko Fulgencije Fugošić (Gostinjac, 19th July 1916 – Crikvenica, 2nd August 2003) was known to broader public mainly as a visual artist, a master of portraits and landscapes, the author of ideas for numerous church interiors, finally as a (travel) writer. Therefore, in this set of featured articles Tomislav Galović and Perica Dujmović deal with his figure and work from the scholarly perspective whereas Gordana Gržetić depicts friar Vinko solely as a human being as seen through testimonies and memories. In addition to an outline of friar Vinko’s life and work, the following pages offer also lesser known details from his childhood, youth and the environment he grew up in, and memories of individuals who had shared this and that period of his life with him
Vinko Globokar’s Atemstudie for solo oboe: Analysis and performance guide
No full textThis thesis provides an analysis and performance guide to Vinko Globokar’s solo oboe work Atemstudie. As both of Globokar’s oboe works—Discours III for five oboes (1969) and Atemstudie for solo oboe (1971)—were written for Heinz Holliger, and composed in close proximity, I will elucidate their relationship with an overview of Discours III. While current scholarship provides analyses of some of Globokar’s works, as well as his thoughts on improvisation, no such analysis exists for Atemstudie or its treatment of the oboe. My interviews with Globokar regarding these topics will expand upon the currently available scholarship contributing otherwise unwritten experiences and performance expectations. With a greater understanding of Vinko Globokar and the historical context of these works, the intent and spirit of his compositions can be more fully realized.U of I Only Restriction set for Item 97137 on 2016-11-21T20:14:14Z with date by [email protected] by David Butler ([email protected]) on 2016-11-21T20:20:09Z
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The essayism of Vinko Ošlak
No full textDiplomsko delo je poskus tematske in vsebinske obravnave esejistike Vinka Ošlaka. Osredotočil sem se na nekatere tematske sklope, ki sem jih iz takšnih ali drugačnih razlogov prepoznal kot konstitutivne sestavine avtorjeve esejistike. Začnem s kratkim terminološkim pojasnilom o eseju in esejistiki, nadaljujem z avtorjevimi esejističnimi premišljevanji o kulturi in (nad)naravi, jeziku in narodu, esperantu kot Ošlakovi privilegirani temi, bistvu človeka in ekumensko odprtem krščanstvu. Sklenem z razmišljanjem o Ošlakovi esejistiki kot času neprimerni. Pri tem opozorim na širino avtorjevega miselnega horizonta in bogastvo avtorskega pristopa, v avtorjevi esejistiki pa prepoznam dragocen in samosvoj priklic pogosto že pozabljene vizije, namreč odprtosti v prihodnost in presežnost.The dissertation is an attempt of discussing the essayism of Vinko Ošlak thematically, as well as in terms of its content. I have focused on several thematic units which I find to be constitutive parts of the author\u27s essayism,for that reason or another. I begin my dissertation by briefly explaining the terminology of the essay and essayism as such and continue with the author\u27s essayistic contemplations on culture and (transcending the) nature, language and nation, Esperanto - Ošlak\u27s privileged topic, the essence of man and the ecumenically open Christianity. I conclude my dissertation by pondering on Ošlak\u27s essayism as untimely, by pointing out the broadness of the author\u27s "mental horizon" and the richness of his authorial approach. As far as Ošlak\u27s essayism is concerned, in it I recognize a valuable and individual recall of what is often a long forgotten vision - the openness to the future and transcendence
The reflection of erotic poetry written by Vinko Möderndorfer
No full textDiplomsko delo poskuša osvetliti pesniški opus in ustvarjanje enega izmed vodilnih sodobnih ljubezenskih lirikov, Vinka Möderndorferja. Gre za avtorja, čigar ustvarjalni opus je v slovenskem prostoru najbolj prepojen z erotiko. Möderndorferjeva pesniška zapuščina šteje zavidljivih sedemnajst zbirk. Njegovo umetniško ustvarjanje se kljub temu ne giba le na področju poezije, temveč tudi dramatike in proze. Gre za mnogostranskega in izjemno ustvarjalnega umetnika, ki je za svoje delo prejel številne nagrade in pohvale.
Diplomsko delo se začne s krajšim orisom nastanka slovenske poezije, nadaljuje pa s pregledom sodobnejših tokov, v katere se Möderndorfer kot pesnik uvršča. V nadaljevanju naloge sledi teoretična podlaga erotične poezije, njen nastanek, razvoj, predvsem pa poudarek na njenih značilnostih. V nalogi je prav tako predstavljeno triindvajset pomembnejših avtorjev in avtoric, ki so vplivali in pripomogli k razvoju erotične poezije. Zadnji del naloge pa se podrobneje posveča Vinku Möderndorferju in njegovemu delu. Jedro predstavlja pregled njegove poezije in njenih značilnosti ter lastnosti.The diploma focuses on love poetry of the »oeuvre« of Vinko Möderndorfer, one of the most important contemporary Slovene poets. He is one of the most popular and influential poets in the field of love and erotic poetry. The author has published seventeen poetry volumes and is equally important as a playwright and novelist. He has received several awards for his literary work. His work is translated into several languages.
