1,880 research outputs found

    B-0684: Providence, Utah, Samuel Merrill farm. Lot 11 Block 27 Plat A, 1930s. Later bought by California Packing Corporation

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    B-0684: Providence, Utah, Samuel Merrill farm. Lot 11 Block 27 Plat A, 1930s. Later bought by California Packing Corporatio

    Phoebe Odell Merrill

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    Phoebe Odell Merrill is the wife of Samuel J. Merrill. She was born about 1787. She was three years older than Samuel. Her son, Philemon Christopher was a lieutenant in Company B of the Mormon Battalion

    A Letter from Samuel B. Schieffelin to A. C. Van Raalte

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    A letter from Samuel B. Schieffelin to A.C.V.R. regarding property matters. Schieffelin seems to have a high regard for Van Raalte. The author also makes some medicinal recommendations for A.C.V.R.\u27s health problems.https://digitalcommons.hope.edu/vrp_1850s/1367/thumbnail.jp

    Report of Nathaniel B. Baker Adjutant and Inspector General and A.Q.M.G. of the State of Iowa to Hon. Samuel Merrill Governor of Iowa, 1872

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    Report of Nathaniel B. Baker Adjutant and Inspector General and A.Q.M.G. of the State of Iowa to Hon. Samuel Merrill Governor of Iowa

    Reports of Nathaniel B. Baker Adj't. and Inspector-General and A.Q.M.G. of the State of Iowa to Hon. Samuel Merrill Governor of Iowa, January 1, 1870

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    Reports of Nathaniel B. Baker Adj't. and Inspector-General and A.Q.M.G. of the State of Iowa to Hon. Samuel Merrill Governor of Iowa

    The Effects of Climate Change on Economic Activity in Maine: Coastal York County Case Study

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    Climate change can have significant ramifications for Maine’s economy. If short-term projections for the next century are accurate, at minimum sea level rise will become increasingly noticeable in association with more severe and destructive coastal storms. Charles Colgan and Samuel Merrill evaluate risk estimates by presenting a case study of the projected consequences of sea level rise and coastal storm damage on the economy of the state’s most vulnerable area, York County’s coastal communities

    Report of Nathaniel B. Baker Adjutant and Inspector General and A.Q.M.G. of the State of Iowa to Hon. Samuel Merrill Governor of Iowa, January 1, 1871 to January 1, 1872

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    Report of Nathaniel B. Baker Adjutant and Inspector General and A.Q.M.G. of the State of Iowa to Hon. Samuel Merrill Governor of Iowa, January 1, 1871 to January 1, 1872

    Merrill Family Correspondence, 1887-1960

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    A collection of letters mostly to Edward N. Merrill with a few to his sons Edward F. Merrill and William F. Merrill from Maine governors, United States senators and United States congressmen. Most letters concern politics in Maine and in Congress. Many letters are from Edwin C. Burleigh and concern his successful gubernatorial campaign of 1892. Other correspondents include S.S. Marble, Henry B. Cleaves, Llewellyn Powers, William T. Cobb, Carl E. Milliken, Eugene Hale, William P. Frye, Bert M. Fernald, William M. Calder, Frederick Hale, William Tudor Gardiner, Frederick G. Payne, John H. Reed, Seth L. Milliken, Samuel W. Gould, John A. Peters, Frank E. Guernsey, John E. Nelson, Ira G. Hersey, Carroll L. Beedy, Wallace H. White, Jr., Percival Baxter, and Louis J. Brann.https://digitalcommons.library.umaine.edu/findingaids/1040/thumbnail.jp

    Writing and the rights of reality: usurpation and potentiality in Derrida, Plato, Nietzsche, and Beckett

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    The thesis critically evaluates Jacques Derrida's conferral of the rights of reality on writing, focussing on his theory of an arche-text in light of the speculative nature of this theory. The theory is initially considered in the context of Derrida's elucidation of the usurpatory status of writing within the Platonic and Nietzschean texts. This consideration reveals an admission of writing's usurpatory status by both writers while at the same time demonstrating their awareness of the intrinsically speculative nature of this view, the significance of writing lying in its ability to exteriorise the radically indeterminate status of consciousness m relation to reality rather than its ability to displace consciousness or reality The analyses, therefore, not only bring the Derridean hypothesis of a repressive or phonocentric metaphysical episteme into question but also exhibit the historical and philosophical role of potentiality in relation to writing, writing's ultimate significance lying in its capacity to exteriorise our existence as a mode of potentiality. Accordingly, in the second half of the thesis the Derridean theory of writing is countered with a specifically Aristotelian theory of the text as it is exhibited in the prose of Samuel Beckett, an author whose significance lies in his close alignment with Derridean theory within contemporary criticism. It is demonstrated that this identification has obviated an awareness of the significance of potentiality within the Beckettian text, his work consequently being appraised in the previously neglected context of Aristotelian metaphysics

    Samuel Beckett and the Writers of Port-Royal

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    It has been observed that ‘the literary influences on Beckett have been far more important than has been acknowledged, and more important indeed, than the philosophical influences’ (Smith 2002: 3). The truth of this statement is evidenced by the description that scholars have given of Samuel Beckett’s relationship to seventeenth century French classicism. To date, critical interest has been limited for the most part to the figure of the philosopher René Descartes on the (fragile) grounds that Beckett was exclusively concerned with the Cartesian imperative of clarity and order, the fundamental dualism between body and mind, and Nominalism. Together with the assumption that Beckett’s vision was essentially Cartesian, his literary filiation with Pascal was suggested by critics, but only in terms of Beckett’s formal approach to the theatre. In his short article on En attendant Godot in 1953, the playwright Jean Anouilh was among the first reviewers to suggest that Beckett’s drama synthesizes the encounter between ‘classicism’ and a ‘modern’ form of art. It is well known that Beckett retained a lifelong admiration for Pascal – indeed, Pascal was one of his ‘old chestnuts’ (Knowlson 1997: 653). Little attention has been paid, however, to the originality of Pascal’s thought, the specific nature of his prose, and the impact these might have had upon Beckett’s mature work, especially the trilogy and the subsequent short prose. Yet, in the literary and philosophical context of post-war France, Beckett’s filiation with Pascal, their corresponding preoccupations, were evident to his contemporaries, who identified Pascal as an underlying presence in his works
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