The diploma starts with a short introduction of the history of Slovene poetry in the romantic period and continues analyzing the modern Slovene poetry of the 20th century which is also important as a context for Möderndorfer’s poetics. One of the dimensions of the diploma is dedicated to the theoretical reflection of the erotic poetry. The research offers a choice of twenty-three authors who marked the development of the Slovene erotic poetry. The last and crucial part of the diploma focuses on the features of the erotic poetry written by Vinko Möderndorfer
The Poetry of Vinko Kos (from previously unknown manuscripts)
No full textOvim se radom predstavlja dio rezultata višegodišnjeg istraživanja književnog djela hrvatskog književnika Vinka Kosa (1914. - 1945.). U diplomskom radu autora članka (U potrazi za izgubljenim pjesnikom, 1996.) analiziraju se i predstavljaju Kosova tiskana djela (bez dijela opusa za djecu) te navode sva neobjavljena (rukopisna) djela, a u magistarskom radu (Rukopisna ostavština Vinka Kosa, 2001.) autor članka posvećuje se pomnom istraživanju navedene Kosove rukopisne ostavštine (deskripciji, analizi, interpretaciji, komparaciji itd.) te klasifikaciji unutar okvira moderne hrvatske književnosti, ali i općih tradicija i modela moderne književnosti. Ovdje će biti predstavljeni rezultati otkrića samo Kosovih pjesničkih zbirki i pjesama koje za života nije stigao objaviti, dakle, još nepoznati i neobjavljeni (rukopisni) pjesnički radovi/zbirke: Pjesme 1936, Cvatući bregovi, Razumljivi čas te Pojedinačne pjesme, nastali u razdoblju od 1936. do 1945. godine. Kosovo pjesništvo nastoji se iščitati kao praksa obilježena poetikama romantičarsko-sentimentalističkoga i modernističkoga (simbolističkoga i impresionističkoga) tipa izraza koje se naslanja na iskustvo katoličkoga (religijskoga i metafizičkoga) pjesništva i tradiciju modernih svjetskih klasika slične misaone strukture.As its title implies, this paper deals with listing and evaluating newly-discovered poetical manuscripts (poetry: Poems 1936, Hills in Blossom, Moment Easy to Understand, Individual Poems - which are just a part of a series of unpublished works) left behind by the Croatian writer Vinko Kos (1914 - 1945), whose tragic life and works, due to unfavorable social and political circumstances, have been neglected and kept secret until recently. Mostly a poet, a children's author and an educator, but also a short-story writer, a travel writer and a dramatist - Vinko Kos was a victim of the tragic war events. His life ended violently at the age of 31, most probably in one of the camps set up in the period of the Bleiburg tragedy in 1945. As a young and promising author, he established himself in Croatian literature in the period between 1938 and 1945. During that short period, he published four collections of poems (Waterfall, Sculptor, Bat, and Lada) and a travel book. He also wrote a few books of children's poems and stories. In order to get a clear picture of the author and his poetic work (published and unpublished), the paper includes some general contextual considerations of literary tendencies and practical literary models during the 1930s and the 1940s. The poetry written by Kos is characterized by the poetics of romantic-sentimental, modernist (symbolist and impressionist) expression, relying on experience derived from Catholic (religious and metaphysical) poetry and the tradition of modern classics of world literature of a similar cast of mind. Some of his manuscript poems are incomplete and/or weaker, and just one book (Hills in Blossom) and a few individual poems are articulate and finished. These poems, relevant in terms of their aesthetic values, certainly deserve to be added to the already published pieces by Kos, thus finally putting the name and the work of Vinko Kos on the map of Croatia literature in the first half of the 20th century
Vinko Jelić in Ivan Lukačić: migrantska glasbenika med Mediteranom in srednjo Evropo v projektu MusMig in njegovi podatkovni zbirki
No full textThe author presents phases in the work on the database within the European HERA project Music Migrations in the Early Modern Age: the Meeting of the European East, West and South (2013–2016), illustrated by two case studies from the Croatian lands. Vinko Jelić from Rijeka and Ivan Lukačić from Šibenik were contemporaries of the Parnassus Musicus Ferdinandaeus generation but their output was not included in the anthology. The data on their life, education and work was entered in the database, as well as data on 3500 other European musicians investigated in the MusMig project. On the basis of the search results, their timelines and possible encounters with other musicians are outlined.Avtorica opisuje faze nastajanja podatkovne zbirke evropskega projekta HERA Glasbene migracije v zgodnjem novem veku: na stičišču evropskega vzhoda, zahoda in juga (2013–2016) na primeru dveh glasbenikov z današnje Hrvaške. Vinko Jelić z Reke in Ivan Lukačić iz Šibenika sta bila sodobnika generacije skladateljev, znanih iz zbirke Parnassus musicus Ferdinandaeus. Njunih skladb ta antologija ne vključuje. Podatki o njunem življenju, izobrazbi in delu so bili priobčeni v podatkovni zbirki projekta MusMig skupaj s tistimi o drugih 3500 tovrstnih evropskih glasbenikih. Rezultati iskanja po zbirki omogočajo vpogled v njuni časovnici in možne stike z drugimi glasbeniki
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